Lingua: Inglese
Editore: MD - Duke University Press, 2026
ISBN 10: 1478033088 ISBN 13: 9781478033080
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Aggiungi al carrelloPaperback. Condizione: New. In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory calendars. These programs allied a dizzying range of sexual and gendered outlaws, including stigmatized practices often overlooked by LGBT-focused queer theory. Curating Deviance reveals how repertory and art cinemas built a coalition of outcasts stigmatized for their taboo desires or identities, rekindling queer utopian imaginaries.
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Lingua: Inglese
Editore: Duke University Press 2/17/2026, 2026
ISBN 10: 1478033088 ISBN 13: 9781478033080
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Paperback or Softback. Condizione: New. Curating Deviance: Programming the Queer Film Canon. Book.
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Aggiungi al carrelloPaperback. Condizione: New. In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory calendars. These programs allied a dizzying range of sexual and gendered outlaws, including stigmatized practices often overlooked by LGBT-focused queer theory. Curating Deviance reveals how repertory and art cinemas built a coalition of outcasts stigmatized for their taboo desires or identities, rekindling queer utopian imaginaries.
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Aggiungi al carrelloPaperback. Condizione: New. In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory calendars. These programs allied a dizzying range of sexual and gendered outlaws, including stigmatized practices often overlooked by LGBT-focused queer theory. Curating Deviance reveals how repertory and art cinemas built a coalition of outcasts stigmatized for their taboo desires or identities, rekindling queer utopian imaginaries.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Curating Deviance | Programming the Queer Film Canon | Marc Francis | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | Duke University Press | EAN 9781478033080 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.
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Aggiungi al carrelloPaperback. Condizione: New. In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory calendars. These programs allied a dizzying range of sexual and gendered outlaws, including stigmatized practices often overlooked by LGBT-focused queer theory. Curating Deviance reveals how repertory and art cinemas built a coalition of outcasts stigmatized for their taboo desires or identities, rekindling queer utopian imaginaries.
Lingua: Inglese
Editore: Duke University Press, North Carolina, 2026
ISBN 10: 1478033088 ISBN 13: 9781478033080
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Paperback. Condizione: new. Paperback. In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory calendars. These programs allied a dizzying range of sexual and gendered outlaws, including stigmatized practices often overlooked by LGBT-focused queer theory. Curating Deviance reveals how repertory and art cinemas built a coalition of outcasts stigmatized for their taboo desires or identities, rekindling queer utopian imaginaries. In Curating Deviance, Marc Francis rekindles queer utopian imaginaries by studying how, from the 1960s through the 1980s, a cadre of programmers and art house theaters brought together a dizzying array of deviant films to create a queer repertory film canon. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Lingua: Inglese
Editore: Duke University Press Feb 2026, 2026
ISBN 10: 1478033088 ISBN 13: 9781478033080
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory calendars. These programs allied a dizzying range of sexual and gendered outlaws, including stigmatized practices often overlooked by LGBT-focused queer theory. Curating Deviance reveals how repertory and art cinemas built a coalition of outcasts stigmatized for their taboo desires or identities, rekindling queer utopian imaginaries. 304 pp. Englisch.
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Lingua: Inglese
Editore: Duke University Press, North Carolina, 2026
ISBN 10: 1478033088 ISBN 13: 9781478033080
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory calendars. These programs allied a dizzying range of sexual and gendered outlaws, including stigmatized practices often overlooked by LGBT-focused queer theory. Curating Deviance reveals how repertory and art cinemas built a coalition of outcasts stigmatized for their taboo desires or identities, rekindling queer utopian imaginaries. In Curating Deviance, Marc Francis rekindles queer utopian imaginaries by studying how, from the 1960s through the 1980s, a cadre of programmers and art house theaters brought together a dizzying array of deviant films to create a queer repertory film canon. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory calendars. These programs allied a dizzying range of sexual and gendered outlaws, including stigmatized practices often overlooked by LGBT-focused queer theory. Curating Deviance reveals how repertory and art cinemas built a coalition of outcasts stigmatized for their taboo desires or identities, rekindling queer utopian imaginaries.