Isbn: 9781648431005 - thirty years behind the glass: from otis redding and stax records to santana’s supernatural (19 risultati)

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Hardcover. Condizione: new. Hardcover. In a recording career spanning some fifty years, bridging a range in time and style that reaches from the early days at Memphiss Stax Records to Carlos Santanas eight-Grammy year in 2000 and beyond, producer Jim Gaines has operated the mixing board for some of the greatest artists in American music. Journey, Huey Lewis and the News, Steve Miller, Stevie Ray Vaughan, and Dionne Warwick are just a few of the influential musicians who have entrusted their creativity and talent to his proven abilities. Gaines still remembers the dayApril 4, 1968when Martin Luther King Jr. was shot. Hearing the sirens and seeing the smoke rising from the downtown Memphis skyline, Gaines remembers loading tapes from Stax studio that night into various employees vehicles to be taken away for safekeeping until the unrest in the city subsided. Near the other end of his career, Gaines recalls receiving a phone call during a break in the session at Willie Nelsons studio near Austin, where he was recording demo tracks for the rising Texas group, Los Lonely Boys. The date was September 11, 2001. Once again, there would be no more recording completed that day. In this wide-ranging collection of personal interviews and reminiscences, Gaines, with the help of author Lee Zimmerman, offers readers the priceless opportunity to sit down with a true music industry veteran and hear a lifetimes worth of stories from inside the studio. In this wide-ranging collection of personal interviews and reminiscences, Jim Gaines, with the help of author Lee Zimmerman, offers readers the priceless opportunity to sit down with a true music industry veteran and hear a lifetimes worth of stories from inside the studio. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardback. Condizione: New. In a recording career spanning some fifty years, bridging a range in time and style that reaches from the early days at Memphis's Stax Records to Carlos Santana's eight-Grammy year in 2000 and beyond, producer Jim Gaines has operated the mixing board for some of the greatest artists in American music. Journey, Huey Lewis and the News, Steve Miller, Stevie Ray Vaughan, and Dionne Warwick are just a few of the influential musicians who have entrusted their creativity and talent to his proven abilities. Gaines still remembers the day-April 4, 1968-when Martin Luther King Jr. was shot. Hearing the sirens and seeing the smoke rising from the downtown Memphis skyline, Gaines remembers loading tapes from Stax studio that night into various employees' vehicles to be taken away for safekeeping until the unrest in the city subsided. Near the other end of his career, Gaines recalls receiving a phone call during a break in the session at Willie Nelson's studio near Austin, where he was recording demo tracks for the rising Texas group, Los Lonely Boys. The date was September 11, 2001. Once again, there would be no more recording completed that day. In this wide-ranging collection of personal interviews and reminiscences, Gaines, with the help of author Lee Zimmerman, offers readers the priceless opportunity to sit down with a true music industry veteran and hear a lifetime's worth of stories from inside the studio.…

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Hardcover. Condizione: Brand New. 216 pages. 9.50x6.50x1.00 inches. In Stock.

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Condizione: New. 2022. hardcover. . . . . .

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Hardcover. Condizione: new. Hardcover. In a recording career spanning some fifty years, bridging a range in time and style that reaches from the early days at Memphiss Stax Records to Carlos Santanas eight-Grammy year in 2000 and beyond, producer Jim Gaines has operated the mixing board for some of the greatest artists in American music. Journey, Huey Lewis and the News, Steve Miller, Stevie Ray Vaughan, and Dionne Warwick are just a few of the influential musicians who have entrusted their creativity and talent to his proven abilities. Gaines still remembers the dayApril 4, 1968when Martin Luther King Jr. was shot. Hearing the sirens and seeing the smoke rising from the downtown Memphis skyline, Gaines remembers loading tapes from Stax studio that night into various employees vehicles to be taken away for safekeeping until the unrest in the city subsided. Near the other end of his career, Gaines recalls receiving a phone call during a break in the session at Willie Nelsons studio near Austin, where he was recording demo tracks for the rising Texas group, Los Lonely Boys. The date was September 11, 2001. Once again, there would be no more recording completed that day. In this wide-ranging collection of personal interviews and reminiscences, Gaines, with the help of author Lee Zimmerman, offers readers the priceless opportunity to sit down with a true music industry veteran and hear a lifetimes worth of stories from inside the studio. In this wide-ranging collection of personal interviews and reminiscences, Jim Gaines, with the help of author Lee Zimmerman, offers readers the priceless opportunity to sit down with a true music industry veteran and hear a lifetimes worth of stories from inside the studio. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condizione: New. In a recording career spanning some fifty years, bridging a range in time and style that reaches from the early days at Memphis's Stax Records to Carlos Santana's eight-Grammy year in 2000 and beyond, producer Jim Gaines has operated the mixing board for some of the greatest artists in American music. Journey, Huey Lewis and the News, Steve Miller, Stevie Ray Vaughan, and Dionne Warwick are just a few of the influential musicians who have entrusted their creativity and talent to his proven abilities. Gaines still remembers the day-April 4, 1968-when Martin Luther King Jr. was shot. Hearing the sirens and seeing the smoke rising from the downtown Memphis skyline, Gaines remembers loading tapes from Stax studio that night into various employees' vehicles to be taken away for safekeeping until the unrest in the city subsided. Near the other end of his career, Gaines recalls receiving a phone call during a break in the session at Willie Nelson's studio near Austin, where he was recording demo tracks for the rising Texas group, Los Lonely Boys. The date was September 11, 2001. Once again, there would be no more recording completed that day. In this wide-ranging collection of personal interviews and reminiscences, Gaines, with the help of author Lee Zimmerman, offers readers the priceless opportunity to sit down with a true music industry veteran and hear a lifetime's worth of stories from inside the studio.…