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Aggiungi al carrelloPaperback. Condizione: New. So God created man in his own image, in the image of God he created him; male and female he created them' (Genesis 1:27).Genesis 1:26-27 has served as the locus of most theological anthropologies in the central Christian tradition. However, Richard Lints observes that too rarely have these verses been understood as conceptually interwoven with the whole of the prologue materials of Genesis 1. The construction of the cosmic temple strongly hints that the 'image of God' language serves liturgical functions.Lints argues that 'idol' language in the Bible is a conceptual inversion of the 'image' language of Genesis 1. These constructs illuminate each other, and clarify the canon's central anthropological concerns. The question of human identity is distinct, though not separate, from the question of human nature; the latter has far too frequently been read into the biblical use of 'image'.Lints shows how the 'narrative' of human identity runs from creation (imago Dei) to fall (the golden calf/idol, Exodus 32) to redemption (Christ as perfect image, Colossians 1:15-20). The biblical-theological use of image/idol is a thread through the canon that highlights the movements of redemptive history.In the concluding chapters, Lints interprets the use of idolatry as it emerges in the secular prophets of the nineteenth century, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the 'culture of desire'.
Lingua: Inglese
Editore: Inter-Varsity Press, Nottingham, 2015
ISBN 10: 1783593067 ISBN 13: 9781783593064
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Paperback. Condizione: new. Paperback. So God created man in his own image, in the image of God he created him; male and female he created them' (Genesis 1:27). Genesis 1:26-27 has served as the locus of most theological anthropologies in the central Christian tradition. However, Richard Lints observes that too rarely have these verses been understood as conceptually interwoven with the whole of the prologue materials of Genesis 1. The construction of the cosmic temple strongly hints that the 'image of God' language serves liturgical functions. Lints argues that 'idol' language in the Bible is a conceptual inversion of the 'image' language of Genesis 1. These constructs illuminate each other, and clarify the canon's central anthropological concerns. The question of human identity is distinct, though not separate, from the question of human nature; the latter has far too frequently been read into the biblical use of 'image'. Lints shows how the 'narrative' of human identity runs from creation (imago Dei) to fall (the golden calf/idol, Exodus 32) to redemption (Christ as perfect image, Colossians 1:15-20). The biblical-theological use of image/idol is a thread through the canon that highlights the movements of redemptive history. In the concluding chapters, Lints interprets the use of idolatry as it emerges in the secular prophets of the nineteenth century, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the 'culture of desire'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Lingua: Inglese
Editore: Nottingham, Apollos / Downers Grove, IL, IVP,, 2015
ISBN 10: 1783593067 ISBN 13: 9781783593064
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Aggiungi al carrelloGr.-8°, Brosch. 192 S. Neuwertiges Ex. / Fine Copy // "So God created man in his own image, in the image of God he created him; male and female he created them." (Genesis 1:27)Genesis 1:26-27 has served as the locus of most theological anthropologies in the central Christian tradition. However, Richard Lints observes that too rarely have these verses been understood as conceptually interwoven with the whole of the prologue materials of Genesis 1. The construction of the cosmic temple strongly hints that the "image of God" language serves liturgical functions.Lints argues that "idol" language in the Bible is a conceptual inversion of the "image" language of Genesis 1. These constructs illuminate each other, and clarify the canon?s central anthropological concerns. The question of human identity is distinct, though not separate, from the question of human nature; the latter has far too frequently been read into the biblical use of ?image?.Lints shows how the "narrative" of human identity runs from creation (imago Dei) to fall (the golden calf/idol, Exodus 32) to redemption (Christ as perfect image, Colossians 1:15-20). The biblical-theological use of image/idol is a thread through the canon that highlights the movements of redemptive history.In the concluding chapters of this New Studies in Biblical Theology volume, Lints interprets the use of idolatry as it emerges in the secular prophets of the nineteenth century, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the "culture of desire."Addressing key issues in biblical theology, the works comprising New Studies in Biblical Theology are creative attempts to help Christians better understand their Bibles. The NSBT series is edited by D. A. Carson, aiming to simultaneously instruct and to edify, to interact with current scholarship and to point the way ahead. ISBN: 9781783593064 Sprache: Englisch Gewicht in Gramm: 252.
