9781785274626 - commitment in the artistic practice of aref el-rayess: the changing of horses di gasparian, natasha (21 risultati)

Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
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Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
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Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
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Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
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Lingua: Inglese
Editore: Anthem Press, GB, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
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Paperback. Condizione: New. In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess's Dima? wa Hurriyya (Blood and Freedom) opened to the public in the exhibition hall of the L'Orient newspaper headquarters in Beirut, Lebanon. The 5th of June, or, The Changing of Horses, a realist mural painting on c…anvas, was the exhibition's centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. The Changing of Horses was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In Commitment in the Artistic Practice of Aref El-Rayess, the first comprehensive study of the work, Natasha Gasparian weaves together a social art history from the artist's writings, exhibition reviews, guestbook comments, personal correspondences and testimonies, as well as social, political, and aesthetic shifts, particularly as they related to the debates on commitment (iltizam) in the aftermath of the June 1967 war. By attempting to reconstruct this history of the artwork and tracing the caesuras in the discourse around it, Gasparian exposes the social antagonism that is repressed and obfuscated in the idealized narrative sustained by El-Rayess and his audiences. She argues that the oversight in the reception-the critics' and audiences' inability to see-attests to the delay in grasping the work historically and signals its avant-gardism.

Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
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Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
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Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
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Lingua: Inglese
Editore: Anthem Press, GB, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
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Paperback. Condizione: New. In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess's Dima? wa Hurriyya (Blood and Freedom) opened to the public in the exhibition hall of the L'Orient newspaper headquarters in Beirut, Lebanon. The 5th of June, or, The Changing of Horses, a realist mural painting on c…anvas, was the exhibition's centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. The Changing of Horses was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In Commitment in the Artistic Practice of Aref El-Rayess, the first comprehensive study of the work, Natasha Gasparian weaves together a social art history from the artist's writings, exhibition reviews, guestbook comments, personal correspondences and testimonies, as well as social, political, and aesthetic shifts, particularly as they related to the debates on commitment (iltizam) in the aftermath of the June 1967 war. By attempting to reconstruct this history of the artwork and tracing the caesuras in the discourse around it, Gasparian exposes the social antagonism that is repressed and obfuscated in the idealized narrative sustained by El-Rayess and his audiences. She argues that the oversight in the reception-the critics' and audiences' inability to see-attests to the delay in grasping the work historically and signals its avant-gardism.

Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Lingua: Inglese
Editore: Anthem Pr, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 250 pages. 9.02x6.02x1.02 inches. In Stock.

Lingua: Inglese
Editore: Anthem Press, GB, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess's Dima? wa Hurriyya (Blood and Freedom) opened to the public in the exhibition hall of the L'Orient newspaper headquarters in Beirut, Lebanon. The 5th of June, or, The Changing of Horses, a realist mural painting on c…anvas, was the exhibition's centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. The Changing of Horses was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In Commitment in the Artistic Practice of Aref El-Rayess, the first comprehensive study of the work, Natasha Gasparian weaves together a social art history from the artist's writings, exhibition reviews, guestbook comments, personal correspondences and testimonies, as well as social, political, and aesthetic shifts, particularly as they related to the debates on commitment (iltizam) in the aftermath of the June 1967 war. By attempting to reconstruct this history of the artwork and tracing the caesuras in the discourse around it, Gasparian exposes the social antagonism that is repressed and obfuscated in the idealized narrative sustained by El-Rayess and his audiences. She argues that the oversight in the reception-the critics' and audiences' inability to see-attests to the delay in grasping the work historically and signals its avant-gardism.

Lingua: Inglese
Editore: Anthem Press, GB, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess's Dima? wa Hurriyya (Blood and Freedom) opened to the public in the exhibition hall of the L'Orient newspaper headquarters in Beirut, Lebanon. The 5th of June, or, The Changing of Horses, a realist mural painting on c…anvas, was the exhibition's centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. The Changing of Horses was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In Commitment in the Artistic Practice of Aref El-Rayess, the first comprehensive study of the work, Natasha Gasparian weaves together a social art history from the artist's writings, exhibition reviews, guestbook comments, personal correspondences and testimonies, as well as social, political, and aesthetic shifts, particularly as they related to the debates on commitment (iltizam) in the aftermath of the June 1967 war. By attempting to reconstruct this history of the artwork and tracing the caesuras in the discourse around it, Gasparian exposes the social antagonism that is repressed and obfuscated in the idealized narrative sustained by El-Rayess and his audiences. She argues that the oversight in the reception-the critics' and audiences' inability to see-attests to the delay in grasping the work historically and signals its avant-gardism.

Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
Da: moluna, Greven, Germaniamoluna
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Lingua: Inglese
Editore: Anthem Pr, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
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Paperback. Condizione: Brand New. 250 pages. 9.02x6.02x1.02 inches. In Stock. This item is printed on demand.

Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
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Lingua: Inglese
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- Brossura
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Lingua: Inglese
Editore: Anthem Press, 2020
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- Brossura
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Lingua: Inglese
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In her study of Aref El-Rayess's The 5th of June, or, The Changing of Horses, Natasha Gasparian reveals that the picture was presented and received, allegorically or metaphysically, as an idealized narrative of national liberation. By t…racing the caesuras and slips in discourse, she reconstructs an alternative reading of the artwork's uncanny yet historically determinate character.

Lingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
- Print on Demand
Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. PRINT ON DEMAND pp. 250.
Altre immaginiLingua: Inglese
Editore: Anthem Press, 2020
Serie: Libro 1 di 1 - Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey
- Brossura
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Taschenbuch. Condizione: Neu. Commitment in the Artistic Practice of Aref El-Rayess | The Changing of Horses | Natasha Gasparian | Taschenbuch | Kartoniert / Broschiert | Englisch | 2020 | Anthem Press | EAN 9781785274626 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | A…nbieter: preigu Print on Demand.