9781684485567 - romantic beasts: pervasion, eccentricity, exhibition (18 risultati)

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Paperback. Condizione: New. By staging human-animal encounters, Romantic literature and art repeatedly questioned how "human" animals could be and how "animal" humans in fact are. Romantic-era authors and artists often depicted perplexing animal intrusions upon humans. Sometimes the intruders were mystifying or terrifying, like…Coleridge's albatross or Poe's raven; sometimes they were mundane, as in "The Swallow" by Smith or "To a Mouse" by Burns-regardless, encounters with animal-others occasioned Romantic musings. This collection builds on existing scholarship while deploying new methodological approaches from gender studies, posthumanism, postcolonialism, disability studies, and digital studies to deepen our understanding of why animal-human encounters were so prevalent in the creative work and cultural discourse of the Romantic period, including the rhetoric of social movements like transatlantic abolitionism. Taken together, the chapters demonstrate the range and complexity of Romantic representations of human-animal interactions and conceptualizations of animality, nonhuman life, and not-wholly-human life. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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Lingua: Inglese
Editore: Bucknell University Press,U.S., New Brunswick, NJ, 2025
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Paperback. Condizione: new. Paperback. By staging human-animal encounters, Romantic literature and art repeatedly questioned how "human" animals could be and how "animal" humans in fact are. Romantic-era authors and artists often depicted perplexing animal intrusions upon humans. Sometimes the intruders were mystifying or terrif…ying, like Coleridges albatross or Poes raven; sometimes they were mundane, as in The Swallow by Smith or To a Mouse by Burns-regardless, encounters with animal-others occasioned Romantic musings. This collection builds on existing scholarship while deploying new methodological approaches from gender studies, posthumanism, postcolonialism, disability studies, and digital studies to deepen our understanding of why animal-human encounters were so prevalent in the creative work and cultural discourse of the Romantic period, including the rhetoric of social movements like transatlantic abolitionism. Taken together, the chapters demonstrate the range and complexity of Romantic representations of human-animal interactions and conceptualizations of animality, nonhuman life, and not-wholly-human life. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. Building on two decades of scholarship, this collection presents a wide array of current scholarly projects on the intersection of Romanticism and animal studies, renewing the call for more exploration of how the figure of the animal pervades Romantic texts during the age of revolutions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Lingua: Inglese
Editore: Bucknell University Press,U.S., New Brunswick, NJ, 2025
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Paperback. Condizione: new. Paperback. By staging human-animal encounters, Romantic literature and art repeatedly questioned how "human" animals could be and how "animal" humans in fact are. Romantic-era authors and artists often depicted perplexing animal intrusions upon humans. Sometimes the intruders were mystifying or terrif…ying, like Coleridges albatross or Poes raven; sometimes they were mundane, as in The Swallow by Smith or To a Mouse by Burns-regardless, encounters with animal-others occasioned Romantic musings. This collection builds on existing scholarship while deploying new methodological approaches from gender studies, posthumanism, postcolonialism, disability studies, and digital studies to deepen our understanding of why animal-human encounters were so prevalent in the creative work and cultural discourse of the Romantic period, including the rhetoric of social movements like transatlantic abolitionism. Taken together, the chapters demonstrate the range and complexity of Romantic representations of human-animal interactions and conceptualizations of animality, nonhuman life, and not-wholly-human life. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. Building on two decades of scholarship, this collection presents a wide array of current scholarly projects on the intersection of Romanticism and animal studies, renewing the call for more exploration of how the figure of the animal pervades Romantic texts during the age of revolutions. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Taschenbuch. Condizione: Neu. Romantic Beasts | Pervasion, Eccentricity, Exhibition | Michael Demson (u. a.) | Taschenbuch | Englisch | 2025 | Bucknell University Press | EAN 9781684485567 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anb…ieter: preigu.

