Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Lingua: Inglese
Editore: MP-MPP University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 29,44
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: University Press of Mississippi, Jackson, 2016
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Eastleach Books, Newbury, BER, Regno Unito
Prima edizione
EUR 23,89
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Fine. 1st edition. Paperback, F. 234pp, b/w illustrations, index, a fine copy. A study of the science ficiton film & its context with the post World War Two nuclear age. 375 grams.
Lingua: Inglese
Editore: University Press of Mississippi, Jackson, Mississippi, 2016
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Literary Cat Books, Machynlleth, Powys, WALES, Regno Unito
Membro dell'associazione: IOBA
EUR 21,50
Quantità: 1 disponibili
Aggiungi al carrelloOriginal decorated wrappers. Condizione: New. Print on Demand. With illustrations. Light shelfwear. ; 8vo 8" - 9" tall; (10), 234 pages.
Lingua: Inglese
Editore: University Press of Mississippi, US, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 40,83
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction-from alien invasions to biological mutation and space travel-the vast majority of these films subscribed to the effects and aesthetics of horror film, anticipating the dystopian turn of many science fiction films to come. Departing from projections of American technological awe and optimism, these films often evinced paranoia, unease, fear, shock, and disgust. Not only did these movies address technophobia and its psychological, social, and cultural corollaries; they also returned persistently to the military as a source of character, setting, and conflict. Commensurate with a state of perpetual mobilization, the US military comes across as an inescapable presence in American life.Regardless of their genre, Steffen Hantke argues that these films have long been understood as allegories of the Cold War. They register anxieties about two major issues of the time: atomic technologies, especially the testing and use of nuclear weapons, as well as communist aggression and/or subversion. Setting out to question, expand, and correct this critical argument, Hantke follows shifts and adjustments prompted by recent scholarly work into the technological, political, and social history of America in the 1950s. Based on this revised historical understanding, science fiction films appear in a new light as they reflect on the troubled memories of World War II, the emergence of the military-industrial complex, the postwar rewriting of the American landscape, and the relative insignificance of catastrophic nuclear war compared to America's involvement in postcolonial conflicts around the globe.
Lingua: Inglese
Editore: University Press of Mississippi 4/1/2018, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Monsters in the Machine: Science Fiction Film and the Militarization of America After World War II. Book.
Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 35,33
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Majestic Books, Hounslow, Regno Unito
EUR 39,33
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 244.
Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 38,36
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2018. Reprint. Paperback. . . . . .
Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 33,41
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 38,67
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.
Lingua: Inglese
Editore: University Press of Mississippi 2018-03-12, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Chiron Media, Wallingford, Regno Unito
EUR 34,59
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 244.
Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 46,72
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2018. Reprint. Paperback. . . . . . Books ship from the US and Ireland.
Da: Revaluation Books, Exeter, Regno Unito
EUR 56,49
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. reprint edition. 234 pages. 9.00x6.00x0.75 inches. In Stock.
Lingua: Inglese
Editore: University Press of Mississippi, US, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Rarewaves.com UK, London, Regno Unito
EUR 37,74
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction-from alien invasions to biological mutation and space travel-the vast majority of these films subscribed to the effects and aesthetics of horror film, anticipating the dystopian turn of many science fiction films to come. Departing from projections of American technological awe and optimism, these films often evinced paranoia, unease, fear, shock, and disgust. Not only did these movies address technophobia and its psychological, social, and cultural corollaries; they also returned persistently to the military as a source of character, setting, and conflict. Commensurate with a state of perpetual mobilization, the US military comes across as an inescapable presence in American life.Regardless of their genre, Steffen Hantke argues that these films have long been understood as allegories of the Cold War. They register anxieties about two major issues of the time: atomic technologies, especially the testing and use of nuclear weapons, as well as communist aggression and/or subversion. Setting out to question, expand, and correct this critical argument, Hantke follows shifts and adjustments prompted by recent scholarly work into the technological, political, and social history of America in the 1950s. Based on this revised historical understanding, science fiction films appear in a new light as they reflect on the troubled memories of World War II, the emergence of the military-industrial complex, the postwar rewriting of the American landscape, and the relative insignificance of catastrophic nuclear war compared to America's involvement in postcolonial conflicts around the globe.
Da: Revaluation Books, Exeter, Regno Unito
EUR 34,74
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. reprint edition. 234 pages. 9.00x6.00x0.75 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 44,44
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 345.
Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 64,51
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. PRINT ON DEMAND pp. 244.
Lingua: Inglese
Editore: University Press of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: moluna, Greven, Germania
EUR 48,42
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Steffen Hantke argues that these films have long been understood as allegories of the Cold War. Sett.
Lingua: Inglese
Editore: University Press Of Mississippi, 2018
ISBN 10: 1496818261 ISBN 13: 9781496818263
Da: AHA-BUCH GmbH, Einbeck, Germania
Fotografia Print on Demand
EUR 58,70
Quantità: 1 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction-from alien invasions to biological mutation and space travel-the vast majority of these films subscribed to the effects and aesthetics of horror film, anticipating the dystopian turn of many science fiction films to come. Departing from projections of American technological awe and optimism, these films often evinced paranoia, unease, fear, shock, and disgust. Not only did these movies address technophobia and its psychological, social, and cultural corollaries; they also returned persistently to the military as a source of character, setting, and conflict. Commensurate with a state of perpetual mobilization, the US military comes across as an inescapable presence in American life.Regardless of their genre, Steffen Hantke argues that these films have long been understood as allegories of the Cold War. They register anxieties about two major issues of the time: atomic technologies, especially the testing and use of nuclear weapons, as well as communist aggression and/or subversion. Setting out to question, expand, and correct this critical argument, Hantke follows shifts and adjustments prompted by recent scholarly work into the technological, political, and social history of America in the 1950s. Based on this revised historical understanding, science fiction films appear in a new light as they reflect on the troubled memories of World War II, the emergence of the military-industrial complex, the postwar rewriting of the American landscape, and the relative insignificance of catastrophic nuclear war compared to America's involvement in postcolonial conflicts around the globe.