Isbn: 9781783786633 - wreck: géricault’s raft and the art of being lost at sea (28 risultati)

hardcover. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condizione: new. Hardcover. Artist Tom de Freston has long had an obsession with Gericault's painting The Raft of the Medusa, and the troubling story behind its creation. The monumental canvas, which hangs in the Louvre, depicts a 19th century tragedy in which 150 people were drowned at sea on a raft lost in a stormy sea, when the ship Medusa was wrecked on shallow ground.When de Freston began making an artwork with Ali, a Syrian writer blinded by a bombing, The Raft's depiction of pain and suffering resonated powerfully with him, as did Gericault's awful life story. It spoke not only to Ali's story but to Tom's family history of trauma and anguish, offering him a passage out of the dark waters in which he found himself.In spellbinding, visceral prose, de Freston opens a window onto the magnetic frisson that runs between a past masterpiece and contemporary artistic endeavours. He asks powerful questions about how we might translate violence, fear and trauma into art, how we try to make sense of seemingly unthinkable acts, and the value in facing and depicting the darkest horrors. An artist's obsession with Gericault's monumental painting The Raft of the Medusa, and an intensely personal reckoning that delves deep inside the making of an artwork. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

hardcover. Condizione: Fine. Condizione sovraccoperta: Includes dust jacket. Bumped edges. Appears unread, may have minor superficial marking. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

Hardback. Condizione: New. An artist's obsession with Géricault's monumental painting The Raft of the Medusa, and an intensely personal reckoning that delves deep inside the making of an artwork.Artist Tom de Freston has long had an obsession with Géricault's painting The Raft of the Medusa, and the troubling story behind its creation. The monumental canvas, which hangs in the Louvre, depicts a 19th century tragedy in which 150 people were drowned at sea on a raft lost in a stormy sea, when the ship Medusa was wrecked on shallow ground. When de Freston began making an artwork with Ali, a Syrian writer blinded by a bombing, The Raft's depiction of pain and suffering resonated powerfully with him, as did Géricault's awful life story. It spoke not only to Ali's story but to Tom's family history of trauma and anguish, offering him a passage out of the dark waters in which he found himself. In spellbinding, visceral prose, de Freston opens a window onto the magnetic frisson that runs between a past masterpiece and contemporary artistic endeavours. He asks powerful questions about how we might translate violence, fear and trauma into art, how we try to make sense of seemingly unthinkable acts, and the value in facing and depicting the darkest horrors.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New. 2022. Hardcover. . . . . .

Condizione: Brand New. 352 pages. 8.50x5.31x0.94 inches. In Stock.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Light wear to the dust jacket. Shipped from the UK in recyclable card packaging.

Condizione: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: New. In English.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. uk1st.edition.1st.printing/near fine hardback in near fine dustwrapper.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: Very Good. Condizione sovraccoperta: Fine. First Edition.

Buch. Condizione: Neu. Neuware - An artist's obsession with Géricault's monumental painting The Raft of the Medusa, and an intensely personal reckoning that delves deep inside the making of an artwork.Artist Tom de Freston has long had an obsession with Géricault's painting The Raft of the Medusa, and the troubling story behind its creation. The monumental canvas, which hangs in the Louvre, depicts a 19th century tragedy in which 150 people were drowned at sea on a raft lost in a stormy sea, when the ship Medusa was wrecked on shallow ground. When de Freston began making an artwork with Ali, a Syrian writer blinded by a bombing, The Raft's depiction of pain and suffering resonated powerfully with him, as did Géricault's awful life story. It spoke not only to Ali's story but to Tom's family history of trauma and anguish, offering him a passage out of the dark waters in which he found himself. In spellbinding, visceral prose, de Freston opens a window onto the magnetic frisson that runs between a past masterpiece and contemporary artistic endeavours. He asks powerful questions about how we might translate violence, fear and trauma into art, how we try to make sense of seemingly unthinkable acts, and the value in facing and depicting the darkest horrors. …

Hardcover. Condizione: new. Hardcover. Artist Tom de Freston has long had an obsession with Gericault's painting The Raft of the Medusa, and the troubling story behind its creation. The monumental canvas, which hangs in the Louvre, depicts a 19th century tragedy in which 150 people were drowned at sea on a raft lost in a stormy sea, when the ship Medusa was wrecked on shallow ground.When de Freston began making an artwork with Ali, a Syrian writer blinded by a bombing, The Raft's depiction of pain and suffering resonated powerfully with him, as did Gericault's awful life story. It spoke not only to Ali's story but to Tom's family history of trauma and anguish, offering him a passage out of the dark waters in which he found himself.In spellbinding, visceral prose, de Freston opens a window onto the magnetic frisson that runs between a past masterpiece and contemporary artistic endeavours. He asks powerful questions about how we might translate violence, fear and trauma into art, how we try to make sense of seemingly unthinkable acts, and the value in facing and depicting the darkest horrors. An artist's obsession with Gericault's monumental painting The Raft of the Medusa, and an intensely personal reckoning that delves deep inside the making of an artwork. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. Artist Tom de Freston has long had an obsession with Gericault's painting The Raft of the Medusa, and the troubling story behind its creation. The monumental canvas, which hangs in the Louvre, depicts a 19th century tragedy in which 150 people were drowned at sea on a raft lost in a stormy sea, when the ship Medusa was wrecked on shallow ground.When de Freston began making an artwork with Ali, a Syrian writer blinded by a bombing, The Raft's depiction of pain and suffering resonated powerfully with him, as did Gericault's awful life story. It spoke not only to Ali's story but to Tom's family history of trauma and anguish, offering him a passage out of the dark waters in which he found himself.In spellbinding, visceral prose, de Freston opens a window onto the magnetic frisson that runs between a past masterpiece and contemporary artistic endeavours. He asks powerful questions about how we might translate violence, fear and trauma into art, how we try to make sense of seemingly unthinkable acts, and the value in facing and depicting the darkest horrors. An artist's obsession with Gericault's monumental painting The Raft of the Medusa, and an intensely personal reckoning that delves deep inside the making of an artwork. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: NEW.

Condizione: New. An artist s obsession with Gericault s monumental painting The Raft of the Medusa, and an intensely personal reckoning that delves deep inside the making of an artwork.KlappentextrnrnAn artist s obsession with Gericault s monumental painting.

Condizione: Very Good.

Buch. Condizione: Neu. Wreck | Gericault's Raft and the Art of Being Lost at Sea | Tom De Freston | Buch | Gebunden | Englisch | 2022 | Granta Books | EAN 9781783786633 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardback. Condizione: New. An artist's obsession with Géricault's monumental painting The Raft of the Medusa, and an intensely personal reckoning that delves deep inside the making of an artwork.Artist Tom de Freston has long had an obsession with Géricault's painting The Raft of the Medusa, and the troubling story behind its creation. The monumental canvas, which hangs in the Louvre, depicts a 19th century tragedy in which 150 people were drowned at sea on a raft lost in a stormy sea, when the ship Medusa was wrecked on shallow ground. When de Freston began making an artwork with Ali, a Syrian writer blinded by a bombing, The Raft's depiction of pain and suffering resonated powerfully with him, as did Géricault's awful life story. It spoke not only to Ali's story but to Tom's family history of trauma and anguish, offering him a passage out of the dark waters in which he found himself. In spellbinding, visceral prose, de Freston opens a window onto the magnetic frisson that runs between a past masterpiece and contemporary artistic endeavours. He asks powerful questions about how we might translate violence, fear and trauma into art, how we try to make sense of seemingly unthinkable acts, and the value in facing and depicting the darkest horrors.…