9781614910855 - seen not heard: composition, iconicity, and the classifier systems of logosyllabic scripts: 14 (17 risultati)
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Lingua: Inglese
Editore: Institute for the Study of Ancient Cultures, US, 2023
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. Traditionally, writing-a graphic, multidimensional form of communication-has been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to oral and aural ex…change but a communication system that is richly layered and experienced.To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly used in linguistics and semiotics, communication studies, art historical analysis, and traditional philology to new ends to form original trajectories of inquiry. Each contribution either lays bare explicit exploitation of visuality in scribal production as a means to cementing power, reveal the mystical, induce humour or expose clandestine views, or locates implicit knowledge schemes and cultural maps underlying and informing these same productions. The pioneering investigations presented in Seen Not Heard reveal that although writing may be heard, the fact that it can also be seen affects its reception and therefore the meaning of any transported phonological units.
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Paperback. Condizione: new. Paperback. Traditionally, writinga graphic, multidimensional form of communicationhas been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to oral and… aural exchange but a communication system that is richly layered and experienced.To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly used in linguistics and semiotics, communication studies, art historical analysis, and traditional philology to new ends to form original trajectories of inquiry. Each contribution either lays bare explicit exploitation of visuality in scribal production as a means to cementing power, reveal the mystical, induce humour or expose clandestine views, or locates implicit knowledge schemes and cultural maps underlying and informing these same productions. The pioneering investigations presented in Seen Not Heard reveal that although writing may be heard, the fact that it can also be seen affects its reception and therefore the meaning of any transported phonological units. Contributors from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians and a sign language specialist, interrogate writing as a medium that is not simply a handmaiden to oral and aural exchange but a communication system that is richly layered and experienced. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: Brand New. 328 pages. 10.00x6.97x1.02 inches. In Stock.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2023. paperback. . . . . .
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Condizione: New. 2023. paperback. . . . . . Books ship from the US and Ireland.
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Paperback. Condizione: new. Paperback. Traditionally, writinga graphic, multidimensional form of communicationhas been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to oral and… aural exchange but a communication system that is richly layered and experienced.To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly used in linguistics and semiotics, communication studies, art historical analysis, and traditional philology to new ends to form original trajectories of inquiry. Each contribution either lays bare explicit exploitation of visuality in scribal production as a means to cementing power, reveal the mystical, induce humour or expose clandestine views, or locates implicit knowledge schemes and cultural maps underlying and informing these same productions. The pioneering investigations presented in Seen Not Heard reveal that although writing may be heard, the fact that it can also be seen affects its reception and therefore the meaning of any transported phonological units. Contributors from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians and a sign language specialist, interrogate writing as a medium that is not simply a handmaiden to oral and aural exchange but a communication system that is richly layered and experienced. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: Institute for the Study of Ancient Cultures, US, 2023
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. Traditionally, writing-a graphic, multidimensional form of communication-has been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to oral and aural ex…change but a communication system that is richly layered and experienced.To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly used in linguistics and semiotics, communication studies, art historical analysis, and traditional philology to new ends to form original trajectories of inquiry. Each contribution either lays bare explicit exploitation of visuality in scribal production as a means to cementing power, reveal the mystical, induce humour or expose clandestine views, or locates implicit knowledge schemes and cultural maps underlying and informing these same productions. The pioneering investigations presented in Seen Not Heard reveal that although writing may be heard, the fact that it can also be seen affects its reception and therefore the meaning of any transported phonological units.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. Neuware - Traditionally, writing--a graphic, multidimensional form of communication--has been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to ora…l and aural exchange but a communication system that is richly layered and experienced. To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly used in linguistics and semiotics, communication studies, art historical analysis, and traditional philology to new ends in order to form original trajectories of inquiry. Each contribution either lays bare explicit exploitation of visuality in scribal production as a means to cement power, reveal the mystical, induce humor, or expose clandestine views or it locates implicit knowledge schemes and cultural maps underlying and informing these same productions. The pioneering investigations presented in Seen Not Heard reveal that although writing may be heard, the fact that it can also be seen affects its reception and therefore the meaning of any transported phonological units.