Lingua: Inglese
Editore: Bucknell University Press,U.S., New Brunswick, NJ, 2025
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Paperback. Condizione: new. Paperback. By staging human-animal encounters, Romantic literature and art repeatedly questioned how "human" animals could be and how "animal" humans in fact are. Romantic-era authors and artists often depicted perplexing animal intrusions upon humans. Sometimes the intruders were mystifying or terrif…ying, like Coleridges albatross or Poes raven; sometimes they were mundane, as in The Swallow by Smith or To a Mouse by Burns-regardless, encounters with animal-others occasioned Romantic musings. This collection builds on existing scholarship while deploying new methodological approaches from gender studies, posthumanism, postcolonialism, disability studies, and digital studies to deepen our understanding of why animal-human encounters were so prevalent in the creative work and cultural discourse of the Romantic period, including the rhetoric of social movements like transatlantic abolitionism. Taken together, the chapters demonstrate the range and complexity of Romantic representations of human-animal interactions and conceptualizations of animality, nonhuman life, and not-wholly-human life. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. Building on two decades of scholarship, this collection presents a wide array of current scholarly projects on the intersection of Romanticism and animal studies, renewing the call for more exploration of how the figure of the animal pervades Romantic texts during the age of revolutions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Paperback. Condizione: New. By staging human-animal encounters, Romantic literature and art repeatedly questioned how "human" animals could be and how "animal" humans in fact are. Romantic-era authors and artists often depicted perplexing animal intrusions upon humans. Sometimes the intruders were mystifying or terrifying, like…Coleridge's albatross or Poe's raven; sometimes they were mundane, as in "The Swallow" by Smith or "To a Mouse" by Burns-regardless, encounters with animal-others occasioned Romantic musings. This collection builds on existing scholarship while deploying new methodological approaches from gender studies, posthumanism, postcolonialism, disability studies, and digital studies to deepen our understanding of why animal-human encounters were so prevalent in the creative work and cultural discourse of the Romantic period, including the rhetoric of social movements like transatlantic abolitionism. Taken together, the chapters demonstrate the range and complexity of Romantic representations of human-animal interactions and conceptualizations of animality, nonhuman life, and not-wholly-human life. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Editore: University of Chicago press
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -By staging human-animal encounters, Romantic literature and art repeatedly questioned how 'human' animals could be and how 'animal' humans in fact are. Romantic-era authors and artists often depicted perplexing animal intrusions up…on humans. Sometimes the intruders were mystifying or terrifying, like Coleridge's albatross or Poe's raven; sometimes they were mundane, as in 'The Swallow' by Smith or 'To a Mouse' by Burns-regardless, encounters with animal-others occasioned Romantic musings. This collection builds on existing scholarship while deploying new methodological approaches from gender studies, posthumanism, postcolonialism, disability studies, and digital studies to deepen our understanding of why animal-human encounters were so prevalent in the creative work and cultural discourse of the Romantic period, including the rhetoric of social movements like transatlantic abolitionism. Taken together, the chapters demonstrate the range and complexity of Romantic representations of human-animal interactions and conceptualizations of animality, nonhuman life, and not-wholly-human life. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 239 pp. Englisch.

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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - By staging human-animal encounters, Romantic literature and art repeatedly questioned how 'human' animals could be and how 'animal' humans in fact are. Romantic-era authors and artists often depicted perplexing animal intrusions upon hu…mans. Sometimes the intruders were mystifying or terrifying, like Coleridge's albatross or Poe's raven; sometimes they were mundane, as in 'The Swallow' by Smith or 'To a Mouse' by Burns-regardless, encounters with animal-others occasioned Romantic musings. This collection builds on existing scholarship while deploying new methodological approaches from gender studies, posthumanism, postcolonialism, disability studies, and digital studies to deepen our understanding of why animal-human encounters were so prevalent in the creative work and cultural discourse of the Romantic period, including the rhetoric of social movements like transatlantic abolitionism. Taken together, the chapters demonstrate the range and complexity of Romantic representations of human-animal interactions and conceptualizations of animality, nonhuman life, and not-wholly-human life. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.