ISBN: 9781789140569 - darker shades: the racial other in early modern art (24 risultati)

hardcover. Condizione: Good. 1st Edition. Grade 2 out 5 points. Used books with this grade may have any of the following: Moderate wear on cover and pages, personalized notes/names, stickers/labels, markings on pages, bends/creases on cover/spine, ex-library markings. May not include extra materials such as dust jackets, access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business.…

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New. Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Dürer and Rembrandt, shaped the imaging of non-Western individuals in Early Modern art. This nuanced and detailed study examines images of racial 'otherness' during a time of new encounters with different cultures and peoples, such as people of colour, Muslims and Jews. The book also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, colour, harmony and lighting. What room was there for the 'Other' in such a crystalline, unchanging paradigm? This book is a fascinating investigation for anyone interested in early modern art history, anthropology and post-colonial studies.…

Condizione: new.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 2019. Hardcover. . . . . .

Hardcover. Condizione: new. Hardcover. Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Durer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita's nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the 'Other,' Stoichita would have us ask, in such a crystalline, unchanging paradigm? Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the 'Other,' Stoichita would have us ask, in such a crystalline, unchanging paradigm? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Brand New. 240 pages. 8.75x5.75x1.00 inches. In Stock.

Condizione: New. In English.

Condizione: New.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New. 1st edition NO-PA16APR2015-KAP.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: new. Hardcover. Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Durer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita's nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the 'Other,' Stoichita would have us ask, in such a crystalline, unchanging paradigm? Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the 'Other,' Stoichita would have us ask, in such a crystalline, unchanging paradigm? Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Gebunden. Condizione: New. KlappentextDifference exists otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to D rer and Rembrandt, shaped the imaging of non-Western individuals in early mod.

Buch. Condizione: Neu. Neuware - Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Dürer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita's nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the 'Other,' Stoichita would have us ask, in such a crystalline, unchanging paradigm.…

Hardcover. Condizione: new. Hardcover. Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Durer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita's nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the 'Other,' Stoichita would have us ask, in such a crystalline, unchanging paradigm? Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the 'Other,' Stoichita would have us ask, in such a crystalline, unchanging paradigm? Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condizione: New. Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Dürer and Rembrandt, shaped the imaging of non-Western individuals in Early Modern art. This nuanced and detailed study examines images of racial 'otherness' during a time of new encounters with different cultures and peoples, such as people of colour, Muslims and Jews. The book also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, colour, harmony and lighting. What room was there for the 'Other' in such a crystalline, unchanging paradigm? This book is a fascinating investigation for anyone interested in early modern art history, anthropology and post-colonial studies.…