Lingua: Inglese
Editore: Ashgate Publishing Company, 2018
ISBN 10: 1472472918 ISBN 13: 9781472472915
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New.
Lingua: Inglese
Editore: Ashgate Publishing Company, 2018
ISBN 10: 1472472918 ISBN 13: 9781472472915
Da: Majestic Books, Hounslow, Regno Unito
EUR 174,03
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Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Ashgate Publishing Company, 2018
ISBN 10: 1472472918 ISBN 13: 9781472472915
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 174,07
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Da: Mispah books, Redhill, SURRE, Regno Unito
EUR 192,01
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Aggiungi al carrelloHardcover. Condizione: New. New. book.
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Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2018
ISBN 10: 1472472918 ISBN 13: 9781472472915
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice unified through ideas of 'reaching out' and 'connecting together' and in effect showing that there is emerging a different kind of 'global music'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 256,38
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 267,48
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Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2018
ISBN 10: 1472472918 ISBN 13: 9781472472915
Da: CitiRetail, Stevenage, Regno Unito
EUR 256,39
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice unified through ideas of 'reaching out' and 'connecting together' and in effect showing that there is emerging a different kind of 'global music'. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Da: moluna, Greven, Germania
EUR 261,97
Quantità: Più di 20 disponibili
Aggiungi al carrelloGebunden. Condizione: New. Simon Emmerson studied at Cambridge University and City University London. He is a composer, writer and professor at De Montfort University, Leicester. He works mostly with live electronics and has published widely in electroacoustic mus.
Da: Revaluation Books, Exeter, Regno Unito
EUR 309,50
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Aggiungi al carrelloHardcover. Condizione: Brand New. 360 pages. 9.75x7.00x1.00 inches. In Stock.
Lingua: Inglese
Editore: Taylor & Francis Ltd Mai 2018, 2018
ISBN 10: 1472472918 ISBN 13: 9781472472915
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 323,06
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Aggiungi al carrelloBuch. Condizione: Neu. Neuware.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2018
ISBN 10: 1472472918 ISBN 13: 9781472472915
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 397,58
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice unified through ideas of 'reaching out' and 'connecting together' and in effect showing that there is emerging a different kind of 'global music'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.