9781606060933 - proof: the rise of printmaking in southern california (13 risultati)

- Rilegato
- Prima edizione
Da: Friends of Poughkeepsie Library, Poughkeepsie, NY, U.S.A.Friends of Poughkeepsie Library
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Buono
EUR 35,26
EUR 5,13 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Good. No Jacket. 1st Edition. Good+1-1/4" scrape to rear board. Edge wear, chipping, small tearing to spine tips and joints. Corners chipped. Internally clean and unmarked. Brown splatter stain and foxing to top text block. Due to weight of book, international orders cannot be accepted. Shelf 13d.

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Da: Sequitur Books, Boonsboro, MD, U.S.A.Sequitur Books
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: IOBA
Condizione: Usato - Come nuovo
EUR 37,90
EUR 5,11 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
hardcover. Condizione: As New. Hardcover. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 51,78
EUR 9,50 spedizioneSpedito da Irlanda a U.S.A.Quantità: 1 disponibili
Condizione: New. 2011. Hardcover. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger nar…rative of post-war American art. Num Pages: 256 pages, 200 full-colour illustrations. BIC Classification: 1KBBWF; AFH. Category: (G) General (US: Trade). Dimension: 247 x 293 x 28. Weight in Grams: 1788. . . . . .

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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 56,29
EUR 10,93 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 7 disponibili
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 56,31
EUR 13,50 spedizioneSpedito da Italia a U.S.A.Quantità: 7 disponibili
Condizione: new.

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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 63,62
EUR 8,99 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Condizione: New. 2011. Hardcover. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger nar…rative of post-war American art. Num Pages: 256 pages, 200 full-colour illustrations. BIC Classification: 1KBBWF; AFH. Category: (G) General (US: Trade). Dimension: 247 x 293 x 28. Weight in Grams: 1788. . . . . . Books ship from the US and Ireland.

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 77,90
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: 4 disponibili
Hardback. Condizione: New. This is a lavishly illustrated exploration of the rise of printmaking in Southern California and its legacy on post-war American art. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the… medium of fine-art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G.E.L. and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 58,42
EUR 23,35 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Hardcover. Condizione: Brand New. 256 pages. 11.50x10.00x1.00 inches. In Stock.

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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 82,70
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to create a pool of master artisan-printers in the United States to revive the medium of fine art lithography. With essays by both established print scholars and new voices, this lavishly illustrated vo…lume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the countrys most significant print shop and addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of postwar American art. Drawing mainly on the extensive print collection of the Norton Simon Museum, the book includes works by the local founders of the movement such as John Altoon, Garo Antreasian, Richard Diebenkorn, Sam Francis, Ed Moses, Ken Price, Ed Ruscha, and June Wayne as well as by artists who traveled west to print in Los Angeles such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg, and Robert Rauschenberg. An accompanying exhibition, part of the Pacific Standard Time initiative, will be on view at the Norton Simon Museum in Pasadena from October 1, 2011, through April 3, 2012. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

- Rilegato
Da: Books Puddle, New York, NY, U.S.A.Books Puddle
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 84,18
EUR 3,41 spedizioneSpedito in U.S.A.Quantità: 3 disponibili
Condizione: New. pp. 259.

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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 73,29
EUR 75,87 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 4 disponibili
Hardback. Condizione: New. This is a lavishly illustrated exploration of the rise of printmaking in Southern California and its legacy on post-war American art. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the… medium of fine-art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G.E.L. and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art.

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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 130,51
EUR 31,66 spedizioneSpedito da Australia a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to create a pool of master artisan-printers in the United States to revive the medium of fine art lithography. With essays by both established print scholars and new voices, this lavishly illustrated vo…lume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the countrys most significant print shop and addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of postwar American art. Drawing mainly on the extensive print collection of the Norton Simon Museum, the book includes works by the local founders of the movement such as John Altoon, Garo Antreasian, Richard Diebenkorn, Sam Francis, Ed Moses, Ken Price, Ed Ruscha, and June Wayne as well as by artists who traveled west to print in Los Angeles such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg, and Robert Rauschenberg. An accompanying exhibition, part of the Pacific Standard Time initiative, will be on view at the Norton Simon Museum in Pasadena from October 1, 2011, through April 3, 2012. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

- Rilegato
Da: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
Contatta il venditoreVenditore con 2 stelleCondizione: Nuovo
EUR 1741,78
EUR 2,57 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 256 pages; 200 color illustrations. Description: "Extensively illustrated and with essays by both established print scholars and ne…w voices, this volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the countryâs most significant print shop and addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of postwar American art. In the 1950s, the print world in Los Angeles was small but active. It was made of artists, educators, collectors, and curators whose collaboration led to the triumphant founding of the Tamarind Lithography Workshop led by June Wayne in 1960. The first goal of the workshop was to âcreate a pool of master artisan-printers in the United Statesâ to revive the medium of fine art lithography. The story goes on to include two other major workshopsâ"Gemini G. E. L. And Cirrus Editionsâ"plus artists working independently and the academic printmaking community. Drawing mainly on the extensive print collection of the Norton Simon Museum, the book includes works by the local founders of the movement such as John Altoon, Garo Antreasian, Richard Diebenkorn, Sam Francis, Ed Moses, Ken Price, Ed Ruscha, and June Wayne as well as by artists who traveled west to print in Los Angeles such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg, and Robert Rauschenberg." -- with a bonus offer--; This is a lavishly illustrated exploration of the rise of printmaking in Southern California and its legacy on post-war American art. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the medium of fine-art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G.E.L. and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art.