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ISBN 10: 1606069934 ISBN 13: 9781606069936
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Aggiungi al carrelloPaperback. Condizione: New. In Western European languages, the word mask exerts a powerful presence as a figure of speech. To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncanny-a sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in DR Congo, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the center of analysis.
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ISBN 10: 1606069934 ISBN 13: 9781606069936
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Paperback. Condizione: new. Paperback. In this open-access text, Z. S. Strother uses ethnographic studies of individual mask cultures in Africa to dispute the assumptions that masks universally hide, reveal, or transform. In Western European languages, the word mask exerts a powerful presence as a figure of speech. To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncannya sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in Congo-Kinshasa, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the center of analysis. In this open-access text, Z.S. Strother uses ethnographic studies of individual mask cultures in Africa to dispute the assumptions that masks universally hide, reveal, or transform. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: New. In Western European languages, the word mask exerts a powerful presence as a figure of speech. To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncanny-a sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in DR Congo, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the center of analysis.
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. In this open-access text, Z. S. Strother uses ethnographic studies of individual mask cultures in Africa to dispute the assumptions that masks universally hide, reveal, or transform. In Western European languages, the word mask exerts a powerful presence as a figure of speech. To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncannya sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in Congo-Kinshasa, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the center of analysis. In this open-access text, Z.S. Strother uses ethnographic studies of individual mask cultures in Africa to dispute the assumptions that masks universally hide, reveal, or transform. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Condizione: New. In Western European languages, the word mask exerts a powerful presence as a figure of speech. To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncanny-a sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in DR Congo, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the center of analysis.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - In this groundbreaking book, Z. S. Strother, inspired by dialogues with African masquerade patrons and performers, disputes assumptions that masks universally hide, reveal, or transform.
Lingua: Inglese
Editore: Getty Trust Publications, US, 2026
ISBN 10: 1606069934 ISBN 13: 9781606069936
Da: Rarewaves.com UK, London, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. In Western European languages, the word mask exerts a powerful presence as a figure of speech. To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncanny-a sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in DR Congo, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the center of analysis.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. African Masks and Emotions | In Theory and in Practice | Z S Strother | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | Getty Publications | EAN 9781606069936 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Lingua: Inglese
Editore: Getty Trust Publications, Santa Monica CA, 2026
ISBN 10: 1606069934 ISBN 13: 9781606069936
Da: CitiRetail, Stevenage, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. In this open-access text, Z. S. Strother uses ethnographic studies of individual mask cultures in Africa to dispute the assumptions that masks universally hide, reveal, or transform. In Western European languages, the word mask exerts a powerful presence as a figure of speech. To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncannya sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in Congo-Kinshasa, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the center of analysis. In this open-access text, Z.S. Strother uses ethnographic studies of individual mask cultures in Africa to dispute the assumptions that masks universally hide, reveal, or transform. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.