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Editore: Routledge, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: Basi6 International, Irving, TX, U.S.A.
Libro
Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Editore: Routledge, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: Basi6 International, Irving, TX, U.S.A.
Libro
Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Editore: Ashgate Publishing Company, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: Books Puddle, New York, NY, U.S.A.
Libro
Condizione: New.
Editore: Ashgate Publishing Company, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: Majestic Books, Hounslow, Regno Unito
Libro
Condizione: New.
Editore: Routledge 2018-05-24, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: Chiron Media, Wallingford, Regno Unito
Libro
Hardcover. Condizione: New.
Editore: Routledge, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: Brook Bookstore, Milano, MI, Italia
Libro
Condizione: new.
Editore: Taylor & Francis, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: moluna, Greven, Germania
Libro Print on Demand
Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Simon Emmerson studied at Cambridge University and City University London. He is a composer, writer and professor at De Montfort University, Leicester. He works mostly with live electronics and has published widely in electroacoustic mus.
Editore: Taylor & Francis Ltd, London, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: CitiRetail, Stevenage, Regno Unito
Libro
Hardcover. Condizione: new. Hardcover. The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice unified through ideas of 'reaching out' and 'connecting together' and in effect showing that there is emerging a different kind of 'global music'. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Editore: Routledge, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: Revaluation Books, Exeter, Regno Unito
Libro
Hardcover. Condizione: Brand New. 360 pages. 9.75x7.00x1.00 inches. In Stock.
Editore: Taylor & Francis Ltd, London, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: AussieBookSeller, Truganina, VIC, Australia
Libro
Hardcover. Condizione: new. Hardcover. The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice unified through ideas of 'reaching out' and 'connecting together' and in effect showing that there is emerging a different kind of 'global music'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Editore: Routledge, 2018
ISBN 10: 1472472918ISBN 13: 9781472472915
Da: Mispah books, Redhill, SURRE, Regno Unito
Libro
Hardcover. Condizione: New. New. book.