9781597115698 - image worlds to come: photography & ai: aperture no. 257 di aperture (27 risultati)
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Da: Big River Books, Powder Springs, U.S.A.Big River Books
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EUR 10,73
EUR 3,43 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Condizione: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.
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Da: BargainBookStores, Grand Rapids, U.S.A.BargainBookStores
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EUR 19,16
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Paperback or Softback. Condizione: New. Image Worlds to Come: Photography & AI: Aperture No. 257. Book.
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Da: Lakeside Books, Benton Harbor, U.S.A.Lakeside Books
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EUR 15,97
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Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
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Da: California Books, Miami, U.S.A.California Books
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EUR 21,25
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Condizione: New.
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Da: Rarewaves USA, OSWEGO, U.S.A.Rarewaves USA
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EUR 22,59
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Paperback. Condizione: New. This winter, Aperture presents "Image Worlds to Come: Photography and AI," a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist portfol…ios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.To weigh the risks and possibilities of this transformative change, Aperture has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the "intelligence" of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer's role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography's relationship to reality, exposing how the idea of a "real photo" has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States. "The field of photography continually shifts due to emergent technologies, and AI is a big one," says Michael Famighetti, Aperture's editor in chief. "It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.""Image Worlds to Come" looks at the past as much as the future. Art historian Noam M. Elcott and technologist Tim Trombley train their own AI model on the Farm Security Administration's vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible "cursed images" inspired by a feeling of being "nostalgic for the present." The cover of Aperture issue 257 features a work by Trevor Paglen from his 2017 series It Began as a Military Experiment. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life."Photography is the paradigm of human-technology interfaces," Paglen tells art historian Sarah M. Miller in an extensive interview. "People who think.
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Da: Grand Eagle Retail, Bensenville, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 23,39
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Paperback. Condizione: new. Paperback. This winter, Aperture presents Image Worlds to Come: Photography & AI, a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist…portfolios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.To weigh the risks and possibilities of this transformative change, Aperture has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the "intelligence" of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer's role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography's relationship to reality, exposing how the idea of a 'real photo' has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States.'The field of photography continually shifts due to emergent technologies, and AI is a big one,' says Michael Famighetti, Aperture's editor in chief. 'It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.'Image Worlds to Come looks at the past as much as the future. Art historian Noam M. Elcott and technologist Tim Trombley train their own AI model on the Farm Security Administration's vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible 'cursed images' inspired by a feeling of being 'nostalgic for the present'.The cover of Aperture issue 257 features a work by Trevor Paglen from his 2017 series It Began as a Military Experiment. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life.'Photography is the paradigm of human-technology interfaces', Paglen tells art historian Sarah M. Miller in an extensive interview. 'People who think critically about photographs have a great deal to contribute, in terms of trying to conceive of and implement the kind of world that we want to live in, because the world is increasingly hard to distinguish from photography'.Image Worlds to Come begins to map a transformative moment for the medium, as we enter an era that will require us to look harder and deeper at photographs than ever before. This winter, Aperture presents Image Worlds to Come: Photography & AI, a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Rarewaves.com USA, London, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 24,01
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Paperback. Condizione: New. This winter, Aperture presents "Image Worlds to Come: Photography and AI," a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist portfol…ios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.To weigh the risks and possibilities of this transformative change, Aperture has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the "intelligence" of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer's role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography's relationship to reality, exposing how the idea of a "real photo" has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States. "The field of photography continually shifts due to emergent technologies, and AI is a big one," says Michael Famighetti, Aperture's editor in chief. "It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.""Image Worlds to Come" looks at the past as much as the future. Art historian Noam M. Elcott and technologist Tim Trombley train their own AI model on the Farm Security Administration's vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible "cursed images" inspired by a feeling of being "nostalgic for the present." The cover of Aperture issue 257 features a work by Trevor Paglen from his 2017 series It Began as a Military Experiment. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life."Photography is the paradigm of human-technology interfaces," Paglen tells art historian Sarah M. Miller in an extensive interview. "People who think.
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Da: PBShop.store US, Wood Dale, U.S.A.PBShop.store US
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: PBShop.store UK, Fairford, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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EUR 22,82
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Condizione: New.
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Da: medimops, Berlin, Germaniamedimops
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EUR 20,38
EUR 10,00 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
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Da: Russell Books, Victoria, CanadaRussell Books
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paperback. Condizione: New. Special order direct from the distributor.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Condizione: New. In.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 22,50
EUR 14,46 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Paperback. Condizione: Brand New. 160 pages. 9.25x0.32x13.78 inches. In Stock.
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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EUR 21,28
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 30,48
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Condizione: New. 2024. paperback. . . . . .
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Da: Biblios, frankfurt am main, GermaniaBiblios
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EUR 31,25
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Condizione: New.
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Da: Books Puddle, New York, U.S.A.Books Puddle
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EUR 39,05
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Condizione: New.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 28,84
EUR 14,46 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Paperback. Condizione: Brand New. 160 pages. 9.25x0.32x13.78 inches. In Stock.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 28,84
EUR 14,46 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Brand New. 160 pages. 9.25x0.32x13.78 inches. In Stock.
