9781474409650 - research methods for creating and curating data in the digital humanities (15 risultati)
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Lingua: Inglese
Editore: Edinburgh University Press, GB, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
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Paperback. Condizione: New. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital…Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a 'how-to' basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online.
Lingua: Inglese
Editore: Edinburgh University Press, Edinburgh, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
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Paperback. Condizione: new. Paperback. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects…of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a 'how-to' basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Edinburgh University Press, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
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Lingua: Inglese
Editore: Edinburgh University Press, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
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Lingua: Inglese
Editore: Edinburgh University Press, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
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Paperback. Condizione: New.
Lingua: Inglese
Editore: Edinburgh University Press, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
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Condizione: New. . . 2016. 1st Edition. Paperback. . . . .
Lingua: Inglese
Editore: Edinburgh University Press, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: Edinburgh University Press, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
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Lingua: Inglese
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Soft cover. Condizione: Very Good. 1st Edition. Binding is tight, all pages crisp. Some very minor signs of shelf wear that do not affect the integrity of the book. *All international orders must choose priority shipping (tracked and signed) at checkout. UK orders are sent via Royal Mail Tracked 48.* ----SHELF A4----.
Lingua: Inglese
Editore: Edinburgh University Press, Edinburgh, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
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Paperback. Condizione: new. Paperback. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects…of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a 'how-to' basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Altre immagini
Lingua: Inglese
Editore: EDINBURGH UNIV PR, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
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Da: moluna, Greven, Germaniamoluna
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Kartoniert / Broschiert. Condizione: New. Über den AutorrnrnMatt Hayler is a Lecturer in post-1980s Literature at the University of Birmingham specializing in Digital and Cyberculture Studies, specifically (post)phenomenology and Cognitive Science influenced approaches to e-read.
- Altre immagini
Lingua: Inglese
Editore: Edinburgh University Press, GB, 2016
Serie: Libro 4 di 6 - Research Methods for the Arts and Humanities
- Brossura
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
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Paperback. Condizione: New. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital…Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a 'how-to' basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online.
