9781683406556 - Reinaldo Arenas and the Cultural Canon: Queer Intertextuality and Rewriting the Self di Angela L. Willis (23 risultati)

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardback. Condizione: New. Exploring how Reinaldo Arenas reimagined literary classics as queer, subversive parodies that undermine oppressive powerThis book offers a fresh reading of the work of Reinaldo Arenas, showing how the Cuban writer reimagined literary and visual classics as parodies that challenge oppressive power structures. Incorporating his own life experiences, Arenas transformed canonical figures, genres, and narratives into carnivalesque intertexts that dismantle dominant ideologies. By queering Cuba's past and present, this book shows, Arenas's works offer a creative blueprint for resistance.Angela Willis demonstrates how Arenas drew heavily on established sources-repurposing early texts on the Spanish Inquisition, mimicking novels set on colonial Cuban plantations by José Lezama Lima and Cirilo Villaverde, and engaging with visual works such as Bosch's The Garden of Earthly Delights. Taking a comparativist, intertextual approach, this book offers new ways to explore the texts Arenas parodies. It also discusses two overlooked pieces by Arenas-an unfinished film script of Lezama Lima's Paradiso and a key essay on "avant-garde" narrative-along with the original manuscript and audio tapes linked to the writer's autobiography, Antes que anochezca (Before Night Falls). The close readings and little-known archival materials in this book provide new insights into Arenas's artistic dissidence.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. 2026. hardcover. . . . . .

Condizione: As New. Unread book in perfect condition.

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Condizione: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 288 pages. 6.00x0.81x9.00 inches. In Stock.

Condizione: New.

Hardback. Condizione: New. Exploring how Reinaldo Arenas reimagined literary classics as queer, subversive parodies that undermine oppressive powerThis book offers a fresh reading of the work of Reinaldo Arenas, showing how the Cuban writer reimagined literary and visual classics as parodies that challenge oppressive power structures. Incorporating his own life experiences, Arenas transformed canonical figures, genres, and narratives into carnivalesque intertexts that dismantle dominant ideologies. By queering Cuba's past and present, this book shows, Arenas's works offer a creative blueprint for resistance.Angela Willis demonstrates how Arenas drew heavily on established sources-repurposing early texts on the Spanish Inquisition, mimicking novels set on colonial Cuban plantations by José Lezama Lima and Cirilo Villaverde, and engaging with visual works such as Bosch's The Garden of Earthly Delights. Taking a comparativist, intertextual approach, this book offers new ways to explore the texts Arenas parodies. It also discusses two overlooked pieces by Arenas-an unfinished film script of Lezama Lima's Paradiso and a key essay on "avant-garde" narrative-along with the original manuscript and audio tapes linked to the writer's autobiography, Antes que anochezca (Before Night Falls). The close readings and little-known archival materials in this book provide new insights into Arenas's artistic dissidence.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Exploring how Reinaldo Arenas reimagined literary classics as queer, subversive parodies that undermine oppressive powerThis book offers a fresh reading of the work of Reinaldo Arenas, showing how the Cuban writer reimagined literary and visual classics as parodies that challenge oppressive power structures. Incorporating his own life experiences, Arenas transformed canonical figures, genres, and narratives into carnivalesque intertexts that dismantle dominant ideologies. By queering Cubas past and present, this book shows, Arenass works offer a creative blueprint for resistance.Angela Willis demonstrates how Arenas drew heavily on established sourcesrepurposing early texts on the Spanish Inquisition, mimicking novels set on colonial Cuban plantations by Jose Lezama Lima and Cirilo Villaverde, and engaging with visual works such as Boschs The Garden of Earthly Delights. Taking a comparativist, intertextual approach, this book offers new ways to explore the texts Arenas parodies. It also discusses two overlooked pieces by Arenasan unfinished film script of Lezama Limas Paradiso and a key essay on avant-garde narrativealong with the original manuscript and audio tapes linked to the writers autobiography, Antes que anochezca (Before Night Falls). The close readings and little-known archival materials in this book provide new insights into Arenass artistic dissidence. This book offers a fresh reading of the work of Reinaldo Arenas, showing how the Cuban writer reimagined literary and visual classics as parodies that challenge oppressive power structures. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Brand New. 288 pages. 6.00x0.81x9.00 inches. In Stock. This item is printed on demand.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.

