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Aggiungi al carrelloPaperback. Condizione: New. The rock art of the Americas was produced at very different times and by different cultures, both by hunter-gatherers, fishermen and by farmers from village or state societies. Each group can be characterised by diverse styles and techniques. The function of rock art depended on religious, political or social concerns that referred to a particular context and time. Peintures et gravures rupestres des Amériques: Empreintes culturelles et territoriales presents the proceedings from Session XXV-3 of the XVIII UISPP World Congress (4-9 June 2018, Paris, France). Papers address the following questions: How does the study of rock art make it possible to culturally characterize its authors? What does it tell us about the function of sites? How and under what circumstances does it make it possible to delimit a cultural territory? The six articles in this volume provide case studies from Mexico, El Salvador, Costa Rica, French Guiana and Chile.
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Paperback. Condizione: new. Paperback. The rock art of the Americas was produced at very different times and by different cultures, both by hunter-gatherers, fishermen and by farmers from village or state societies. Each group can be characterised by diverse styles and techniques. The function of rock art depended on religious, political or social concerns that referred to a particular context and time. Peintures et gravures rupestres des Ameriques: Empreintes culturelles et territoriales presents the proceedings from Session XXV-3 of the XVIII UISPP World Congress (4-9 June 2018, Paris, France). Papers address the following questions: How does the study of rock art make it possible to culturally characterize its authors? What does it tell us about the function of sites? How and under what circumstances does it make it possible to delimit a cultural territory? The six articles in this volume provide case studies from Mexico, El Salvador, Costa Rica, French Guiana and Chile. How does the study of rock art make it possible to culturally characterize its authors? What does it tell us about the function of sites? How and under what circumstances does it make it possible to delimit a cultural territory? The six articles in this volume provide case studies from Mexico, El Salvador, Costa Rica, French Guiana and Chile. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloCondizione: New. How does the study of rock art make it possible to culturally characterize its authors? What does it tell us about the function of sites? How and under what circumstances does it make it possible to delimit a cultural territory? The six articles in this vol.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - How does the study of rock art make it possible to culturally characterize its authors What does it tell us about the function of sites How and under what circumstances does it make it possible to delimit a cultural territory The six articles in this volume provide case studies from Mexico, El Salvador, Costa Rica, French Guiana and Chile.
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Aggiungi al carrelloPaperback. Condizione: New. The rock art of the Americas was produced at very different times and by different cultures, both by hunter-gatherers, fishermen and by farmers from village or state societies. Each group can be characterised by diverse styles and techniques. The function of rock art depended on religious, political or social concerns that referred to a particular context and time. Peintures et gravures rupestres des Amériques: Empreintes culturelles et territoriales presents the proceedings from Session XXV-3 of the XVIII UISPP World Congress (4-9 June 2018, Paris, France). Papers address the following questions: How does the study of rock art make it possible to culturally characterize its authors? What does it tell us about the function of sites? How and under what circumstances does it make it possible to delimit a cultural territory? The six articles in this volume provide case studies from Mexico, El Salvador, Costa Rica, French Guiana and Chile.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Peintures et gravures rupestres des Ameriques: Empreintes culturelles et territoriales | Proceedings of the XVIII UISPP World Congress (4-9 June 2018, Paris, France) Volume 2, Session XXV-3 | Brigitte Faugere (u. a.) | Taschenbuch | Kartoniert / Broschiert | Französisch | 2020 | Archaeopress | EAN 9781789696332 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. The rock art of the Americas was produced at very different times and by different cultures, both by hunter-gatherers, fishermen and by farmers from village or state societies. Each group can be characterised by diverse styles and techniques. The function of rock art depended on religious, political or social concerns that referred to a particular context and time. Peintures et gravures rupestres des Ameriques: Empreintes culturelles et territoriales presents the proceedings from Session XXV-3 of the XVIII UISPP World Congress (4-9 June 2018, Paris, France). Papers address the following questions: How does the study of rock art make it possible to culturally characterize its authors? What does it tell us about the function of sites? How and under what circumstances does it make it possible to delimit a cultural territory? The six articles in this volume provide case studies from Mexico, El Salvador, Costa Rica, French Guiana and Chile. How does the study of rock art make it possible to culturally characterize its authors? What does it tell us about the function of sites? How and under what circumstances does it make it possible to delimit a cultural territory? The six articles in this volume provide case studies from Mexico, El Salvador, Costa Rica, French Guiana and Chile. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.