9781683931607 - enter the undead author: intellectual property, the ideology of authorship, and performance practices since the 1960s di gezik, erdal (13 risultati)
Lingua: Inglese
Editore: Fairleigh Dickinson University Press, 2021
Serie: Libro 12 di 19 - The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
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Editore: Associated University Presses, US, 2021
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Paperback. Condizione: New. Many narratives of theater history suggest that the 1960s marked the start of a turning away from traditional, script-based, playwright-centric production practices. Literary studies in this period began exploring the concept of the "death of the author" along similar lines. But the author refused to…die quietly, and authorship reasserts itself in even revolutionary and avant-garde theaters throughout the latter half of the twentieth century. The model of authorship-valorizing individuality, ownership, and originality-serves to maintain traditional modes of production that reproduce and uphold dominant ideologies even when the products created by those modes of production claim to buck tradition or run counter to cultural currents. This ideology of authorship plays a part in playwrights shutting down productions of their own plays, in the privileging of individual authorship over joint authorship even in collaborative genres, and in the insistence on originality even in performance traditions rooted in a shared repertoire. This tension between the theoretical death of the author and the growth of actual authors' abilities to control access to and even in some cases interpretations of their work exposes the deftness with which dominant ideologies and their attendant modes of production can repurpose the aesthetics of even countercultural or revolutionary movements in theater.
Lingua: Inglese
Editore: Fairleigh Dickinson University Press, 2021
Serie: Libro 12 di 19 - The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Editore: Fairleigh Dickinson University Press, 2021
Serie: Libro 12 di 19 - The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
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Editore: Fairleigh Dickinson University Press, 2021
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Editore: Fairleigh Dickinson University Press, 2021
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Lingua: Inglese
Editore: Fairleigh Dickinson Univ Pr, 2021
Serie: Libro 12 di 19 - The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
- Brossura
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Paperback. Condizione: Brand New. 172 pages. 9.00x6.00x0.51 inches. In Stock.
Lingua: Inglese
Editore: Associated University Presses, US, 2021
Serie: Libro 12 di 19 - The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
- Brossura
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Paperback. Condizione: New. Many narratives of theater history suggest that the 1960s marked the start of a turning away from traditional, script-based, playwright-centric production practices. Literary studies in this period began exploring the concept of the "death of the author" along similar lines. But the author refused to…die quietly, and authorship reasserts itself in even revolutionary and avant-garde theaters throughout the latter half of the twentieth century. The model of authorship-valorizing individuality, ownership, and originality-serves to maintain traditional modes of production that reproduce and uphold dominant ideologies even when the products created by those modes of production claim to buck tradition or run counter to cultural currents. This ideology of authorship plays a part in playwrights shutting down productions of their own plays, in the privileging of individual authorship over joint authorship even in collaborative genres, and in the insistence on originality even in performance traditions rooted in a shared repertoire. This tension between the theoretical death of the author and the growth of actual authors' abilities to control access to and even in some cases interpretations of their work exposes the deftness with which dominant ideologies and their attendant modes of production can repurpose the aesthetics of even countercultural or revolutionary movements in theater.
Lingua: Inglese
Editore: Bloomsbury Publishing (UK), 2021
Serie: Libro 12 di 19 - The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
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PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Lingua: Inglese
Editore: Bloomsbury Publishing (UK), 2021
Serie: Libro 12 di 19 - The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
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Editore: Fairleigh Dickinson University Press, 2021
Serie: Libro 12 di 19 - The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
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Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: Fairleigh Dickinson University Press, 2021
Serie: Libro 12 di 19 - The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Enter the Undead Author explores the points of tension between the idea of authorship and the realities of theatrical production and other performance practices from the 1960s to the present with special focus on those moments when auth…orship helps to reappropriate revolutionary practices into traditional modes of production.
Lingua: Inglese
Editore: Fairleigh Dickinson University Press, 2021
Serie: Libro 12 di 19 - The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
- Brossura
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Enter the Undead Author explores the points of tension between the idea of authorship and the realities of theatrical production and other performance practices from the 1960s to the present with special focus on tho…se moments when authorship helps to reapp.
