9781606065563 - dialogue on the errors and abuses of painters di gilio, giovanni andrea (18 risultati)
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Dialogue on the Errors and Abuses of Painters
Givanni Andrea Gilio, Carol M. Richardson, Michael Bury, Lucinda Byatt
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Paperback. Condizione: New. Giovanni Andrea Gilio's "Dialogue on the Errors and Abuses of Painters" (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Catholic Refor…mation.Relatively little is known about Gilio himself, a cleric from Fabriano, Italy, although he was evidently familiar with Cardinal Alessandro Farnese's lively court circle in Rome as he dedicated his book to the cardinal. His text-available in English in full for the first time-takes the form of a spirited dialogue among six protagonists, using the voices of each to present different points of view. Through their dialogue Gilio grapples with a host of issues, from the relationship between poetry and painting, to the function of religious images, to the effects such images have on viewers. The primary focus is the proper representation of history, and Michelangelo's Last Judgment fresco in the Sistine Chapel is the exemplary case. Indeed, Michelangelo's painting is both praised and condemned as an example of the possibilities and limits of art. Although Gilio's dialogue is often quoted by art historians to point out the more controlling view of art and artists by the Roman Catholic Church, the unabridged text reveals the nuanced and provisional debates, happening during this critical era.
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Paperback. Condizione: new. Paperback. Giovanni Andrea Gilios Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Cathol…ic Reformation. Relatively little is known about Gilio himself, a cleric from Fabriano, Italy. He was evidently familiar with Cardinal Alessandro Farneses lively court circle in Rome and dedicated his book to the cardinal. His textavailable here in English in full for the first timetakes the form of a spirited dialogue among six protagonists, using the voices of each to present different points of view. Through their dialogue Gilio grapples with a host of issues, from the relationship between poetry and painting, to the function of religious images, to the effects such images have on viewers. The primary focus is the proper representation of history, and Michelangelos Last Judgment fresco in the Sistine Chapel is the exemplary case. Indeed, Michelangelos painting is both praised and condemned as an example of the possibilities and limits of art. Although Gilios dialogue is often quoted by art historians to point out the more controlling view of art and artists by the Roman Catholic Church, the unabridged text reveals the nuanced and provisional debates happening during this critical era. Essential - and engaging - reading for anyone interested in the issues that concerned artists and patrons in the sixteenth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: Brand New. 273 pages. 10.00x7.00x0.50 inches. In Stock.
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Condizione: Nuovo. Bross., cm 25,5x18, pp 273, ill. a col. - ISBN: 9781606065563.
Dialogue on the Errors and Abuses of Painters (Getty Publications - (Yale))
Gilio, Givanni Andrea; Bury, Michael; Byatt, Lucinda; Richardson, Carol M.
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Da: Art&Libri Firenze, FIRENZE, FI, ItaliaArt&Libri Firenze
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Dialogue on the Errors and Abuses of Painters
Givanni Andrea Gilio, Carol M. Richardson, Michael Bury, Lucinda Byatt
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. Giovanni Andrea Gilio's "Dialogue on the Errors and Abuses of Painters" (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Catholic Refor…mation.Relatively little is known about Gilio himself, a cleric from Fabriano, Italy, although he was evidently familiar with Cardinal Alessandro Farnese's lively court circle in Rome as he dedicated his book to the cardinal. His text-available in English in full for the first time-takes the form of a spirited dialogue among six protagonists, using the voices of each to present different points of view. Through their dialogue Gilio grapples with a host of issues, from the relationship between poetry and painting, to the function of religious images, to the effects such images have on viewers. The primary focus is the proper representation of history, and Michelangelo's Last Judgment fresco in the Sistine Chapel is the exemplary case. Indeed, Michelangelo's painting is both praised and condemned as an example of the possibilities and limits of art. Although Gilio's dialogue is often quoted by art historians to point out the more controlling view of art and artists by the Roman Catholic Church, the unabridged text reveals the nuanced and provisional debates, happening during this critical era.
- Brossura
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Paperback. Condizione: new. Paperback. Giovanni Andrea Gilios Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Cathol…ic Reformation. Relatively little is known about Gilio himself, a cleric from Fabriano, Italy. He was evidently familiar with Cardinal Alessandro Farneses lively court circle in Rome and dedicated his book to the cardinal. His textavailable here in English in full for the first timetakes the form of a spirited dialogue among six protagonists, using the voices of each to present different points of view. Through their dialogue Gilio grapples with a host of issues, from the relationship between poetry and painting, to the function of religious images, to the effects such images have on viewers. The primary focus is the proper representation of history, and Michelangelos Last Judgment fresco in the Sistine Chapel is the exemplary case. Indeed, Michelangelos painting is both praised and condemned as an example of the possibilities and limits of art. Although Gilios dialogue is often quoted by art historians to point out the more controlling view of art and artists by the Roman Catholic Church, the unabridged text reveals the nuanced and provisional debates happening during this critical era. Essential - and engaging - reading for anyone interested in the issues that concerned artists and patrons in the sixteenth century. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
