Black outdoors: innovations in the poetics of study - 9781478014249 - no one's witness: a monstrous poetics di zolf, syd (28 risultati)
Lingua: Inglese
Editore: Duke University Press, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
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Lingua: Inglese
Editore: Duke University Press, North Carolina, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
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Paperback. Condizione: new. Paperback. In No One's Witness Rachel Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experime…ntal poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life. Syd Zolf activates the last three lines of a poem by Jewish Nazi Holocaust survivor Paul Celan--"No one / bears witness for the / witness"--to theorize the poetics and im/possibility of witnessing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Duke University Press, US, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
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Paperback. Condizione: New. In No One's Witness Syd Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics,…and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.
Lingua: Inglese
Editore: Duke University Press, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
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Lingua: Inglese
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Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
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Paperback. Condizione: Brand New. 192 pages. 8.75x6.00x0.50 inches. In Stock.
Lingua: Inglese
Editore: Duke University Press, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
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Paperback. Condizione: New. In No One's Witness Syd Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics,…and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.
Lingua: Inglese
Editore: Duke University Press, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
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Lingua: Inglese
Editore: Duke University Press, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
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Paperback. Condizione: Brand New. 192 pages. 8.75x6.00x0.50 inches. In Stock.
Lingua: Inglese
Editore: Duke University Press, North Carolina, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
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Paperback. Condizione: new. Paperback. In No One's Witness Rachel Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experime…ntal poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life. Syd Zolf activates the last three lines of a poem by Jewish Nazi Holocaust survivor Paul Celan--"No one / bears witness for the / witness"--to theorize the poetics and im/possibility of witnessing. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: Duke University Press, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
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Condizione: New. Rachel Zolf activates the last three lines of a poem by Jewish Nazi Holocaust survivor Paul Celan- No one / bears witness for the / witness -to theorize the poetics and im/possibility of witnessing.Über den AutorSyd Zolf.
Lingua: Inglese
Editore: Duke University Press, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
- Brossura
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Paperback. Condizione: New. In No One's Witness Syd Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics,…and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.
Altre immaginiLingua: Inglese
Editore: Duke University Press, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
- Brossura
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Taschenbuch. Condizione: Neu. No One's Witness | A Monstrous Poetics | Syd Zolf | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2021 | Duke University Press | EAN 9781478014249 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbiete…r: preigu.
Lingua: Inglese
Editore: Duke University Press, US, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
- Brossura
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Paperback. Condizione: New. In No One's Witness Syd Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics,…and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.
Lingua: Inglese
Editore: Duke University Press, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
- Brossura
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In No One's Witness Syd Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-'No one / bears witness for the / witness'-to theorize the poetics and im/possibility of witnessing. Drawing on blac…k studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life. 192 pp. Englisch.
Lingua: Inglese
Editore: Duke University Press, 2021
Serie: Libro 7 di 14 - Black Outdoors: Innovations in the Poetics of Study
- Brossura
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- Brossura
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In No One's Witness Syd Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-'No one / bears witness for the / witness'-to theorize the poetics and im/possibility of witnessing. Drawing on black stu…dies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.