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Da: Kennys Bookstore, Olney, U.S.A.Kennys Bookstore
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EUR 38,12
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Condizione: New. 2024. paperback. . . . . . Books ship from the US and Ireland.
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Da: Rarewaves USA United, OSWEGO, U.S.A.Rarewaves USA United
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 24,34
EUR 42,97 spedizioneSpedito in U.S.A.Quantità: 4 disponibili
Paperback. Condizione: New. This winter, Aperture presents "Image Worlds to Come: Photography and AI," a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist portfol…ios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.To weigh the risks and possibilities of this transformative change, Aperture has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the "intelligence" of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer's role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography's relationship to reality, exposing how the idea of a "real photo" has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States. "The field of photography continually shifts due to emergent technologies, and AI is a big one," says Michael Famighetti, Aperture's editor in chief. "It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.""Image Worlds to Come" looks at the past as much as the future. Art historian Noam M. Elcott and technologist Tim Trombley train their own AI model on the Farm Security Administration's vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible "cursed images" inspired by a feeling of being "nostalgic for the present." The cover of Aperture issue 257 features a work by Trevor Paglen from his 2017 series It Began as a Military Experiment. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life."Photography is the paradigm of human-technology interfaces," Paglen tells art historian Sarah M. Miller in an extensive interview. "People who think.
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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 25,01
EUR 42,80 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. This winter, Aperture presents Image Worlds to Come: Photography & AI, a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist…portfolios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.To weigh the risks and possibilities of this transformative change, Aperture has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the "intelligence" of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer's role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography's relationship to reality, exposing how the idea of a 'real photo' has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States.'The field of photography continually shifts due to emergent technologies, and AI is a big one,' says Michael Famighetti, Aperture's editor in chief. 'It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.'Image Worlds to Come looks at the past as much as the future. Art historian Noam M. Elcott and technologist Tim Trombley train their own AI model on the Farm Security Administration's vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible 'cursed images' inspired by a feeling of being 'nostalgic for the present'.The cover of Aperture issue 257 features a work by Trevor Paglen from his 2017 series It Began as a Military Experiment. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life.'Photography is the paradigm of human-technology interfaces', Paglen tells art historian Sarah M. Miller in an extensive interview. 'People who think critically about photographs have a great deal to contribute, in terms of trying to conceive of and implement the kind of world that we want to live in, because the world is increasingly hard to distinguish from photography'.Image Worlds to Come begins to map a transformative moment for the medium, as we enter an era that will require us to look harder and deeper at photographs than ever before. This winter, Aperture presents Image Worlds to Come: Photography & AI, a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Da: AussieBookSeller, Truganina, AustraliaAussieBookSeller
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 39,23
EUR 31,80 spedizioneSpedito da Australia a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. This winter, Aperture presents Image Worlds to Come: Photography & AI, a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist…portfolios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.To weigh the risks and possibilities of this transformative change, Aperture has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the "intelligence" of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer's role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography's relationship to reality, exposing how the idea of a 'real photo' has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States.'The field of photography continually shifts due to emergent technologies, and AI is a big one,' says Michael Famighetti, Aperture's editor in chief. 'It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.'Image Worlds to Come looks at the past as much as the future. Art historian Noam M. Elcott and technologist Tim Trombley train their own AI model on the Farm Security Administration's vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible 'cursed images' inspired by a feeling of being 'nostalgic for the present'.The cover of Aperture issue 257 features a work by Trevor Paglen from his 2017 series It Began as a Military Experiment. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life.'Photography is the paradigm of human-technology interfaces', Paglen tells art historian Sarah M. Miller in an extensive interview. 'People who think critically about photographs have a great deal to contribute, in terms of trying to conceive of and implement the kind of world that we want to live in, because the world is increasingly hard to distinguish from photography'.Image Worlds to Come begins to map a transformative moment for the medium, as we enter an era that will require us to look harder and deeper at photographs than ever before. This winter, Aperture presents Image Worlds to Come: Photography & AI, a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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- Foto
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 31,21
EUR 62,86 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Taschenbuch. Condizione: Neu. Neuware - This winter, Aperture presents 'Image Worlds to Come: Photography & AI,' a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and arti…st portfolios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 21,54
EUR 75,19 spedizioneSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Paperback. Condizione: New. This winter, Aperture presents "Image Worlds to Come: Photography and AI," a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist portfol…ios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.To weigh the risks and possibilities of this transformative change, Aperture has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the "intelligence" of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer's role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography's relationship to reality, exposing how the idea of a "real photo" has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States. "The field of photography continually shifts due to emergent technologies, and AI is a big one," says Michael Famighetti, Aperture's editor in chief. "It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.""Image Worlds to Come" looks at the past as much as the future. Art historian Noam M. Elcott and technologist Tim Trombley train their own AI model on the Farm Security Administration's vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible "cursed images" inspired by a feeling of being "nostalgic for the present." The cover of Aperture issue 257 features a work by Trevor Paglen from his 2017 series It Began as a Military Experiment. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life."Photography is the paradigm of human-technology interfaces," Paglen tells art historian Sarah M. Miller in an extensive interview. "People who think.
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- Print on Demand
Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 23,98
EUR 18,22 spedizioneSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
