Isbn: 9781772128277 - the museum as large-room pinball machine: a 1967 new york city seminar featuring marshall mcluhan, harley parker and museum professionals (14 risultati)

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  • Lingua: Inglese

    Editore: University of Alberta Press, Alberta, 2026

    1772128279 / 9781772128277

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    Paperback. Condizione: new. Paperback. This new book recovers an innovative venture in museology from the late 1960s that has largely gone unnoticed. In 1967, media theorist Marshall McLuhan and his collaborator Harley Parker, pioneer of museum exhibit design, were invited by the Museum of the City of New York to moderate a two-day seminar on museum communication attended by leading museum officials from around the state and further afield. The seminar report, originally published in 1969, captures the extent to which the audacious views of McLuhan and Parker on rethinking the museum were greeted with puzzlement, scepticism, and consternation by those in attendance. Drawing on extensive archival sources, William J. Buxton sheds light on the context of the seminar, its main participants and organizers, its funding, and its reception. Also included is an essay on Parker and his close working relationship with McLuhan by Gary Genosko, and another on multi-sensory museology and the overall significance of the seminar today by David Howes. Charting connections to the Our World TV broadcast of June 1967, Expo 67, and the contemporaneous Electric Circus in Manhattan, this exciting work demonstrates the importance of this period of McLuhans thought, his collaborations with Parker, and the cluster of work published between 1967 and 1972. The Museum as Large-Room Pinball Machine makes a unique contribution to McLuhan scholarship, cultural history, and museum history in the late 1960s. With essays by Gary Genosko and David Howes. A new critical edition of a museum seminar report from 1967, featuring Marshall McLuhan and his collaborator Harley Parker. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Lingua: Inglese

    Editore: University of Alberta Press 1/27/2026, 2026

    1772128279 / 9781772128277

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    Paperback or Softback. Condizione: New. The Museum as Large-Room Pinball Machine: A 1967 New York City Seminar Featuring Marshall McLuhan, Harley Parker, and Museum Professionals. Book.

  • Lingua: Inglese

    Editore: University of Alberta Press, 2026

    1772128279 / 9781772128277

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  • Lingua: Inglese

    Editore: University of Alberta Press, 2026

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  • Lingua: Inglese

    Editore: University of Alberta Press, 2026

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  • Lingua: Inglese

    Editore: University of Alberta Press, 2026

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  • Lingua: Inglese

    Editore: University of Alberta Press, 2026

    1772128279 / 9781772128277

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  • Lingua: Inglese

    Editore: University of Alberta Press, 2026

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  • Lingua: Inglese

    Editore: University of Alberta Press, 2026

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  • Lingua: Inglese

    Editore: University of Alberta Press, 2026

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  • Lingua: Inglese

    Editore: University of Alberta Press, Alberta, 2026

    1772128279 / 9781772128277

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    Paperback. Condizione: new. Paperback. This new book recovers an innovative venture in museology from the late 1960s that has largely gone unnoticed. In 1967, media theorist Marshall McLuhan and his collaborator Harley Parker, pioneer of museum exhibit design, were invited by the Museum of the City of New York to moderate a two-day seminar on museum communication attended by leading museum officials from around the state and further afield. The seminar report, originally published in 1969, captures the extent to which the audacious views of McLuhan and Parker on rethinking the museum were greeted with puzzlement, scepticism, and consternation by those in attendance. Drawing on extensive archival sources, William J. Buxton sheds light on the context of the seminar, its main participants and organizers, its funding, and its reception. Also included is an essay on Parker and his close working relationship with McLuhan by Gary Genosko, and another on multi-sensory museology and the overall significance of the seminar today by David Howes. Charting connections to the Our World TV broadcast of June 1967, Expo 67, and the contemporaneous Electric Circus in Manhattan, this exciting work demonstrates the importance of this period of McLuhans thought, his collaborations with Parker, and the cluster of work published between 1967 and 1972. The Museum as Large-Room Pinball Machine makes a unique contribution to McLuhan scholarship, cultural history, and museum history in the late 1960s. With essays by Gary Genosko and David Howes. A new critical edition of a museum seminar report from 1967, featuring Marshall McLuhan and his collaborator Harley Parker. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Lingua: Inglese

    Editore: University of Alberta Press, 2026

    1772128279 / 9781772128277

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    Paperback. Condizione: New. New Book, Direct from Publisher.

  • Lingua: Inglese

    Editore: University of Alberta Press, 2026

    1772128279 / 9781772128277

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    Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

  • Lingua: Inglese

    Editore: University of Alberta Press, Alberta, 2026

    1772128279 / 9781772128277

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    Paperback. Condizione: new. Paperback. This new book recovers an innovative venture in museology from the late 1960s that has largely gone unnoticed. In 1967, media theorist Marshall McLuhan and his collaborator Harley Parker, pioneer of museum exhibit design, were invited by the Museum of the City of New York to moderate a two-day seminar on museum communication attended by leading museum officials from around the state and further afield. The seminar report, originally published in 1969, captures the extent to which the audacious views of McLuhan and Parker on rethinking the museum were greeted with puzzlement, scepticism, and consternation by those in attendance. Drawing on extensive archival sources, William J. Buxton sheds light on the context of the seminar, its main participants and organizers, its funding, and its reception. Also included is an essay on Parker and his close working relationship with McLuhan by Gary Genosko, and another on multi-sensory museology and the overall significance of the seminar today by David Howes. Charting connections to the Our World TV broadcast of June 1967, Expo 67, and the contemporaneous Electric Circus in Manhattan, this exciting work demonstrates the importance of this period of McLuhans thought, his collaborations with Parker, and the cluster of work published between 1967 and 1972. The Museum as Large-Room Pinball Machine makes a unique contribution to McLuhan scholarship, cultural history, and museum history in the late 1960s. With essays by Gary Genosko and David Howes. A new critical edition of a museum seminar report from 1967, featuring Marshall McLuhan and his collaborator Harley Parker. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.