ISBN: 9781789383782 - shiny things: reflective surfaces and their mixed meanings (18 risultati)

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: new. Paperback. Shiny objects attract and fascinate us. While they used to derive their power from their rarity, today shininess is pervasive: its attraction is a foundation of consumer culture and it has attendant effects on our architecture, our conceptions of the body, and our production of spectacle. In Shiny Things, Leonard Diepeveen and Timothy van Laar examine the meanings and functions of shininess in visual art and material culture. Exploring the works of a diverse range of artistsincluding Anish Kapoor, Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico, and Gerard ter Borchthe authors open the discourse to topics as disparate as automobiles, Richard Nixon, and Liberace. With accessible writing and a careful application of contemporary theory, this is scholarship that challenges stale thought and will appeal to any progressive thinker looking for new ways to present ideas. Discusses meanings of shininess in art and in culture generally. Shininess is physically and metaphorically present in the construction of concepts such as utopia, the sublime, and camp; and the way its affects, rooted in excess produce irony, anxiety, pleasure and kitsch. A compelling subject that instantly attracts and fascinates. 54 b/w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. Shiny Things combines an interest in visual art with a broad attention to popular culture - the wideness of its range is striking. It is more than just an expansion of subject matter, which many of today's innovative books also have - it considers how a specific physical property manifests itself in both art and culture at large, and contributes to an analysis of and polemics about the world. It is accessibly written but with a careful application of contemporary theory.Interesting, informative, and entertaining, this will appeal to progressive thinkers looking for new ways of presenting ideas. This is scholarship that challenges stale thought and interacts with philosophical ideas in real time, with a versatility that can often be lacking in traditional academic scholarship.Using art, especially contemporary art, as its recurrent point of reference, the authors argue that shininess has moved from a time when rarity gave shiny things a direct meaning of power and transcendence. Shininess today is pervasive; its attraction is a foundation of consumer culture with its attendant effects on our architecture, our conceptions of the body, and our production of spectacle. Power and the sacred as readings of the shiny have given way to readings of superficiality, irony and anxiety, while somehow shininess has maintained its qualities of fascination, newness and cleanliness.Examines the meanings and functions of shininess in art and in culture more generally: its contradictions of both preciousness and superficiality, and its complexities of representation; the way shininess itself is physically and metaphorically present in the construction of major conceptual categories such as hygiene, utopias, the sublime and camp; and the way the affects of shininess, rooted in its inherent disorienting excess, produce irony, anxiety, pleasure, kitsch, and fetishism. All of these large ideas are embodied in the instantly noticeable, sometimes precious and sometimes cheap physical presence of shiny things, those things that catch our eye and divert our attention. Shininess, then, is a compelling subject that instantly attracts and fascinates people.The book engages primarily with visual art, although it makes frequent use of material culture, as well as advertising, film, literature, and other areas of popular and political culture. The art world, however, is a place where many of the affects of shininess come into clearest focus, where the polemical semiotics of shine are most evident and consciously explored. Artists as diverse as Anish Kapoor (whose popular Cloud Gate sculpture in Chicago is a repeating example in the book), Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico and Gerard ter Borch centre the book in an art discourse that opens up to automobiles, Richard Nixon and Liberace.Will be relevant to academics, scholars and students with an interest in contemporary theory and material and popular cultures. Potential interest across th.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: new.

Paperback. Condizione: Brand New. 221 pages. 8.00x5.75x0.75 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. Brand New.

Condizione: New. 2021. New. Paperback. . . . . .

Condizione: New.

