Isbn: 9781633451087 - engineer, agitator, constructor: the artist reinvented 1918-1938: the artist reinvented, 1918-1939 : the merrill c. berman collection (21 risultati)

hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Hardcover. Condizione: new. Hardcover. We regarded ourselves as engineers, we maintained that we were building things', declared Hannah Hoech, describing a radical new approach to artmaking that took shape in the 1920s and 30s, in lockstep with the era's shifts in industry, technology and labour, and amid the impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Artists involved with varied avant-gardes - Dada, the Bauhaus, Futurism, Constructivism and de Stijl - reinvented their roles to create a dynamic art for a new world. This experimentation is richly represented in the Merrill C. Berman Collection, one of the most significant private collections of early-20th-century works on paper.Published in conjunction with a major exhibition celebrating MoMA's acquisition of more than 300 works from the collection, this richly illustrated book includes close readings of drawings, propaganda posters, advertising, architecture, exhibition installations, journals and theatre design. Among the themes it explores are the crucial role of collage and photomontage in the interwar period; the importance of collective authorship; and the impact of political, economic and social change on visual culture.' How the modernist avant-garde from Dada to constructivism re-conceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: new.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: fine. Condizione sovraccoperta: Fine. First edition. Published in conjunction with the exhibition Engineer, Agitator, Constructor: The Artist Reinvented, 1918-1939 at the Museum of Modern Art, New York, May 10-September 12, 2020, curated by the Department of Drawings and Prints. Very gently used, no edition specified. 9¼" - 12¼". book.…

Condizione: New. In English.

Condizione: New. 2020. 01st Edition. Hardcover. . . . . .

Hardcover. Condizione: Brand New. 288 pages. 12.00x9.50x1.50 inches. In Stock.

Condizione: New. 2020. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Condizione: NEW.

Hardcover. Condizione: new. Hardcover. We regarded ourselves as engineers, we maintained that we were building things', declared Hannah Hoech, describing a radical new approach to artmaking that took shape in the 1920s and 30s, in lockstep with the era's shifts in industry, technology and labour, and amid the impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Artists involved with varied avant-gardes - Dada, the Bauhaus, Futurism, Constructivism and de Stijl - reinvented their roles to create a dynamic art for a new world. This experimentation is richly represented in the Merrill C. Berman Collection, one of the most significant private collections of early-20th-century works on paper.Published in conjunction with a major exhibition celebrating MoMA's acquisition of more than 300 works from the collection, this richly illustrated book includes close readings of drawings, propaganda posters, advertising, architecture, exhibition installations, journals and theatre design. Among the themes it explores are the crucial role of collage and photomontage in the interwar period; the importance of collective authorship; and the impact of political, economic and social change on visual culture.' How the modernist avant-garde from Dada to constructivism re-conceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Condizione: New. How the modernist avant-garde from Dada to constructivism re-conceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world We regarded ourselv.

Hardcover. Condizione: New. Condizione sovraccoperta: New. Lavish survey of modern art in the Merrill C Berman Collection shown at the Museum of Modern Art. A large format well printed coffee table art book focused on eastern European Russian,German art from 1918 to present.

Buch. Condizione: Neu. Engineer, Agitator, Constructor | The Artist Reinvented | Adrian Sudhalter (u. a.) | Buch | Gebunden | Englisch | 2020 | Museum of Modern Art | EAN 9781633451087 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Buch. Condizione: Neu. Neuware - 'We regarded ourselves as engineers, we maintained that we were building things . we put our works together like fitters.' So declared the artist Hannah Höch, describing a radically new approach to art-making in the 1920s and '30s. Such wholesale reinvention of the role of the artist and the functions of art took place in lockstep with that era's shifts in industry, technology, and labor, and amid the profound impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire and the rise of fascism. Highlighting figures such as Aleksandr Rodchenko, Liubov Popova, John Heartfield and Fré Cohen, and European avant-garde of the interwar years-Dada, the Bauhaus, futurism, constructivism and de Stijl-Engineer, Agitator, Constructor: The Artist Reinvented demonstrates the ways in which artists reimagined their roles to create a dynamic art for a new world. These 'engineers,' 'agitators,' 'constructors,' 'photomonteurs,' 'workers'-all designations adopted by the artists themselves-turned away from traditional forms of painting and sculpture and invented new visual languages. Central among them was photomontage, in which photographs and images from newspapers and magazines were cut, remixed, and pasted together. Working as propagandists, advertisers, publishers, editors, architects, theatre designers and curators, these artists engaged with expanded audiences in novel ways, establishing distinctive infrastructures for presenting and distributing their work. Published in conjunction with a major exhibition, Engineer, Agitator, Constructor marks the transformative addition to MoMA from the Merrill C. Berman Collection, one of the great private collections of political art. Illuminating the essential role of women in avant-garde activities while mapping vital networks across Europe, this richly illustrated book presents the social engagement, fearless experimentation and utopian aspirations that defined the early 20th century, and how these strategies still reverberate today.…