9781501783593 - the feeling of the form: empathy and aesthetics from büchner to rilke di metz, joseph r. (25 risultati)

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Paperback. Condizione: New. The Feeling of the Form explores the concept of Einfuehlung - the projection of human feelings and life into inanimate forms - developed by German aesthetic theorists in the late nineteenth century. The word would be translated into English as "empathy" and migrate in meaning from the aesthetic to the… interpersonal sphere. Combining close analysis and cultural "para-history," The Feeling of the Form reads literary texts by Georg Buechner, Adalbert Stifter, and Rainer Maria Rilke alongside philosophical texts by Robert Vischer, Vernon Lee, and Theodor Lipps to uncover the often-uncanny intersections of aesthetic and interpersonal empathy.Traveling both backward and forward in time from the 1873 invention of Einfuehlung, Joseph R. Metz traces the diverse and multidirectional exchanges among subjects and objects, feelings and forms, and selves and others that together yield an expanded understanding of Einfuehlung, empathy, and the connections between them. In its surprising juxtapositions, The Feeling of the Form also shows how nineteenth- and early twentieth-century texts prefigure a wide array of later thought, including affect theory, "other minds," artificial intelligence, object-oriented ontology, and cinema and video game aesthetics.

Lingua: Inglese
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Paperback. Condizione: new. Paperback. The Feeling of the Form explores the concept of Einfuehlung - the projection of human feelings and life into inanimate forms - developed by German aesthetic theorists in the late nineteenth century. The word would be translated into English as "empathy" and migrate in meaning from the aesth…etic to the interpersonal sphere. Combining close analysis and cultural "para-history," The Feeling of the Form reads literary texts by Georg Buechner, Adalbert Stifter, and Rainer Maria Rilke alongside philosophical texts by Robert Vischer, Vernon Lee, and Theodor Lipps to uncover the often-uncanny intersections of aesthetic and interpersonal empathy.Traveling both backward and forward in time from the 1873 invention of Einfuehlung, Joseph R. Metz traces the diverse and multidirectional exchanges among subjects and objects, feelings and forms, and selves and others that together yield an expanded understanding of Einfuehlung, empathy, and the connections between them. In its surprising juxtapositions, The Feeling of the Form also shows how nineteenth- and early twentieth-century texts prefigure a wide array of later thought, including affect theory, "other minds," artificial intelligence, object-oriented ontology, and cinema and video game aesthetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Lingua: Inglese
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Paperback or Softback. Condizione: New. The Feeling of the Form: Empathy and Aesthetics from B�chner to Rilke. Book.

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Taschenbuch. Condizione: Neu. Neuware - The Feeling of the Form explores the concept of Einfuehlung - the projection of human feelings and life into inanimate forms - developed by German aesthetic theorists in the late nineteenth century. The word would be translated into English as 'empathy' and migrate in meaning from the aest…hetic to the interpersonal sphere. Combining close analysis and cultural 'para-history,' The Feeling of the Form reads literary texts by Georg Buechner, Adalbert Stifter, and Rainer Maria Rilke alongside philosophical texts by Robert Vischer, Vernon Lee, and Theodor Lipps to uncover the often-uncanny intersections of aesthetic and interpersonal empathy.Traveling both backward and forward in time from the 1873 invention of Einfuehlung, Joseph R. Metz traces the diverse and multidirectional exchanges among subjects and objects, feelings and forms, and selves and others that together yield an expanded understanding of Einfuehlung, empathy, and the connections between them. In its surprising juxtapositions, The Feeling of the Form also shows how nineteenth- and early twentieth-century texts prefigure a wide array of later thought, including affect theory, 'other minds,' artificial intelligence, object-oriented ontology, and cinema and video game aesthetics.

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Paperback. Condizione: new. Paperback. The Feeling of the Form explores the concept of Einfuehlung - the projection of human feelings and life into inanimate forms - developed by German aesthetic theorists in the late nineteenth century. The word would be translated into English as "empathy" and migrate in meaning from the aesth…etic to the interpersonal sphere. Combining close analysis and cultural "para-history," The Feeling of the Form reads literary texts by Georg Buechner, Adalbert Stifter, and Rainer Maria Rilke alongside philosophical texts by Robert Vischer, Vernon Lee, and Theodor Lipps to uncover the often-uncanny intersections of aesthetic and interpersonal empathy.Traveling both backward and forward in time from the 1873 invention of Einfuehlung, Joseph R. Metz traces the diverse and multidirectional exchanges among subjects and objects, feelings and forms, and selves and others that together yield an expanded understanding of Einfuehlung, empathy, and the connections between them. In its surprising juxtapositions, The Feeling of the Form also shows how nineteenth- and early twentieth-century texts prefigure a wide array of later thought, including affect theory, "other minds," artificial intelligence, object-oriented ontology, and cinema and video game aesthetics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Paperback. Condizione: New. The Feeling of the Form explores the concept of Einfuehlung - the projection of human feelings and life into inanimate forms - developed by German aesthetic theorists in the late nineteenth century. The word would be translated into English as "empathy" and migrate in meaning from the aesthetic to the… interpersonal sphere. Combining close analysis and cultural "para-history," The Feeling of the Form reads literary texts by Georg Buechner, Adalbert Stifter, and Rainer Maria Rilke alongside philosophical texts by Robert Vischer, Vernon Lee, and Theodor Lipps to uncover the often-uncanny intersections of aesthetic and interpersonal empathy.Traveling both backward and forward in time from the 1873 invention of Einfuehlung, Joseph R. Metz traces the diverse and multidirectional exchanges among subjects and objects, feelings and forms, and selves and others that together yield an expanded understanding of Einfuehlung, empathy, and the connections between them. In its surprising juxtapositions, The Feeling of the Form also shows how nineteenth- and early twentieth-century texts prefigure a wide array of later thought, including affect theory, "other minds," artificial intelligence, object-oriented ontology, and cinema and video game aesthetics.

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Taschenbuch. Condizione: Neu. The Feeling of the Form | Empathy and Aesthetics from Buchner to Rilke | Joseph R. Metz | Taschenbuch | Signale: Modern German Letters, Cultures, and Thought | Einband - flex.(Paperback) | Englisch | 2025 | Cornell University Press | EAN 9781501783593 | Verantwortliche Person für die EU: Libri GmbH,… Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

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Paperback. Condizione: new. Paperback. The Feeling of the Form explores the concept of Einfuehlung - the projection of human feelings and life into inanimate forms - developed by German aesthetic theorists in the late nineteenth century. The word would be translated into English as "empathy" and migrate in meaning from the aesth…etic to the interpersonal sphere. Combining close analysis and cultural "para-history," The Feeling of the Form reads literary texts by Georg Buechner, Adalbert Stifter, and Rainer Maria Rilke alongside philosophical texts by Robert Vischer, Vernon Lee, and Theodor Lipps to uncover the often-uncanny intersections of aesthetic and interpersonal empathy.Traveling both backward and forward in time from the 1873 invention of Einfuehlung, Joseph R. Metz traces the diverse and multidirectional exchanges among subjects and objects, feelings and forms, and selves and others that together yield an expanded understanding of Einfuehlung, empathy, and the connections between them. In its surprising juxtapositions, The Feeling of the Form also shows how nineteenth- and early twentieth-century texts prefigure a wide array of later thought, including affect theory, "other minds," artificial intelligence, object-oriented ontology, and cinema and video game aesthetics. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.