Hardcover. Condizione: new. Hardcover. Exploring how Reinaldo Arenas reimagined literary classics as queer, subversive parodies that undermine oppressive powerThis book offers a fresh reading of the work of Reinaldo Arenas, showing how the Cuban writer reimagined literary and visual classics as parodies that challenge oppressive power structures. Incorporating his own life experiences, Arenas transformed canonical figures, genres, and narratives into carnivalesque intertexts that dismantle dominant ideologies. By queering Cubas past and present, this book shows, Arenass works offer a creative blueprint for resistance.Angela Willis demonstrates how Arenas drew heavily on established sourcesrepurposing early texts on the Spanish Inquisition, mimicking novels set on colonial Cuban plantations by Jose Lezama Lima and Cirilo Villaverde, and engaging with visual works such as Boschs The Garden of Earthly Delights. Taking a comparativist, intertextual approach, this book offers new ways to explore the texts Arenas parodies. It also discusses two overlooked pieces by Arenasan unfinished film script of Lezama Limas Paradiso and a key essay on avant-garde narrativealong with the original manuscript and audio tapes linked to the writers autobiography, Antes que anochezca (Before Night Falls). The close readings and little-known archival materials in this book provide new insights into Arenass artistic dissidence. This book offers a fresh reading of the work of Reinaldo Arenas, showing how the Cuban writer reimagined literary and visual classics as parodies that challenge oppressive power structures. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Buch. Condizione: Neu. Reinaldo Arenas and the Cultural Canon | Queer Intertextuality and Rewriting the Self | Angela L. Willis | Buch | Englisch | 2026 | University of Florida Press | EAN 9781683406556 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Hardcover. Condizione: new. Hardcover. Exploring how Reinaldo Arenas reimagined literary classics as queer, subversive parodies that undermine oppressive powerThis book offers a fresh reading of the work of Reinaldo Arenas, showing how the Cuban writer reimagined literary and visual classics as parodies that challenge oppressive power structures. Incorporating his own life experiences, Arenas transformed canonical figures, genres, and narratives into carnivalesque intertexts that dismantle dominant ideologies. By queering Cubas past and present, this book shows, Arenass works offer a creative blueprint for resistance.Angela Willis demonstrates how Arenas drew heavily on established sourcesrepurposing early texts on the Spanish Inquisition, mimicking novels set on colonial Cuban plantations by Jose Lezama Lima and Cirilo Villaverde, and engaging with visual works such as Boschs The Garden of Earthly Delights. Taking a comparativist, intertextual approach, this book offers new ways to explore the texts Arenas parodies. It also discusses two overlooked pieces by Arenasan unfinished film script of Lezama Limas Paradiso and a key essay on avant-garde narrativealong with the original manuscript and audio tapes linked to the writers autobiography, Antes que anochezca (Before Night Falls). The close readings and little-known archival materials in this book provide new insights into Arenass artistic dissidence. This book offers a fresh reading of the work of Reinaldo Arenas, showing how the Cuban writer reimagined literary and visual classics as parodies that challenge oppressive power structures. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Exploring how Reinaldo Arenas reimagined literary classics as queer, subversive parodies that undermine oppressive powerThis book offers a fresh reading of the work of Reinaldo Arenas, showing how the Cuban writer reimagined literary and visual classics as parodies that challenge oppressive power structures. Incorporating his own life experiences, Arenas transformed canonical figures, genres, and narratives into carnivalesque intertexts that dismantle dominant ideologies. By queering Cuba's past and present, this book shows, Arenas's works offer a creative blueprint for resistance.Angela Willis demonstrates how Arenas drew heavily on established sourcesrepurposing early texts on the Spanish Inquisition, mimicking novels set on colonial Cuban plantations by José Lezama Lima and Cirilo Villaverde, and engaging with visual works such as Bosch's The Garden of Earthly Delights. Taking a comparativist, intertextual approach, this book offers new ways to explore the texts Arenas parodies. It also discusses two overlooked pieces by Arenasan unfinished film script of Lezama Lima's Paradiso and a key essay on "avant-garde" narrativealong with the original manuscript and audio tapes linked to the writer's autobiography, Antes que anochezca (Before Night Falls). The close readings and little-known archival materials in this book provide new insights into Arenas's artistic dissidence.