Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
EUR 30,45
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
EUR 36,21
Quantità: 12 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Digital Art History has often aligned itself with the practical concerns of digital technology and the responsibilities of art institutions and associated institutional roles such as collection managers, information specialists, curators, and conservators. This emphasis on practicalities and implementation, while undeniably important, has often meant that there is little room for critical examination of the broader implications of digital technology and computational methodologies in art history. This anthology seeks to address the dearth of critical reflection by approaching the use of digital technology in art history from a theoretical perspective and critically assessing specific case study examples. This book also considers the political dimensions associated with the large-scale digitization and the application of digital tools within museums and collection management. A long-standing concern of the field-and also a major focal point of this book-is museum and collecting practices in the digital era. While there is a certain degree of continuity in the field, there are some important shifts and changes too. One of the key changes is the widespread uptake of artificial intelligence tools and an increased attention to both the broader historical and societal aspects of the use of digital tools within museums and collection management.
Condizione: NEW.
Da: medimops, Berlin, Germania
EUR 27,06
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Paperback. Condizione: new. Paperback. Approaching the use of digital technology in art history from a theoretical perspective. Digital art history has often aligned itself with the practical concerns of digital technology and the responsibilities of art institutions and associated institutional roles such as collection managers, information specialists, curators, and conservators. This emphasis on practicalities and implementation, while undeniably important, has often left little room for critical examination of the broader implications of digital technology and computational methodologies in art history. A long-standing concern of the fieldand a major focal point of this bookis museum and collecting practices in the digital era. While there is a certain degree of continuity in the field, there are also important shifts and changes to addressnamely, the widespread uptake of artificial intelligence tools and increased attention to both the broader historical and societal aspects of the use of digital repositories and tools. This anthology seeks to address the dearth of critical reflection by critically assessing specific case study examples and considering the political dimensions associated with large-scale digitization and the application of digital tools within museums and collection management. This anthology highlights emerging critical perspectives on digitization, computational methods and datafication in art history and the museum/heritage sector. The aim is to develop a deeper understanding of the theoretical and political aspects of the use of digital tools in these areas. 25b&w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Chiron Media, Wallingford, Regno Unito
EUR 28,94
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 30,44
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 34,17
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.
Da: Revaluation Books, Exeter, Regno Unito
EUR 35,21
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 210 pages. 9.75x7.00x0.50 inches. In Stock.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 34,77
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 37,22
Quantità: 1 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.
Da: Russell Books, Victoria, BC, Canada
EUR 46,51
Quantità: 1 disponibili
Aggiungi al carrellopaperback. Condizione: New. Special order direct from the distributor.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 52,33
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New. 2024. paperback. . . . . .
Da: Revaluation Books, Exeter, Regno Unito
EUR 56,00
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 210 pages. 9.75x7.00x0.50 inches. In Stock.
Condizione: New. 2024. paperback. . . . . . Books ship from the US and Ireland.
EUR 28,06
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: NEW.
EUR 62,73
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. Approaching the use of digital technology in art history from a theoretical perspective. Digital art history has often aligned itself with the practical concerns of digital technology and the responsibilities of art institutions and associated institutional roles such as collection managers, information specialists, curators, and conservators. This emphasis on practicalities and implementation, while undeniably important, has often left little room for critical examination of the broader implications of digital technology and computational methodologies in art history. A long-standing concern of the fieldand a major focal point of this bookis museum and collecting practices in the digital era. While there is a certain degree of continuity in the field, there are also important shifts and changes to addressnamely, the widespread uptake of artificial intelligence tools and increased attention to both the broader historical and societal aspects of the use of digital repositories and tools. This anthology seeks to address the dearth of critical reflection by critically assessing specific case study examples and considering the political dimensions associated with large-scale digitization and the application of digital tools within museums and collection management. This anthology highlights emerging critical perspectives on digitization, computational methods and datafication in art history and the museum/heritage sector. The aim is to develop a deeper understanding of the theoretical and political aspects of the use of digital tools in these areas. 25b&w illus. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 33,14
Quantità: 12 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Digital Art History has often aligned itself with the practical concerns of digital technology and the responsibilities of art institutions and associated institutional roles such as collection managers, information specialists, curators, and conservators. This emphasis on practicalities and implementation, while undeniably important, has often meant that there is little room for critical examination of the broader implications of digital technology and computational methodologies in art history. This anthology seeks to address the dearth of critical reflection by approaching the use of digital technology in art history from a theoretical perspective and critically assessing specific case study examples. This book also considers the political dimensions associated with the large-scale digitization and the application of digital tools within museums and collection management. A long-standing concern of the field-and also a major focal point of this book-is museum and collecting practices in the digital era. While there is a certain degree of continuity in the field, there are some important shifts and changes too. One of the key changes is the widespread uptake of artificial intelligence tools and an increased attention to both the broader historical and societal aspects of the use of digital tools within museums and collection management.
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. Print on Demand.
Da: Majestic Books, Hounslow, Regno Unito
EUR 57,69
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. Print on Demand.
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 58,29
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. PRINT ON DEMAND.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 34,90
Quantità: 1 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This anthology highlights emerging critical perspectives on digitization, computational methods and datafication in art history and the museum/heritage sector. The aim is to develop a deeper understanding of the theoretical and political aspects of the use of digital tools in these areas. 25b&w illus.
Da: preigu, Osnabrück, Germania
EUR 46,20
Quantità: 5 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Critical Digital Art History | Interface and Data Politics in the Post-Digital Era | Amanda Wasielewski (u. a.) | Taschenbuch | Englisch | 2024 | Intellect Books | EAN 9781835950487 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.