Isbn: 9781477333570 - beyond the moment: connecting histories of latinx performance and resistance (18 risultati)

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  • Lingua: Inglese

    Editore: University of Texas Press, 2026

    1477333576 / 9781477333570

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  • Lingua: Inglese

    Editore: University of Texas Press 3/17/2026, 2026

    1477333576 / 9781477333570

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    Paperback or Softback. Condizione: New. Beyond the Moment: Connecting Histories of Latinx Performance and Resistance. Book.

  • Lingua: Inglese

    Editore: University of Texas Press, Austin, TX, 2026

    1477333576 / 9781477333570

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    Paperback. Condizione: new. Paperback. Exploring cultural resistance by creating and archiving Latinx performance art Performance is often seen as ephemeral, a condition that seemingly reduces its activist possibilities. After all, not everyone can take part or bear witness. Beyond the Moment shows how Latinx artists have responded with a theater of dissent that enduresperformance art that also documents and can itself be archived, creating opportunities for sustained solidarity and resistance. Through close readings of works such as Coco Fuscos multi-genre performance A Field Guide for Female Interrogators, Irene Mata theorizes what she calls textual mentoring. This method involves tracing previous moments of resistance, archiving the creative process itself, and transforming the performance into a pedagogical tool. By means of textual mentoring, a work like The Panza Monologues becomes a lesson in confronting systemic oppression through collaborative storytelling. Mata also shows how the 2012 No Papers, No Fear Ride for Justice, a multistate immigrant-rights action, relies on a vocabulary of refusal of movements of the pastlike the Freedom Rides of the Civil Rights eraand continues its activism beyond its immediate performance context by digitally archiving its process. With an emphasis on intersectional critique, Beyond the Moment positions performance as a radical form of resistance that educates and inspires across generations and movements. Latinx performance art emerges as a potent tool for cultural resistance in this exploration of creative expression and archival preservation. The narrative highlights arts role in reclaiming identity, offering an evocative look at how cultural heritage persists and empowers communities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Lingua: Inglese

    Editore: University of Texas Press, 2026

    1477333576 / 9781477333570

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  • Lingua: Inglese

    Editore: University of Texas Press, 2026

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    Condizione: New. 2026. paperback. . . . . .

  • Lingua: Inglese

    Editore: MU - University of Texas Press, 2026

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  • Lingua: Inglese

    Editore: University of Texas Press, 2026

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  • Lingua: Inglese

    Editore: University of Texas Press, 2026

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    paperback. Condizione: New. Special order direct from the distributor.

  • Lingua: Inglese

    Editore: University of Texas Press, 2026

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  • Lingua: Inglese

    Editore: Univ of Texas Pr, 2026

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    Paperback. Condizione: Brand New. 256 pages. 9.00x6.00x9.00 inches. In Stock.

  • Lingua: Inglese

    Editore: University of Texas Press, 2026

    1477333576 / 9781477333570

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  • Lingua: Inglese

    Editore: University of Texas Press, 2026

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  • Lingua: Inglese

    Editore: University of Texas Press, Austin, TX, 2026

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    Paperback. Condizione: new. Paperback. Exploring cultural resistance by creating and archiving Latinx performance art Performance is often seen as ephemeral, a condition that seemingly reduces its activist possibilities. After all, not everyone can take part or bear witness. Beyond the Moment shows how Latinx artists have responded with a theater of dissent that enduresperformance art that also documents and can itself be archived, creating opportunities for sustained solidarity and resistance. Through close readings of works such as Coco Fuscos multi-genre performance A Field Guide for Female Interrogators, Irene Mata theorizes what she calls textual mentoring. This method involves tracing previous moments of resistance, archiving the creative process itself, and transforming the performance into a pedagogical tool. By means of textual mentoring, a work like The Panza Monologues becomes a lesson in confronting systemic oppression through collaborative storytelling. Mata also shows how the 2012 No Papers, No Fear Ride for Justice, a multistate immigrant-rights action, relies on a vocabulary of refusal of movements of the pastlike the Freedom Rides of the Civil Rights eraand continues its activism beyond its immediate performance context by digitally archiving its process. With an emphasis on intersectional critique, Beyond the Moment positions performance as a radical form of resistance that educates and inspires across generations and movements. Latinx performance art emerges as a potent tool for cultural resistance in this exploration of creative expression and archival preservation. The narrative highlights arts role in reclaiming identity, offering an evocative look at how cultural heritage persists and empowers communities. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

  • Lingua: Inglese

    Editore: University of Texas Press, 2026

    1477333576 / 9781477333570

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    Taschenbuch. Condizione: Neu. Beyond the Moment | Connecting Histories of Latinx Performance and Resistance | Irene Mata | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | University of Texas Press | EAN 9781477333570 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.

