Lingua: Inglese
Editore: Edinburgh University Press, GB, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Aggiungi al carrelloPaperback. Condizione: New. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
Lingua: Inglese
Editore: Edinburgh University Press, Edinburgh, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film withLosing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Lingua: Inglese
Editore: Edinburgh University Press 2/28/2020, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Paperback or Softback. Condizione: New. Kathleen Collins: The Black Essai Film. Book.
Lingua: Inglese
Editore: Edinburgh University Press, GB, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Aggiungi al carrelloPaperback. Condizione: New. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Lingua: Inglese
Editore: Edinburgh University Press -, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Aggiungi al carrelloPaperback. Condizione: New.
Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Aggiungi al carrelloPaperback. Condizione: Brand New. 168 pages. 8.25x5.25x0.50 inches. In Stock.
Lingua: Inglese
Editore: Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Lingua: Inglese
Editore: Edinburgh University Press, GB, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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Aggiungi al carrelloPaperback. Condizione: New. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
Lingua: Inglese
Editore: Edinburgh University Press, Edinburgh, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Da: AussieBookSeller, Truganina, VIC, Australia
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film withLosing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloKartoniert / Broschiert. Condizione: New. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with Losing Ground (1982). This book uses detailed analyses of Collins s films to contextualise her work in the African American, feminist and world film .
Lingua: Inglese
Editore: Edinburgh University Press Feb 2020, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 33,01
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons.Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.Geetha Ramanathan is Professor of Comparative Literature at West Chester University, where she teaches and writes on comparative literature, film and women's studies, including feminist and African American film. Her most recent book is The Female in German Modernisms: The Visual Turn (2019).
Lingua: Inglese
Editore: Edinburgh University Press, GB, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Da: Rarewaves.com UK, London, Regno Unito
EUR 21,36
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Aggiungi al carrelloPaperback. Condizione: New. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
Da: Revaluation Books, Exeter, Regno Unito
EUR 17,36
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Aggiungi al carrelloPaperback. Condizione: Brand New. 168 pages. 8.25x5.25x0.50 inches. In Stock. This item is printed on demand.