ISBN: 9781793624628 - proximate difference in aesthetics: jacques derrida and institutional critique (14 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New. Proximate Difference in Aesthetics: Jacques Derrida and Institutional Critique examines interconnections between the texts of Jacques Derrida and works related to Institutional Critique in art. At a juncture between philosophy and art, texts by Derrida such as "Différance," "Parergon," "Economimesis," and "Force of Law," and works by Marcel Broodthaers, Michael Asher, Mierle Laderman Ukeles, Fred Wilson, Louise Lawler, Andrea Fraser, Maria Eichhorn, and Cameron Rowland reveal shared investments in questions around the archive, the institutional frames for art, and the collision of aesthetics, economics, and the law. These juxtapositions lead to insights not only into the relevance of Derrida's work to contemporary aesthetics, but also into how the approaches of Institutional Critique offer a way of thinking through issues raised by Derrida's texts. In being against traditional aesthetics, Derrida and the artists under consideration brush up against the foundational premises of the institutions of philosophy, aesthetics, and art, creating productive frictions that expose not only the foundational fictions and premises of their respective fields, but also an alternative means of approaching philosophy, art, and aesthetics. The small differences that Derrida and these artists open up through their practice radically reframe ways of thinking about their respective institutions, fields, and traditions.…

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 263 pages. 9.25x6.25x0.75 inches. In Stock.

Hardback. Condizione: New. Proximate Difference in Aesthetics: Jacques Derrida and Institutional Critique examines interconnections between the texts of Jacques Derrida and works related to Institutional Critique in art. At a juncture between philosophy and art, texts by Derrida such as "Différance," "Parergon," "Economimesis," and "Force of Law," and works by Marcel Broodthaers, Michael Asher, Mierle Laderman Ukeles, Fred Wilson, Louise Lawler, Andrea Fraser, Maria Eichhorn, and Cameron Rowland reveal shared investments in questions around the archive, the institutional frames for art, and the collision of aesthetics, economics, and the law. These juxtapositions lead to insights not only into the relevance of Derrida's work to contemporary aesthetics, but also into how the approaches of Institutional Critique offer a way of thinking through issues raised by Derrida's texts. In being against traditional aesthetics, Derrida and the artists under consideration brush up against the foundational premises of the institutions of philosophy, aesthetics, and art, creating productive frictions that expose not only the foundational fictions and premises of their respective fields, but also an alternative means of approaching philosophy, art, and aesthetics. The small differences that Derrida and these artists open up through their practice radically reframe ways of thinking about their respective institutions, fields, and traditions.…

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. Proximate Difference in Aesthetics: Jacques Derrida and Institutional Critique examines interconnections between the texts of Jacques Derrida and works related to Institutional Critique in art. At a juncture between philosophy and art, texts by Derrida such as Differance, Parergon, Economimesis, and Force of Law, and works by Marcel Broodthaers, Michael Asher, Mierle Laderman Ukeles, Fred Wilson, Louise Lawler, Andrea Fraser, Maria Eichhorn, and Cameron Rowland reveal shared investments in questions around the archive, the institutional frames for art, and the collision of aesthetics, economics, and the law. These juxtapositions lead to insights not only into the relevance of Derridas work to contemporary aesthetics, but also into how the approaches of Institutional Critique offer a way of thinking through issues raised by Derridas texts. In being against traditional aesthetics, Derrida and the artists under consideration brush up against the foundational premises of the institutions of philosophy, aesthetics, and art, creating productive frictions that expose not only the foundational fictions and premises of their respective fields, but also an alternative means of approaching philosophy, art, and aesthetics. The small differences that Derrida and these artists open up through their practice radically reframe ways of thinking about their respective institutions, fields, and traditions. Proximate Difference in Aesthetics explores the interconnections of the philosophy of Jacques Derrida and the artistic practices comprising Institutional Critique as a means of both providing a framework for this heterodox approach to art and examining Derridas contributions to contemporary aesthetics. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condizione: new. Hardcover. Proximate Difference in Aesthetics: Jacques Derrida and Institutional Critique examines interconnections between the texts of Jacques Derrida and works related to Institutional Critique in art. At a juncture between philosophy and art, texts by Derrida such as Differance, Parergon, Economimesis, and Force of Law, and works by Marcel Broodthaers, Michael Asher, Mierle Laderman Ukeles, Fred Wilson, Louise Lawler, Andrea Fraser, Maria Eichhorn, and Cameron Rowland reveal shared investments in questions around the archive, the institutional frames for art, and the collision of aesthetics, economics, and the law. These juxtapositions lead to insights not only into the relevance of Derridas work to contemporary aesthetics, but also into how the approaches of Institutional Critique offer a way of thinking through issues raised by Derridas texts. In being against traditional aesthetics, Derrida and the artists under consideration brush up against the foundational premises of the institutions of philosophy, aesthetics, and art, creating productive frictions that expose not only the foundational fictions and premises of their respective fields, but also an alternative means of approaching philosophy, art, and aesthetics. The small differences that Derrida and these artists open up through their practice radically reframe ways of thinking about their respective institutions, fields, and traditions. Proximate Difference in Aesthetics explores the interconnections of the philosophy of Jacques Derrida and the artistic practices comprising Institutional Critique as a means of both providing a framework for this heterodox approach to art and examining Derridas contributions to contemporary aesthetics. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condizione: Neu. Proximate Difference in Aesthetics | Jacques Derrida and Institutional Critique | K. Malcolm Richards | Buch | Englisch | 2023 | Lexington Books | EAN 9781793624628 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Proximate Difference in Aesthetics explores the interconnections of the philosophy of Jacques Derrida and the artistic practices comprising Institutional Critique as a means of both providing a framework for this heterodox approach to art and examining Derrida's contributions to contemporary aesthetics.…