Isbn: 9781524898779 - how comics are made : a visual history from the drawing board to the printed page (36 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardback. Condizione: Good. If you love comic strips, youll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and a forward by bestselling author Michael Chabon.…

Hardcover. Condizione: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: New.

Hardback. Condizione: New. "No one, before now, has written a history of the comic strip as a technological artifact-not, at least, in such depth, and on such a sound foundation of research."?- Michael Chabon, author, The Amazing Adventures of Kavalier and ClayIf you love comics, you'll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique angle-how they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artist's hand and makes it way through transformations into print and onto a digital screen. You'll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And you'll find out about metal etching, Dragon's Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers' switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in print-or on screen.…

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardback or Cased Book. Condizione: New. How Comics Are Made: A Visual History from the Drawing Board to the Printed Page. Book.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. No one, before now, has written a history of the comic strip as a technological artifactnot, at least, in such depth, and on such a sound foundation of research. Michael Chabon, author, The Amazing Adventures of Kavalier & ClayIf you love comics, youll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique anglehow they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artists hand and makes it way through transformations into print and onto a digital screen. Youll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And youll find out about metal etching, Dragons Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in printor on screen. If you love comic strips, youll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and a forward by bestselling author Michael Chabon. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New. "No one, before now, has written a history of the comic strip as a technological artifact-not, at least, in such depth, and on such a sound foundation of research."?- Michael Chabon, author, The Amazing Adventures of Kavalier and ClayIf you love comics, you'll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique angle-how they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artist's hand and makes it way through transformations into print and onto a digital screen. You'll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And you'll find out about metal etching, Dragon's Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers' switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in print-or on screen.…

hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New. 2025. 1st Edition. hardcover. . . . . .

Hardcover. Condizione: New.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Condizione: New. In English.

hardcover. Condizione: New. Special order direct from the distributor.

Hardcover. Condizione: Brand New. 288 pages. 10.75x8.50x0.75 inches. In Stock.

Hardcover. Condizione: Brand New. 288 pages. 10.75x8.50x0.75 inches. In Stock.

Hardcover. Condizione: Brand New. 288 pages. 10.75x8.50x0.75 inches. In Stock.

Buch. Condizione: Neu. Neuware -'No one, before now, has written a history of the comic strip as a technological artifact--not, at least, in such depth, and on such a sound foundation of research.' - Michael Chabon, author, The Amazing Adventures of Kavalier & Clay 288 pp. Englisch.

Buch. Condizione: Neu. Neuware -'No one, before now, has written a history of the comic strip as a technological artifact--not, at least, in such depth, and on such a sound foundation of research.' - Michael Chabon, author, The Amazing Adventures of Kavalier & Clay 288 pp. Englisch.

Hardcover. Condizione: new. Hardcover. No one, before now, has written a history of the comic strip as a technological artifactnot, at least, in such depth, and on such a sound foundation of research. Michael Chabon, author, The Amazing Adventures of Kavalier & ClayIf you love comics, youll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique anglehow they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artists hand and makes it way through transformations into print and onto a digital screen. Youll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And youll find out about metal etching, Dragons Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in printor on screen. If you love comic strips, youll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and a forward by bestselling author Michael Chabon. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: NEW.

Hardback. Condizione: New. "No one, before now, has written a history of the comic strip as a technological artifact-not, at least, in such depth, and on such a sound foundation of research."?- Michael Chabon, author, The Amazing Adventures of Kavalier and ClayIf you love comics, you'll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique angle-how they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artist's hand and makes it way through transformations into print and onto a digital screen. You'll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And you'll find out about metal etching, Dragon's Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers' switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in print-or on screen.…