Da: Reliant Bookstore, El Dorado, KS, U.S.A.
Condizione: good. This book is in good condition with very minimal damage. Pages may have minimal notes or highlighting. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.
Lingua: Inglese
Editore: Allworth Press (edition 1), 2002
ISBN 10: 1581152477 ISBN 13: 9781581152470
Da: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condizione: Good. 1. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Da: HPB-Ruby, Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: Bookbot, Prague, Repubblica Ceca
EUR 15,29
Quantità: 1 disponibili
Aggiungi al carrelloSoftcover. Condizione: Fine. Leichte Risse; Gebogener Buchrücken. For any film student or indie buff seeking an insider's perspective of the art and business of independent film-making, it doesn't get any closer than this. When the script says "shoot me" and Hollywood says no, your only alternative is to raise the money and do it yourself. Here's how screenwriters Roy Frumkes and Rocco Simonelli used digital video to do just that. Witty, original, and ruthlessly on the mark, this unvarnished look at independent film-making chronicles both the creative intricacies of collaboration and the tricks of staying in budget and out of court. The authors compare notes as they describe the entire film-making process, with coverage * Targeting the audience for the script and tailoring the script for the audience* Raising your friends, your family, and the millionaire next door* names, no-names, and personality nightmares* finding them, securing them, and sometimes even stealing them* creating a budget, scheduling the shoot, and dealing with unions* working with actors and protecting your vision* or dropping that scene you thought was a gem* Celebrating, publicizing, and distributing the finished product.