ISBN: 9781513299907 - spring in new hampshire and other poems (23 risultati)

Condizione: New.

Paperback. Condizione: New. Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay's collections to appear in the United States. As a committed leftist, McKay-who grew up in Jamaica-captures the life of African Americans from a realist's point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot's The Waste Land (1922) and William Carlos Williams' Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In "Spring in New Hampshire," the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: "Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors." A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In "The Lynching," he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: "[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue." As children dance around the victim's body, "lynchers that were to be," McKay raises a terrible, timeless question: how long will such violence endure? With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay's Spring in New Hampshire and Other Poems is a classic of Jamaican literature reimagined for modern readers.…

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Paperback or Softback. Condizione: New. Spring in New Hampshire and Other Poems. Book.

Paperback. Condizione: New. Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay's collections to appear in the United States. As a committed leftist, McKay-who grew up in Jamaica-captures the life of African Americans from a realist's point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot's The Waste Land (1922) and William Carlos Williams' Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In "Spring in New Hampshire," the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: "Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors." A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In "The Lynching," he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: "[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue." As children dance around the victim's body, "lynchers that were to be," McKay raises a terrible, timeless question: how long will such violence endure? With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay's Spring in New Hampshire and Other Poems is a classic of Jamaican literature reimagined for modern readers.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKays collections to appear in the United States. As a committed leftist, McKaywho grew up in Jamaicacaptures the life of African Americans from a realists point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliots The Waste Land (1922) and William Carlos Williams Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In Spring in New Hampshire, the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors. A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In The Lynching, he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: [S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue As children dance around the victims body, lynchers that were to be, McKay raises a terrible, timeless question: how long will such violence endure?Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. 42 pages. 8.00x5.00x0.09 inches. In Stock.

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKays collections to appear in the United States. As a committed leftist, McKaywho grew up in Jamaicacaptures the life of African Americans from a realists point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliots The Waste Land (1922) and William Carlos Williams Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In Spring in New Hampshire, the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors. A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In The Lynching, he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: [S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue As children dance around the victims body, lynchers that were to be, McKay raises a terrible, timeless question: how long will such violence endure?Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New. Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay's collections to appear in the United States. As a committed leftist, McKay-who grew up in Jamaica-captures the life of African Americans from a realist's point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot's The Waste Land (1922) and William Carlos Williams' Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In "Spring in New Hampshire," the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: "Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors." A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In "The Lynching," he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: "[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue." As children dance around the victim's body, "lynchers that were to be," McKay raises a terrible, timeless question: how long will such violence endure? With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay's Spring in New Hampshire and Other Poems is a classic of Jamaican literature reimagined for modern readers.…

Condizione: New. Print on Demand pp. 44.

Condizione: New. Print on Demand pp. 44.

Condizione: New. PRINT ON DEMAND pp. 44.

Paperback. Condizione: New. Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay's collections to appear in the United States. As a committed leftist, McKay-who grew up in Jamaica-captures the life of African Americans from a realist's point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot's The Waste Land (1922) and William Carlos Williams' Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In "Spring in New Hampshire," the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: "Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors." A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In "The Lynching," he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: "[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue." As children dance around the victim's body, "lynchers that were to be," McKay raises a terrible, timeless question: how long will such violence endure? With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay's Spring in New Hampshire and Other Poems is a classic of Jamaican literature reimagined for modern readers.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay's collections to appear in the United States. As a committed leftist, McKay-who grew up in Jamaica-captures the life of African Americans from a realist's point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot's The Waste Land (1922) and William Carlos Williams' Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In 'Spring in New Hampshire,' the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: 'Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors.' A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In 'The Lynching,' he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: '[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue.' As children dance around the victim's body, 'lynchers that were to be,' McKay raises a terrible, timeless question: how long will such violence endure Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorClaude McKay (1889-1948) was a Jamaican poet and novelist. Born in Sunny Ville, Jamaica, McKay was raised in a strict Baptist family alongside seven siblings. Sent to live with his brother Theo, a journalist..…

Taschenbuch. Condizione: Neu. Spring in New Hampshire and Other Poems | Claude Mckay | Taschenbuch | Black Narratives | Kartoniert / Broschiert | Englisch | 2021 | Mint Editions | EAN 9781513299907 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …