9781501319655 - exploiting east asian cinemas: genre, circulation, reception (9 risultati)
Lingua: Inglese
Editore: Bloomsbury Academic, 2018
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Exploiting East Asian Cinemas: Genre, Circulation, Reception
Provencher, Ken (Editor)/ Dillon, Mike (Editor)/ Fisher, Austin (Editor)/ Walker, Johnny (Editor)
Lingua: Inglese
Editore: Bloomsbury USA Academic, 2018
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 268,51
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Hardcover. Condizione: Brand New. 228 pages. 9.50x6.25x0.75 inches. In Stock.
Lingua: Inglese
Editore: Bloomsbury Publishing (UK), 2018
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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Lingua: Inglese
Editore: Bloomsbury Publishing (UK), 2018
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Lingua: Inglese
Editore: Bloomsbury Publishing Plc, New York, 2018
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 217,16
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Hardcover. Condizione: new. Hardcover. From the 1970s onward, exploitation cinema as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as m…ainstream or as exploitation have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation.Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as art or trash, regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes East Asian exploitation cinema. The first book to give rigorous study to the concept of East Asian exploitation cinema as a product of global circulation and popular perception, both inside and outside of East Asia. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Bloomsbury Publishing Plc, New York, 2018
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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
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EUR 177,18
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Hardcover. Condizione: new. Hardcover. From the 1970s onward, exploitation cinema as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as m…ainstream or as exploitation have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation.Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as art or trash, regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes East Asian exploitation cinema. The first book to give rigorous study to the concept of East Asian exploitation cinema as a product of global circulation and popular perception, both inside and outside of East Asia. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Lingua: Inglese
Editore: Bloomsbury Academic, 2018
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Da: moluna, Greven, Germaniamoluna
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EUR 189,04
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.
Lingua: Inglese
Editore: Bloomsbury Publishing Plc, 2018
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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EUR 231,26
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Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: Continnuum-3PL, 2018
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- Foto
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 223,30
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Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - From the 1970s onward, 'exploitation cinemä as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulat…ion alter the identity of an East Asian film as 'mainstream¿ or as 'exploitation¿ have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation.Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as 'art¿ or 'trash,¿ regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes 'East Asian exploitation cinema.¿.
