Isbn: 9781804295045 - amphibious realities: the documentary poetics of allan sekula (30 risultati)

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  • Lingua: Inglese

    Editore: Verso Books, London, 2025

    1804295043 / 9781804295045

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    Paperback. Condizione: new. Paperback. This acute and overarching analysis of Allan Sekulas documentary poetics illuminates his critique of neoliberal capitalism through photography, film and prose. The authors trace surprising paths through his practice emphasising not merely the depicted topics but also his dialectics of form. Posing new questions about the relations between aesthetics and politics, they consider Sekulas examination of image modes alongside his radical investigations of terraqueous capitalism. Day and Edwards show how Sekulas purview from below allies motley proletarians with colour as comrade. His project of radical documentary entwines allegorical reading with uneven and combined development. Horizontal montage is addressed through both Marxisms value-form and post-Freudian anal vision. Serious subjects slide into sense of the absurd. Unexpectedly, the authors demonstrate how Sekula advances critical realism and critical irrealism. Approaching Sekulas art afresh, they offer detailed interpretations of, among other works, Aerospace Folktales (1973), Fish Story (1995), Waiting for Tear Gas (1999-2000), and The Lottery of the Sea (2006). This acute and overarching analysis of Allan Sekulas documentary poetics illuminates his critique of neoliberal capitalism through photography, film and prose. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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    Paperback. Condizione: New. The photographer, filmmaker and theorist Allan Sekula (1951-2013) was one of the most significant media intellectuals of the last fifty years, renowned for a sequence of compelling anti-capitalist artworks. This penetrating study pursues surprising paths through his practice, delineating the depicted top­ics as well as his dialectics of form. Posing new questions about the rela­tions between aesthetics and politics, Gail Day and Steve Edwards consider Sekula's examination of image modes alongside his radical investigations of terraqueous capitalism.

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    Paperback. Condizione: New. The photographer, filmmaker and theorist Allan Sekula (1951-2013) was one of the most significant media intellectuals of the last fifty years, renowned for a sequence of compelling anti-capitalist artworks. This penetrating study pursues surprising paths through his practice, delineating the depicted top­ics as well as his dialectics of form. Posing new questions about the rela­tions between aesthetics and politics, Gail Day and Steve Edwards consider Sekula's examination of image modes alongside his radical investigations of terraqueous capitalism.

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    Taschenbuch. Condizione: Neu. Neuware -This acute and overarching analysis of Allan Sekula's documentary poetics illuminates his critique of neoliberal capitalism through photography, film and prose. The authors trace surprising paths through his practice emphasising not merely the depicted topics but also his dialectics of form. Posing new questions about the relations between aesthetics and politics, they consider Sekula's examination of image modes alongside his radical investigations of terraqueous capitalism. Day and Edwards show how Sekula's purview 'from below' allies motley proletarians with 'colour as comrade'. His project of radical documentary entwines allegorical reading with uneven and combined development. Horizontal montage is addressed through both Marxism's value-form and post-Freudian 'anal vision'. Serious subjects slide into sense of the absurd. Unexpectedly, the authors demonstrate how Sekula advances critical realism and 'critical irrealism'. Approaching Sekula's art afresh, they offer detailed interpretations of, among other works, Aerospace Folktales (1973), Fish Story (1995), Waiting for Tear Gas (1999-2000), and The Lottery of the Sea (2006). 320 pp. Englisch.

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    Taschenbuch. Condizione: Neu. Neuware -This acute and overarching analysis of Allan Sekula's documentary poetics illuminates his critique of neoliberal capitalism through photography, film and prose. The authors trace surprising paths through his practice emphasising not merely the depicted topics but also his dialectics of form. Posing new questions about the relations between aesthetics and politics, they consider Sekula's examination of image modes alongside his radical investigations of terraqueous capitalism. Day and Edwards show how Sekula's purview 'from below' allies motley proletarians with 'colour as comrade'. His project of radical documentary entwines allegorical reading with uneven and combined development. Horizontal montage is addressed through both Marxism's value-form and post-Freudian 'anal vision'. Serious subjects slide into sense of the absurd. Unexpectedly, the authors demonstrate how Sekula advances critical realism and 'critical irrealism'. Approaching Sekula's art afresh, they offer detailed interpretations of, among other works, Aerospace Folktales (1973), Fish Story (1995), Waiting for Tear Gas (1999-2000), and The Lottery of the Sea (2006). 320 pp. Englisch.

