9781546599500 - writing the pilot: creating the series: volume 2 di rabkin, william (29 risultati)
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Da: HPB-Diamond, Dallas, TX, U.S.A.HPB-Diamond
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Da: Books From California, Simi Valley, CA, U.S.A.Books From California
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paperback. Condizione: Good.
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Da: Half Price Books Inc., Dallas, TX, U.S.A.Half Price Books Inc.
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Condizione: acceptable. Paperback Book. Pages are still legible. Contains minimal underlining and or highlighting. Book shows signs of Use and Wear on Cover s - All Pages are still legible and in Acceptable Condition.
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Da: AwesomeBooks, Wallingford, Regno UnitoAwesomeBooks
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Paperback. Condizione: Very Good. Writing the Pilot: Creating the Series: Volume 2 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and look…ed after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.
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Da: eCampus, Lexington, KY, U.S.A.eCampus
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Condizione: New.
Lingua: Inglese
Editore: CreateSpace Independent Publishing Platform 01/y /09 M, 2017
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Da: Bahamut Media, Reading, Regno UnitoBahamut Media
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Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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Da: Indiana Book Company, Marion, IN, U.S.A.Indiana Book Company
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Da: medimops, Berlin, Germaniamedimops
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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Da: California Books, Miami, FL, U.S.A.California Books
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
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Paperback. Condizione: new. Paperback. When I finished Writing the Pilot a few years back, I figured I'd managed to cram everything I had to say on the subject in that little 90-page package. But that was 2011, and in the years that have passed, a lot has changed about the television business.And when I say "a lot," I mean every…thing. The way series are bought. The way series are conceived. The way stories are told. The way series are consumed. The kinds of stories that can be told. The limitations on content at every level. The limitations on form at every level. And maybe most important of all: The restriction on who is allowed to sell a series.What's far more confusing about the future is that there are as many changes in the business models for "broadcasters" out there, and no one knows which ones will prevail. And the changes in the delivery model are actually affecting the way our viewers watch our shows - and that in turn is affecting the shows that are being bought and produced. It turns out that we approach a series differently if we're going to binge an entire season in three days instead of taking it week by week. And while you might leap to the conclusion that this only applies to shows produced for Netflix, that's actually not true - the market for syndicated reruns on independent and cable channels is mostly dead, and the afterlife for almost every drama currently produced will be on a streaming service. So in those cases you are writing for two completely different audiences.And this is only the beginning of the forces that are changing the ways stories are told on television these days. Who could have guessed, for example, that a change in the way networks count their viewers would result in a huge acceleration in the pace of storytelling? Or that an overabundance of outlets would lead to a complete liberalization of the kinds of stories that would be allowed to serve as foundation for a series?TV drama storytelling has been changing constantly since the turn of the millennium, but the pace of that change seems to accelerate with every passing television season - except that there really isn't any such thing as a television season anymore. Series are getting bigger and faster - and also slower and smaller. A hit show from even five years ago can look hopelessly dated in this new world. And the only thing that's certain is that everything is going to keep changing. Well - almost everything. Because the one constant in this new television world is the need for great writing. Strong concepts, rich characters, intriguing plots. And more even than great writing: a voice. There's a desperate hunger out there for a fresh, original vision, something that can cut through the clutter of all those hundreds of other shows out there.But in order for that voice to be yours, you've got to understand how TV writing has changed - and what it may be changing to. That's why I've written this book. I believe that almost all of what I said in Writing the Pilot still applies, but right now it feels there's a lot to talk about that wasn't even a fantasy back in 2011. This book is about addressing the changes that have overtaken the TV business - and more importantly, have overtaken TV storytelling. I'm going to be talking about all the changes I listed above, and how they may - how they must - affect your pilot.In many ways, this is the greatest time in the history of our art form to be a TV writer. There are no limits to the stories you can tell or the ways you can tell them. But beneath what appears to be a market in chaos, there are still rules that guide our storytelling - and you can't get into the game before you master them. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
