Isbn: 9781803092911 - partitioning bazaar art: popular visual culture of india and pakistan around 1947 (26 risultati)

hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

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hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

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Hardcover. Condizione: new. Hardcover. Offers insight into the links between the development of print culture and the many dynamic strains of nationalism in dialogue during the Partition of the Indian subcontinent in 1947. How did inexpensive posters influence nationalism in the decades leading up to and succeeding the Partition of the Indian subcontinent in 1947? If mechanically reproduced images that occupy public spaces reflect the aesthetics of the masses, what can a critical interpretation of subcontinental popular visual culture in the mid-twentieth century reveal about the formation of communal identities? In this essay, Yousuf Saeed studies the selective deification of leaders fighting for Indian independence. He highlights the biased representation within the domain of patriotic posters of the time and the evolving portrayal of religious minority communities in Indias popular print culture over subsequent decades. Also charts the turn popular print culture took in post-Partition Pakistan, Saeed focuses on the countrys thriving industry of Sufi-saint posters. Partitioning Bazaar Art is a timely exploration of how nationalism can be defined through popular imagery. "The text in this volume is an updated edition of a lecture delivered at the 2016 History for Peace conference 'The idea of nationalism'"--T.p. verso Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

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Hardback. Condizione: New. Offers insight into the links between the development of print culture and the many dynamic strains of nationalism in dialogue during the Partition of the Indian subcontinent in 1947.   How did inexpensive posters influence nationalism in the decades leading up to and succeeding the Partition of the Indian subcontinent in 1947? If mechanically reproduced images that occupy public spaces reflect the aesthetics of the "masses," what can a critical interpretation of subcontinental popular visual culture in the mid-twentieth century reveal about the formation of communal identities?   In this essay, Yousuf Saeed studies the selective deification of leaders fighting for Indian independence. He highlights the biased representation within the domain of "patriotic" posters of the time and the evolving portrayal of religious minority communities in India's popular print culture over subsequent decades. Also charts the turn popular print culture took in post-Partition Pakistan, Saeed focuses on the country's thriving industry of Sufi-saint posters. Partitioning Bazaar Art is a timely exploration of how nationalism can be defined through popular imagery.…

Condizione: New.

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Hardcover. Condizione: Brand New. 75 pages. 7.00x4.25x0.50 inches. In Stock.

Condizione: New. 2023. hardcover. . . . . .

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Condizione: New. 2023. hardcover. . . . . . Books ship from the US and Ireland.

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Hardcover. Condizione: New.

Condizione: New.

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Hardback. Condizione: New. New copy - Usually dispatched within 3 working days.

Hardcover. Condizione: new. Hardcover. Offers insight into the links between the development of print culture and the many dynamic strains of nationalism in dialogue during the Partition of the Indian subcontinent in 1947. How did inexpensive posters influence nationalism in the decades leading up to and succeeding the Partition of the Indian subcontinent in 1947? If mechanically reproduced images that occupy public spaces reflect the aesthetics of the masses, what can a critical interpretation of subcontinental popular visual culture in the mid-twentieth century reveal about the formation of communal identities? In this essay, Yousuf Saeed studies the selective deification of leaders fighting for Indian independence. He highlights the biased representation within the domain of patriotic posters of the time and the evolving portrayal of religious minority communities in Indias popular print culture over subsequent decades. Also charts the turn popular print culture took in post-Partition Pakistan, Saeed focuses on the countrys thriving industry of Sufi-saint posters. Partitioning Bazaar Art is a timely exploration of how nationalism can be defined through popular imagery. "The text in this volume is an updated edition of a lecture delivered at the 2016 History for Peace conference 'The idea of nationalism'"--T.p. verso Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: NEW.

Condizione: New. &Uumlber den AutorYousuf Saeed is a filmmaker, author, and archivist of random ephemera based in Delhi, India. His work includes the feature-length documentary Khayal Darpan about the state of classical music in Pakistan. .

Buch. Condizione: Neu. Neuware - Offers insight into the links between the development of print culture and the many dynamic strains of nationalism in dialogue during the Partition of the Indian subcontinent in 1947. How did inexpensive posters influence nationalism in the decades leading up to and succeeding the Partition of the Indian subcontinent in 1947 If mechanically reproduced images that occupy public spaces reflect the aesthetics of the 'masses,' what can a critical interpretation of subcontinental popular visual culture in the mid-twentieth century reveal about the formation of communal identities In this essay, Yousuf Saeed studies the selective deification of leaders fighting for Indian independence. He highlights the biased representation within the domain of 'patriotic' posters of the time and the evolving portrayal of religious minority communities in India's popular print culture over subsequent decades. Also charts the turn popular print culture took in post-Partition Pakistan, Saeed focuses on the country's thriving industry of Sufi-saint posters. Partitioning Bazaar Art is a timely exploration of how nationalism can be defined through popular imagery.…

Buch. Condizione: Neu. Partitioning Bazaar Art | Popular Visual Culture of India and Pakistan Around 1947 | Yousuf Saeed | Buch | Einband - fest (Hardcover) | Englisch | 2023 | Seagull Books | EAN 9781803092911 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Hardback. Condizione: New. Offers insight into the links between the development of print culture and the many dynamic strains of nationalism in dialogue during the Partition of the Indian subcontinent in 1947.   How did inexpensive posters influence nationalism in the decades leading up to and succeeding the Partition of the Indian subcontinent in 1947? If mechanically reproduced images that occupy public spaces reflect the aesthetics of the "masses," what can a critical interpretation of subcontinental popular visual culture in the mid-twentieth century reveal about the formation of communal identities?   In this essay, Yousuf Saeed studies the selective deification of leaders fighting for Indian independence. He highlights the biased representation within the domain of "patriotic" posters of the time and the evolving portrayal of religious minority communities in India's popular print culture over subsequent decades. Also charts the turn popular print culture took in post-Partition Pakistan, Saeed focuses on the country's thriving industry of Sufi-saint posters. Partitioning Bazaar Art is a timely exploration of how nationalism can be defined through popular imagery.…