Paperback. Condizione: new. Paperback. Shiny objects attract and fascinate us. While they used to derive their power from their rarity, today shininess is pervasive: its attraction is a foundation of consumer culture and it has attendant effects on our architecture, our conceptions of the body, and our production of spectacle. In Shiny Things, Leonard Diepeveen and Timothy van Laar examine the meanings and functions of shininess in visual art and material culture. Exploring the works of a diverse range of artistsincluding Anish Kapoor, Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico, and Gerard ter Borchthe authors open the discourse to topics as disparate as automobiles, Richard Nixon, and Liberace. With accessible writing and a careful application of contemporary theory, this is scholarship that challenges stale thought and will appeal to any progressive thinker looking for new ways to present ideas. Discusses meanings of shininess in art and in culture generally. Shininess is physically and metaphorically present in the construction of concepts such as utopia, the sublime, and camp; and the way its affects, rooted in excess produce irony, anxiety, pleasure and kitsch. A compelling subject that instantly attracts and fascinates. 54 b/w illus. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: New.

Condizione: New. 2021. New. Paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condizione: Neu. Neuware - Shiny objects attract and fascinate us. While they used to derive their power from their rarity, today shininess is pervasive: its attraction is a foundation of consumer culture and it has attendant effects on our architecture, our conceptions of the body, and our production of spectacle. In Shiny Things, Leonard Diepeveen and Timothy van Laar examine the meanings and functions of shininess in visual art and material culture. Exploring the works of a diverse range of artists--including Anish Kapoor, Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico, and Gerard ter Borch--the authors open the discourse to topics as disparate as automobiles, Richard Nixon, and Liberace. With accessible writing and a careful application of contemporary theory, this is scholarship that challenges stale thought and will appeal to any progressive thinker looking for new ways to present ideas.…

Condizione: New. Discusses meanings of shininess in art and in culture generally. Shininess is physically and metaphorically present in the construction of concepts such as utopia, the sublime, and camp and the way its affects, rooted in excess produce irony, anxiety, plea.

Paperback. Condizione: New. Shiny Things combines an interest in visual art with a broad attention to popular culture - the wideness of its range is striking. It is more than just an expansion of subject matter, which many of today's innovative books also have - it considers how a specific physical property manifests itself in both art and culture at large, and contributes to an analysis of and polemics about the world. It is accessibly written but with a careful application of contemporary theory.Interesting, informative, and entertaining, this will appeal to progressive thinkers looking for new ways of presenting ideas. This is scholarship that challenges stale thought and interacts with philosophical ideas in real time, with a versatility that can often be lacking in traditional academic scholarship.Using art, especially contemporary art, as its recurrent point of reference, the authors argue that shininess has moved from a time when rarity gave shiny things a direct meaning of power and transcendence. Shininess today is pervasive; its attraction is a foundation of consumer culture with its attendant effects on our architecture, our conceptions of the body, and our production of spectacle. Power and the sacred as readings of the shiny have given way to readings of superficiality, irony and anxiety, while somehow shininess has maintained its qualities of fascination, newness and cleanliness.Examines the meanings and functions of shininess in art and in culture more generally: its contradictions of both preciousness and superficiality, and its complexities of representation; the way shininess itself is physically and metaphorically present in the construction of major conceptual categories such as hygiene, utopias, the sublime and camp; and the way the affects of shininess, rooted in its inherent disorienting excess, produce irony, anxiety, pleasure, kitsch, and fetishism. All of these large ideas are embodied in the instantly noticeable, sometimes precious and sometimes cheap physical presence of shiny things, those things that catch our eye and divert our attention. Shininess, then, is a compelling subject that instantly attracts and fascinates people.The book engages primarily with visual art, although it makes frequent use of material culture, as well as advertising, film, literature, and other areas of popular and political culture. The art world, however, is a place where many of the affects of shininess come into clearest focus, where the polemical semiotics of shine are most evident and consciously explored. Artists as diverse as Anish Kapoor (whose popular Cloud Gate sculpture in Chicago is a repeating example in the book), Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico and Gerard ter Borch centre the book in an art discourse that opens up to automobiles, Richard Nixon and Liberace.Will be relevant to academics, scholars and students with an interest in contemporary theory and material and popular cultures. Potential interest across th.…