Softcover, 304 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Aggiungi al carrelloCondizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Condizione: As New. Unread book in perfect condition.
Da: Trumpington Fine Books Limited, Gilmilnscroft, Ayrshire, Scotland, Regno Unito
EUR 19,85
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Aggiungi al carrelloPaperback. Condizione: Near Fine. 304pp. (light green spine) Large 8vo. sized. 2018. First edition. A near fine, lovely fresh, clean, tight, bright well preserved copy. The text supported by a number of photographic reproductions in b/w. Slight shelf wear to the card covers. A very well preserved copy.
Condizione: New.
EUR 40,42
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Da: Prestige Books, Buxton, DERBY, Regno Unito
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 37,48
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Condizione: New.
EUR 49,77
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EUR 40,48
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Aggiungi al carrelloKartoniert / Broschiert. Condizione: New. Gerd Hurm is Professor of American literature and Director of the Center for American Studies at the University of Trier, Germany. He has published widely in the fields of urban, media, and gender studies and he is currently researching the photography, aes.
Lingua: Inglese
Editore: Taylor & Francis Ltd Dez 2017, 2017
ISBN 10: 1784539678 ISBN 13: 9781784539672
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 50,25
Quantità: 1 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - The Family of Man is the most widely seen exhibition in the history of photography. The book of the exhibition, still in print, is also the most commercially successful photobook ever published. First shown at the Museum of Modern Art in New York in 1955, the exhibition travelled throughout the United States and to forty-six countries, and was seen by over nine million people. Edward Steichen conceived, curated and designed the exhibition. He explained its subject as `the everydayness of life' and `the essential oneness of mankind throughout the world'. The exhibition was a statement against war and the conflicts and divisions that threatened a common future for humanity after 1945. The popular international response was overwhelmingly enthusiastic. Many critics, however, have dismissed the exhibition as a form of sentimental humanism unable to address the challenges of history, politics and cultural difference.This book revises the critical debate about The Family of Man, challenging in particular the legacy of Roland Barthes's influential account of the exhibition. The expert contributors explore new contexts for understanding Steichen's work and they undertake radically new analyses of the formal dynamics of the exhibition. Also presented are documents about the exhibition never before available in English. Commentaries by critical theorist Max Horkheimer and novelist Wolfgang Koeppen, letters from photographer August Sander, and a poetic sequence on the images by Polish poet Witold Wirpsza enable and encourage new critical reflections. A detailed survey of audience responses in Munich from 1955 allows a rare glimpse of what visitors thought about the exhibition. Today, when armed conflict, environmental catastrophe and economic inequality continue to threaten our future, it seems timely to revisit The Family of Man.