Isbn: 9781474409650 - research methods for creating and curating data in the digital humanities (16 risultati)

Condizione: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Condizione: New. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a 'how-to' basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online. …

Paperback. Condizione: new. Paperback. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if thats the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a how-to basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Condizione: New. pp.

Paperback. Condizione: New.

Condizione: New. . . 2016. 1st Edition. Paperback. . . . .

Condizione: New. pp.

Condizione: New. pp.

Condizione: New. . . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Soft cover. Condizione: Very Good. 1st Edition. Binding is tight, all pages crisp. Some very minor signs of shelf wear that do not affect the integrity of the book. *All international orders must choose priority shipping (tracked and signed) at checkout. UK orders are sent via Royal Mail Tracked 48.* ----SHELF A4----.…

Taschenbuch. Condizione: Neu. Neuware - The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:- First volume to explore digitisation practices as research methods for Humanities scholars- Provides a practical and critical approach to issues of digitisation - Discusses actual digitisation projects on a 'how-to' basis- Addresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online.…

Paperback. Condizione: new. Paperback. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if thats the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a how-to basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Kartoniert / Broschiert. Condizione: New. &Uumlber den AutorrnrnMatt Hayler is a Lecturer in post-1980s Literature at the University of Birmingham specializing in Digital and Cyberculture Studies, specifically (post)phenomenology and Cognitive Science influenced approaches to e-read.

Paperback. Condizione: New. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a 'how-to' basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online. …