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Aggiungi al carrelloCondizione: Good. Volume 36. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9781783593064.
Lingua: Inglese
Editore: Inter-Varsity Press, Nottingham, 2015
ISBN 10: 1783593067 ISBN 13: 9781783593064
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. So God created man in his own image, in the image of God he created him; male and female he created them' (Genesis 1:27). Genesis 1:26-27 has served as the locus of most theological anthropologies in the central Christian tradition. However, Richard Lints observes that too rarely have these verses been understood as conceptually interwoven with the whole of the prologue materials of Genesis 1. The construction of the cosmic temple strongly hints that the 'image of God' language serves liturgical functions. Lints argues that 'idol' language in the Bible is a conceptual inversion of the 'image' language of Genesis 1. These constructs illuminate each other, and clarify the canon's central anthropological concerns. The question of human identity is distinct, though not separate, from the question of human nature; the latter has far too frequently been read into the biblical use of 'image'. Lints shows how the 'narrative' of human identity runs from creation (imago Dei) to fall (the golden calf/idol, Exodus 32) to redemption (Christ as perfect image, Colossians 1:15-20). The biblical-theological use of image/idol is a thread through the canon that highlights the movements of redemptive history. In the concluding chapters, Lints interprets the use of idolatry as it emerges in the secular prophets of the nineteenth century, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the 'culture of desire'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloCondizione: New. KlappentextSo God created man in his own image, in the image of God he created him male and female he created them (Genesis 1:27). Genesis 1:26-27 has served as the locus of most theological anthropologies in the central Christian tr.
Lingua: Inglese
Editore: Inter-Varsity Press Jul 2015, 2015
ISBN 10: 1783593067 ISBN 13: 9781783593064
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - So God created man in his own image, in the image of God he created him; male and female he created them' (Genesis 1:27). Genesis 1:26-27 has served as the locus of most theological anthropologies in the central Christian tradition. However, Richard Lints observes that too rarely have these verses been understood as conceptually interwoven with the whole of the prologue materials of Genesis 1. The construction of the cosmic temple strongly hints that the 'image of God' language serves liturgical functions. Lints argues that 'idol' language in the Bible is a conceptual inversion of the 'image' language of Genesis 1. These constructs illuminate each other, and clarify the canon's central anthropological concerns. The question of human identity is distinct, though not separate, from the question of human nature; the latter has far too frequently been read into the biblical use of 'image'. Lints shows how the 'narrative' of human identity runs from creation (imago Dei) to fall (the golden calf/idol, Exodus 32) to redemption (Christ as perfect image, Colossians 1:15-20). The biblical-theological use of image/idol is a thread through the canon that highlights the movements of redemptive history. In the concluding chapters, Lints interprets the use of idolatry as it emerges in the secular prophets of the nineteenth century, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the 'culture of desire'.
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Aggiungi al carrelloPaperback. Condizione: New. So God created man in his own image, in the image of God he created him; male and female he created them' (Genesis 1:27).Genesis 1:26-27 has served as the locus of most theological anthropologies in the central Christian tradition. However, Richard Lints observes that too rarely have these verses been understood as conceptually interwoven with the whole of the prologue materials of Genesis 1. The construction of the cosmic temple strongly hints that the 'image of God' language serves liturgical functions.Lints argues that 'idol' language in the Bible is a conceptual inversion of the 'image' language of Genesis 1. These constructs illuminate each other, and clarify the canon's central anthropological concerns. The question of human identity is distinct, though not separate, from the question of human nature; the latter has far too frequently been read into the biblical use of 'image'.Lints shows how the 'narrative' of human identity runs from creation (imago Dei) to fall (the golden calf/idol, Exodus 32) to redemption (Christ as perfect image, Colossians 1:15-20). The biblical-theological use of image/idol is a thread through the canon that highlights the movements of redemptive history.In the concluding chapters, Lints interprets the use of idolatry as it emerges in the secular prophets of the nineteenth century, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the 'culture of desire'.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Identity and Idolatry | The Image Of God And Its Inversion | Richard Lints | Taschenbuch | New Studies in Biblical Theology | Einband - flex.(Paperback) | Englisch | 2015 | Inter-Varsity Press | EAN 9781783593064 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.