  • Lingua: Inglese

    Editore: University of Texas Press, Austin, TX, 2026

    1477333576 / 9781477333570

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    Paperback. Condizione: new. Paperback. Exploring cultural resistance by creating and archiving Latinx performance art Performance is often seen as ephemeral, a condition that seemingly reduces its activist possibilities. After all, not everyone can take part or bear witness. Beyond the Moment shows how Latinx artists have responded with a theater of dissent that enduresperformance art that also documents and can itself be archived, creating opportunities for sustained solidarity and resistance. Through close readings of works such as Coco Fuscos multi-genre performance A Field Guide for Female Interrogators, Irene Mata theorizes what she calls textual mentoring. This method involves tracing previous moments of resistance, archiving the creative process itself, and transforming the performance into a pedagogical tool. By means of textual mentoring, a work like The Panza Monologues becomes a lesson in confronting systemic oppression through collaborative storytelling. Mata also shows how the 2012 No Papers, No Fear Ride for Justice, a multistate immigrant-rights action, relies on a vocabulary of refusal of movements of the pastlike the Freedom Rides of the Civil Rights eraand continues its activism beyond its immediate performance context by digitally archiving its process. With an emphasis on intersectional critique, Beyond the Moment positions performance as a radical form of resistance that educates and inspires across generations and movements. Latinx performance art emerges as a potent tool for cultural resistance in this exploration of creative expression and archival preservation. The narrative highlights arts role in reclaiming identity, offering an evocative look at how cultural heritage persists and empowers communities. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Lingua: Inglese

    Editore: University Of Texas Press Mär 2026, 2026

    1477333576 / 9781477333570

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    Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Exploring cultural resistance by creating and archiving Latinx performance art Performance is often seen as ephemeral, a condition that seemingly reduces its activist possibilities. After all, not everyone can take part or bear witness. Beyond the Moment shows how Latinx artists have responded with a theater of dissent that endures-performance art that also documents and can itself be archived, creating opportunities for sustained solidarity and resistance. Through close readings of works such as Coco Fusco's multi-genre performance A Field Guide for Female Interrogators, Irene Mata theorizes what she calls 'textual mentoring.' This method involves tracing previous moments of resistance, archiving the creative process itself, and transforming the performance into a pedagogical tool. By means of textual mentoring, a work like The Panza Monologues becomes a lesson in confronting systemic oppression through collaborative storytelling. Mata also shows how the 2012 No Papers, No Fear Ride for Justice, a multistate immigrant-rights action, relies on a vocabulary of refusal of movements of the past-like the Freedom Rides of the Civil Rights era-and continues its activism beyond its immediate performance context by digitally archiving its process. With an emphasis on intersectional critique, Beyond the Moment positions performance as a radical form of resistance that educates and inspires across generations and movements. 240 pp. Englisch.

  • Lingua: Inglese

    Editore: University Of Texas Press, 2026

    1477333576 / 9781477333570

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    Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Exploring cultural resistance by creating and archiving Latinx performance art Performance is often seen as ephemeral, a condition that seemingly reduces its activist possibilities. After all, not everyone can take part or bear witness. Beyond the Moment shows how Latinx artists have responded with a theater of dissent that endures-performance art that also documents and can itself be archived, creating opportunities for sustained solidarity and resistance. Through close readings of works such as Coco Fusco's multi-genre performance A Field Guide for Female Interrogators, Irene Mata theorizes what she calls 'textual mentoring.' This method involves tracing previous moments of resistance, archiving the creative process itself, and transforming the performance into a pedagogical tool. By means of textual mentoring, a work like The Panza Monologues becomes a lesson in confronting systemic oppression through collaborative storytelling. Mata also shows how the 2012 No Papers, No Fear Ride for Justice, a multistate immigrant-rights action, relies on a vocabulary of refusal of movements of the past-like the Freedom Rides of the Civil Rights era-and continues its activism beyond its immediate performance context by digitally archiving its process. With an emphasis on intersectional critique, Beyond the Moment positions performance as a radical form of resistance that educates and inspires across generations and movements.