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    Paperback. Condizione: New. The photographer, filmmaker and theorist Allan Sekula (1951-2013) was one of the most significant media intellectuals of the last fifty years, renowned for a sequence of compelling anti-capitalist artworks. This penetrating study pursues surprising paths through his practice, delineating the depicted top­ics as well as his dialectics of form. Posing new questions about the rela­tions between aesthetics and politics, Gail Day and Steve Edwards consider Sekula's examination of image modes alongside his radical investigations of terraqueous capitalism.

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    Paperback. Condizione: new. Paperback. This acute and overarching analysis of Allan Sekulas documentary poetics illuminates his critique of neoliberal capitalism through photography, film and prose. The authors trace surprising paths through his practice emphasising not merely the depicted topics but also his dialectics of form. Posing new questions about the relations between aesthetics and politics, they consider Sekulas examination of image modes alongside his radical investigations of terraqueous capitalism. Day and Edwards show how Sekulas purview from below allies motley proletarians with colour as comrade. His project of radical documentary entwines allegorical reading with uneven and combined development. Horizontal montage is addressed through both Marxisms value-form and post-Freudian anal vision. Serious subjects slide into sense of the absurd. Unexpectedly, the authors demonstrate how Sekula advances critical realism and critical irrealism. Approaching Sekulas art afresh, they offer detailed interpretations of, among other works, Aerospace Folktales (1973), Fish Story (1995), Waiting for Tear Gas (1999-2000), and The Lottery of the Sea (2006). This acute and overarching analysis of Allan Sekulas documentary poetics illuminates his critique of neoliberal capitalism through photography, film and prose. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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    Paperback. Condizione: new. Paperback. This acute and overarching analysis of Allan Sekulas documentary poetics illuminates his critique of neoliberal capitalism through photography, film and prose. The authors trace surprising paths through his practice emphasising not merely the depicted topics but also his dialectics of form. Posing new questions about the relations between aesthetics and politics, they consider Sekulas examination of image modes alongside his radical investigations of terraqueous capitalism. Day and Edwards show how Sekulas purview from below allies motley proletarians with colour as comrade. His project of radical documentary entwines allegorical reading with uneven and combined development. Horizontal montage is addressed through both Marxisms value-form and post-Freudian anal vision. Serious subjects slide into sense of the absurd. Unexpectedly, the authors demonstrate how Sekula advances critical realism and critical irrealism. Approaching Sekulas art afresh, they offer detailed interpretations of, among other works, Aerospace Folktales (1973), Fish Story (1995), Waiting for Tear Gas (1999-2000), and The Lottery of the Sea (2006). This acute and overarching analysis of Allan Sekulas documentary poetics illuminates his critique of neoliberal capitalism through photography, film and prose. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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    Taschenbuch. Condizione: Neu. Neuware - This acute and overarching analysis of Allan Sekula's documentary poetics illuminates his critique of neoliberal capitalism through photography, film and prose. The authors trace surprising paths through his practice emphasising not merely the depicted topics but also his dialectics of form. Posing new questions about the relations between aesthetics and politics, they consider Sekula's examination of image modes alongside his radical investigations of terraqueous capitalism. Day and Edwards show how Sekula's purview 'from below' allies motley proletarians with 'colour as comrade'. His project of radical documentary entwines allegorical reading with uneven and combined development. Horizontal montage is addressed through both Marxism's value-form and post-Freudian 'anal vision'. Serious subjects slide into sense of the absurd. Unexpectedly, the authors demonstrate how Sekula advances critical realism and 'critical irrealism'. Approaching Sekula's art afresh, they offer detailed interpretations of, among other works, Aerospace Folktales (1973), Fish Story (1995), Waiting for Tear Gas (1999-2000), and The Lottery of the Sea (2006).

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    Taschenbuch. Condizione: Neu. Amphibious Realities | The Documentary Poetics of Allan Sekula | Gail Day (u. a.) | Taschenbuch | Englisch | 2025 | Verso Books | EAN 9781804295045 | Verantwortliche Person für die EU: LOGOS EUROPE, 9 Rue Nicholas Poussin, 17000 LA ROCHELLE, FRANKREICH, contact[at]logoseurope[dot]eu | Anbieter: preigu.

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    Paperback. Condizione: New. The photographer, filmmaker and theorist Allan Sekula (1951-2013) was one of the most significant media intellectuals of the last fifty years, renowned for a sequence of compelling anti-capitalist artworks. This penetrating study pursues surprising paths through his practice, delineating the depicted top­ics as well as his dialectics of form. Posing new questions about the rela­tions between aesthetics and politics, Gail Day and Steve Edwards consider Sekula's examination of image modes alongside his radical investigations of terraqueous capitalism.