Isbn: 9781604737455 - conversations with russell banks (18 risultati)

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Condizione: New.

Condizione: New. pp. 210 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.

Hardcover. Condizione: Brand New. 193 pages. 9.00x6.00x0.75 inches. In Stock.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2010. hardcover. . . . . .

Condizione: New. pp. 210 Index.

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New. No Jacket. 1st Edition. Jackson: University Press of Mississippi, 2010. First edition. First printing. Hardbound. NEW. A pristine unread copy, signed by BANKS on title page. Opened only for author to sign. Issued without jacket. 0.0. Signed by Author(s).

Condizione: New. 2010. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | These conversations span a period of over thirty years, from 1976 with the publication of Russell Banks's first novel, Family Life, and his first collection of short stories, to 2008 with The Reserve. Most date from the late 1990s on, when the publication of Pulitzer-finalist Cloudsplitter in conjunction with the back-to-back release of film adaptations of his novels The Sweet Hereafter and Affliction suddenly put Banks (b. 1940) in the spotlight as "Hollywood's Hottest New Property."Banks has always believed that the writer plays "the role of the storyteller," fulfilling very basic and universal human needs: "to talk about the human condition, to tell us something about ourselves." Yet, for him, writing is not a one-way process. It is an exchange where the key is to tune in and listen-to the voices of the characters engaging the writer's imagination and to the voices of the readers sharing their own experiences of his books and of the world.David Roche is associate professor of languages and communication at the Université de Bourgogne. He is the author of L'Imagination malsaine: Russell Banks, Raymond Carver, David Cronenberg, Bret Easton Ellis, David Lynch.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -If Russell Banks (b. 1940) says he doesn't ''think about [his] reader at all when [he's] writing,'' he clearly enjoys talking with his actual readers, whether they be students, writers or academics, delighting in the diversity of his audience and in the ''greater democratization of commentary'' provided by alternative media.These conversations span a period of over thirty years, from 1976 with the publication of his first novel, Family Life, and his first collection of short stories, to 2008 with The Reserve. Most date from the late 1990s on, when the publication of Pulitzer-finalist Cloudsplitter in conjunction with the back-to-back release of film adaptations of his novels The Sweet Hereafter and Affliction suddenly put Banks in the spotlight as ''Hollywood's Hottest New Property.''Banks has always believed that the writer plays ''the role of the storyteller,'' fulfilling very basic and universal human needs: ''to talk about the human condition, to tell us something about ourselves.'' Yet, for him, writing is not a one-way process. It is an exchange where the key is to tune in and listen--to the voices of the characters engaging the writer's imagination and to the voices of the readers sharing their own experiences of his books and of the world. 210 pp. Englisch. …

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 511.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - If Russell Banks (b. 1940) says he doesn't ''think about [his] reader at all when [he's] writing,'' he clearly enjoys talking with his actual readers, whether they be students, writers or academics, delighting in the diversity of his audience and in the ''greater democratization of commentary'' provided by alternative media.These conversations span a period of over thirty years, from 1976 with the publication of his first novel, Family Life, and his first collection of short stories, to 2008 with The Reserve. Most date from the late 1990s on, when the publication of Pulitzer-finalist Cloudsplitter in conjunction with the back-to-back release of film adaptations of his novels The Sweet Hereafter and Affliction suddenly put Banks in the spotlight as ''Hollywood's Hottest New Property.''Banks has always believed that the writer plays ''the role of the storyteller,'' fulfilling very basic and universal human needs: ''to talk about the human condition, to tell us something about ourselves.'' Yet, for him, writing is not a one-way process. It is an exchange where the key is to tune in and listen--to the voices of the characters engaging the writer's imagination and to the voices of the readers sharing their own experiences of his books and of the world.…