Isbn: 9781780764825 - ottomania: the romantics and the myth of the islamic orient (14 risultati)

Lingua: Inglese
Editore: I.B. Tauris, 2013
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Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Lingua: Inglese
Editore: I. B. Tauris & Company 4/30/2013, 2013
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Paperback or Softback. Condizione: New. Ottomania: The Romantics and the Myth of the Islamic Orient. Book.

Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB, 2013
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Paperback. Condizione: New. Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury.Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers.…

Lingua: Inglese
Editore: I.B. Tauris & Company, Limited, 2013
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Condizione: New. pp. 272.

Lingua: Inglese
Editore: I B Tauris & Co Ltd, 2013
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Paperback. Condizione: Brand New. reprint edition. 252 pages. 9.00x6.00x1.00 inches. In Stock.

Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB, 2013
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Paperback. Condizione: New. Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury.Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers.…

Lingua: Inglese
Editore: Bloomsbury Publishing (UK), 2013
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PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Lingua: Inglese
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Lingua: Inglese
Editore: Bloomsbury Publishing PLC, London, 2013
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Paperback. Condizione: new. Paperback. Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury.Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers. 'Romanticism had its roots in fantasy and fed on myth'. This book analyses the Romantic vision of the Orient from Ottoman Turkey, through the Middle East, including Egypt and Persia, to the Vale of Kashmir - fascination with the exotic Orient mixed with distaste for despotic rule. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Lingua: Inglese
Editore: I.B. Tauris & Company, Limited, 2013
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Condizione: New. pp. 272 This item is printed on demand.

Lingua: Inglese
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Paperback. Condizione: new. Paperback. Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury.Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers. 'Romanticism had its roots in fantasy and fed on myth'. This book analyses the Romantic vision of the Orient from Ottoman Turkey, through the Middle East, including Egypt and Persia, to the Vale of Kashmir - fascination with the exotic Orient mixed with distaste for despotic rule. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Lingua: Inglese
Editore: Bloomsbury Publishing PLC, 2013
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- Print on Demand
Da: moluna, Greven, Germaniamoluna
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Romanticism had its roots in fantasy and fed on myth . This book analyses the Romantic vision of the Orient from Ottoman Turkey, through the Middle East, including Egypt and Persia, to the Vale of Kashmir - fascination with the exotic Orient mixed with dis.…

Lingua: Inglese
Editore: I.B. Tauris, 2013
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury.Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers.…

Lingua: Inglese
Editore: I.B. Tauris, 2013
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Taschenbuch. Condizione: Neu. Ottomania | The Romantics and the Myth of the Islamic Orient | Roderick Cavaliero | Taschenbuch | Kartoniert / Broschiert | Englisch | 2013 | I.B. Tauris | EAN 9781780764825 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …