ISBN: 9781606065082 - explodity: sound, image, and word in russian futurist book art (12 risultati)

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

hardcover. Condizione: As New.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good.

Hardcover. Condizione: Fine. 1st Edition. A fine fresh copy in publishers glazed pictorial boards, likely not issued with dust wrapper.

Hardcover. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket As Issued. A nice, bright copy. ; Color Illustrations; 8.5 X 8.5 X 1.0 inches; 208 pages.

Hardcover. Condizione: Very Good. Factory sealed. Color illustrations. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval? (Explodity). Also examines the profound differences between the Russian avant-garde and Western art movements. uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry, contemporary Western conceptual art, and the artist?s book. Measures 8.5 inches square. 208p.…

Hardcover. Condizione: NEW. 1st. Pictorial boards, vii, 199 pages, illustrations (chiefly colour); 22 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning 'beyond the mind') that was distinctive in its emphasis on 'sound as such' and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist's book." - Publisher. *** CONTENTS: From the provinces: anticipations of Mirskontsa; Sounding the accidental ("death to symbolism"); Mirskontsa: collaborative book art and transrational sounds; Unlocking the semantics of sound in vzorval'; The afterlife of Russian futurist book art. Size: 8vo. Collectible. …

hardcover. Condizione: New. *NEW* pictorial hardcover, sealed in plastic. Fresh from a distributor with no price tags and no remainder marks.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.