9781474221122 - eric rohmer: filmmaker and philosopher di hösle, vittorio (21 risultati)
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Da: Bethesda Used Books, Bethesda, MD, U.S.A.Bethesda Used Books
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Soft cover. Condizione: Good. Moderate wear. Former owner's name inside the cover. Pages unmarked. Not ex-library, no stickers. Ships in a box.
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Paperback or Softback. Condizione: New. Eric Rohmer: Filmmaker and Philosopher. Book.
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Paperback. Condizione: New. Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinéma - from whose editorship he was fired when the conservativ…e Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film: Brother of the noted French philosopher René Scherer, he begins his career as a film critic In his films, deep moral conflicts as well as the search for one's own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hösle's book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace.
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Paperback. Condizione: New. Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinéma - from whose editorship he was fired when the conservativ…e Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film: Brother of the noted French philosopher René Scherer, he begins his career as a film critic In his films, deep moral conflicts as well as the search for one's own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hösle's book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace.
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Condizione: New. Series: Philosophical Filmmakers. Num Pages: 216 pages. BIC Classification: APFA; APFB; HPCF; HPN. Category: (P) Professional & Vocational. Dimension: 142 x 219 x 15. Weight in Grams: 310. . 2016. Paperback. . . . .
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Paperback. Condizione: Brand New. 240 pages. 8.50x5.25x0.50 inches. In Stock.
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Condizione: New. pp. 216.
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Condizione: New. Series: Philosophical Filmmakers. Num Pages: 216 pages. BIC Classification: APFA; APFB; HPCF; HPN. Category: (P) Professional & Vocational. Dimension: 142 x 219 x 15. Weight in Grams: 310. . 2016. Paperback. . . . . Books ship from the US and Ireland.
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Paperback. Condizione: New. Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinéma - from whose editorship he was fired when the conservativ…e Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film: Brother of the noted French philosopher René Scherer, he begins his career as a film critic In his films, deep moral conflicts as well as the search for one's own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hösle's book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace.
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Condizione: New. Über den AutorrnrnVittorio Hoesle is the Paul Kimball Professor of Arts and Letters in the departments of German, Philosophy, and Political Science at the University of Notre Dame, where he directed the Notre Dame Institute for Advanced Stud.
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Paperback. Condizione: New. Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinéma - from whose editorship he was fired when the conservativ…e Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film: Brother of the noted French philosopher René Scherer, he begins his career as a film critic In his films, deep moral conflicts as well as the search for one's own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hösle's book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace.
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Paperback. Condizione: new. Paperback. Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema from whose editorship he was fired when the co…nservative Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film: Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic In his films, deep moral conflicts as well as the search for ones own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hoesles book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Condizione: New. Print on Demand pp. 216.
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Condizione: New. PRINT ON DEMAND pp. 216.
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Paperback. Condizione: new. Paperback. Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema from whose editorship he was fired when the co…nservative Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film: Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic In his films, deep moral conflicts as well as the search for ones own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hoesles book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
