Raceb4race: critical race studies of the premodern - 9781512826074 - scripts of blackness: early modern performance culture and the making of race di ndiaye, nomie (22 risultati)

Scripts of Blackness : Early Modern Performance Culture and the Making of Race
Ndiaye, Noémie; Heng, Geraldine (EDT); Thompson, Ayanna (EDT)
Lingua: Inglese
Editore: University of Pennsylvania Press, 2024
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Paperback or Softback. Condizione: New. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. Book.

Scripts of Blackness : Early Modern Performance Culture and the Making of Race
Ndiaye, Noémie; Heng, Geraldine (EDT); Thompson, Ayanna (EDT)
Lingua: Inglese
Editore: University of Pennsylvania Press, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
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Lingua: Inglese
Editore: University of Pennsylvania Press, 2024
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Editore: University of Pennsylvania Press, 2024
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Lingua: Inglese
Editore: University of Pennsylvania Press, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
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Paperback. Condizione: New. Scripts of Blackness shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism.…In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques-black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)-in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects.

Lingua: Inglese
Editore: University of Pennsylvania Press, 2024
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Scripts of Blackness : Early Modern Performance Culture and the Making of Race
Ndiaye, Noémie; Heng, Geraldine (EDT); Thompson, Ayanna (EDT)
Lingua: Inglese
Editore: University of Pennsylvania Press, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
- Brossura
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Lingua: Inglese
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Scripts of Blackness : Early Modern Performance Culture and the Making of Race
Ndiaye, Noémie; Heng, Geraldine (EDT); Thompson, Ayanna (EDT)
Lingua: Inglese
Editore: University of Pennsylvania Press, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
- Brossura
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Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
- Brossura
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Scripts of Blackness Early Modern Performance Culture and the Making of Race
Ndiaye, Noémie/ Heng, Geraldine (Editor)/ Thompson, Ayanna (Editor)
Lingua: Inglese
Editore: Univ of Pennsylvania Pr, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
- Brossura
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 376 pages. 0.35x0.24x0.84 inches. In Stock.

Lingua: Inglese
Editore: University Of Pennsylvania Press Feb 2024, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
- Brossura
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Taschenbuch. Condizione: Neu. Neuware - Scripts of Blackness shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and…capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques-black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)-in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects.

Lingua: Inglese
Editore: University of Pennsylvania Press, US, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
- Brossura
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Paperback. Condizione: New. Scripts of Blackness shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism.…In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques-black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)-in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects.

Lingua: Inglese
Editore: University of Pennsylvania Press, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
- Brossura
Da: moluna, Greven, Germaniamoluna
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Lingua: Inglese
Editore: University of Pennsylvania Press, US, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
- Brossura
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. Scripts of Blackness shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism.…In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques-black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)-in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects.

Scripts of Blackness Early Modern Performance Culture and the Making of Race
Ndiaye, Noémie/ Heng, Geraldine (Editor)/ Thompson, Ayanna (Editor)
Lingua: Inglese
Editore: Univ of Pennsylvania Pr, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
- Brossura
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Paperback. Condizione: Brand New. 376 pages. 0.35x0.24x0.84 inches. In Stock. This item is printed on demand.

Lingua: Inglese
Editore: University of Pennsylvania Press, 2024
Serie: Libro 2 di 4 - RaceB4Race: Critical Race Studies of the Premodern
- Brossura
- Print on Demand
Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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