9781576878644 - keith rowe: the room extended di olewnick, brian (4 risultati)
- Rilegato
Da: Roundabout Books, Greenfield, MA, U.S.A.Roundabout Books
Contatta il venditoreVenditore con 4 stelleMembro dell’associazione: SNEAB
Condizione: Usato - Quasi ottimo
EUR 50,85
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
hardcover. Condizione: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
- Rilegato
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Buono
EUR 51,31
Spedizione gratuitaSpedito in U.S.A.Quantità: 2 disponibili
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
- Rilegato
Da: DO NOT START, Grand Rapids, MI, U.S.A.DO NOT START
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Come nuovo
EUR 44,44
EUR 7,76 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Hardcover. "For someone interested in going 'beyond' with music and with guitar, this essential history will help you set your sights on places no musician has gone." —Henry Kaiser for Guitar Moderne The first and only authorized biography about Keith Rowe, his sol…o career, and his influence as the guitarist in the cult British improvised music band AMM, a group who counted Syd Barrett from Pink Floyd, Sonic Youth, and composer Christian Wolff as admirers. In London, in the fall of 1965, a group of four musicians, dissatisfied with the confines they had encountered in the British jazz scene, came together with a highly thought-out agenda to revolutionize the way music was created: no repertoire, no solos, no regular rhythms, no melodies, no fear of silence, 100% improvised. This rejected rules firmly in place then, as now, among even the most forward-looking of musicians. Keith Rowe was one of the founding membersof this collective. They called themselves AMM and soon added the composer Cornelius Cardew, an associate of John Cage and Karlheinz Stockhausen, who was seeking to escape what he thought were equivalent strictures in the avant-garde classical world. As a quintet, AMM created music unlike anything else being done at the time and, being immersed in the London scene of the mid-60s in which musical boundaries were amorphous, found themselves on the one hand sharing bills with nascent bands like Pink Floyd, The Who, and Cream while on the other working with and alongside Yoko Ono and Christian Wolff. Rowe, a guitarist trained as a painter, adapted to his guitar the lessons he'd learned in the visual arts, placing it flat on a table or the ground as Jackson Pollock had done with his canvases, using it as a sound source to be approached with all manner of implements, opening up a vast new territory of exploration, one which would be enormously influential in rock and contemporary classical, as well as the field of free improvisation. Over 12 years in the making and via exhaustive research and exclusive interviews Brian Olewnick has traced Rowe's life from childhood through the present, with focuses on London's mid-60s experimental music scene, the political unrest of the late 60s, the radical politics of the early 70s, the ongoing saga of AMM through the 90s and the accompanying advance of creative music over that time period, centered around Rowe's participation in those events and his major contributions to the contemporary avant-garde environment. Through the many ups and downs of AMM and beyond, Rowe has become an éminence grise to generations of musicians and is still today continuing to push the boundaries of what is possible in the world of sound.
- Brossura
Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 55,50
EUR 6,54 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
