9781597115537 - i’m so happy you are here: japanese women photographers from the 1880s to now (10 risultati)
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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EUR 55,26
EUR 9,92 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 15 disponibili
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 66,58
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. A critical and celebratory counter-narrative to what we know of Japanese photography today.I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a… wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering. A critical and celebratory counter-narrative to what we know of Japanese photography today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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EUR 57,46
EUR 14,00 spedizioneSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Condizione: New. In.
- Altre immagini
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 73,29
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Hardback. Condizione: New. A critical and celebratory counternarrative to what we know of Japanese photography today. I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range…of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography-and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering.
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 83,96
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Hardback. Condizione: New. A critical and celebratory counternarrative to what we know of Japanese photography today. I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range…of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography-and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 76,51
EUR 17,53 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Brand New. 384 pages. 11.00x0.83x11.20 inches. In Stock.
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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 53,54
EUR 43,24 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. A critical and celebratory counter-narrative to what we know of Japanese photography today.I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a… wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering. A critical and celebratory counter-narrative to what we know of Japanese photography today. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 86,17
EUR 43,35 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardback. Condizione: New. A critical and celebratory counternarrative to what we know of Japanese photography today. I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range…of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography-and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 108,37
EUR 32,08 spedizioneSpedito da Australia a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. A critical and celebratory counter-narrative to what we know of Japanese photography today.I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a… wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering. A critical and celebratory counter-narrative to what we know of Japanese photography today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 63,81
EUR 75,96 spedizioneSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Hardback. Condizione: New. A critical and celebratory counternarrative to what we know of Japanese photography today. I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range…of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography-and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering.
