9781844576449 - Vampyr di Rudkin, David (25 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Good. 2nd Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Described by its maker as a 'poem of horror', Vampyr (1932) is one of the founding works of psychological horror cinema, adapted from a collection of gothic stories by Sheridan Le Fanu and directed by the revered Danish director Carl Theodor Dreyer. Despite the fact that there is no definitive print and many English versions are marred by poor quality subtitles, the film remains a vivid, extraordinary artwork in which the inner human state is made hauntingly visible.In a reading as passionate as it is analytic, David Rudkin reveals how this film systematically binds the spectator - spatially and morally - into its mysterious world of the undead.This second edition features a new foreword, discussion of the Martin Koerber and Cineteca di Bologna restoration of the film in 2008, and original cover artwork by Midge Naylor.

Paperback. Condizione: new. Paperback. Described by its maker as a 'poem of horror', Vampyr (1932) is one of the founding works of psychological horror cinema, adapted from a collection of gothic stories by Sheridan Le Fanu and directed by the revered Danish director Carl Theodor Dreyer. Despite the fact that there is no definitive print and many English versions are marred by poor quality subtitles, the film remains a vivid, extraordinary artwork in which the inner human state is made hauntingly visible.In a reading as passionate as it is analytic, David Rudkin reveals how this film systematically binds the spectator spatially and morally into its mysterious world of the undead.This second edition features a new foreword, discussion of the Martin Koerber and Cineteca di Bologna restoration of the film in 2008, and original cover artwork by Midge Naylor. Vampyr is a problematic film, partly because some of it is lost. But in what remains, there are problems too. In a reading as passionate as it is analytic, a veteran dramatist and film-author reveals how, image by image, this difficult film systematically binds the spectator - spatially, and morally - into its unique world of the Undead. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. Described by its maker as a 'poem of horror', Vampyr (1932) is one of the founding works of psychological horror cinema, adapted from a collection of gothic stories by Sheridan Le Fanu and directed by the revered Danish director Carl Theodor Dreyer. Despite the fact that there is no definitive print and many English versions are marred by poor quality subtitles, the film remains a vivid, extraordinary artwork in which the inner human state is made hauntingly visible.In a reading as passionate as it is analytic, David Rudkin reveals how this film systematically binds the spectator - spatially and morally - into its mysterious world of the undead.This second edition features a new foreword, discussion of the Martin Koerber and Cineteca di Bologna restoration of the film in 2008, and original cover artwork by Midge Naylor.

Condizione: new.

Condizione: New. pp. 96.

Condizione: New. Vampyr is a problematic film, partly because some of it is lost. But in what remains, there are problems too. In a reading as passionate as it is analytic, a veteran dramatist and film-author reveals how, image by image, this difficult film systematically binds the spectator - spatially, and morally - into its unique world of the Undead. Series: BFI Film Classics. Num Pages: 96 pages, biography. BIC Classification: APFA. Category: (U) Tertiary Education (US: College). Dimension: 185 x 137 x 7. Weight in Grams: 170. . 2013. Second Edition, New edition. Paperback. . . . .

Condizione: Used - Very Good. VG paperback. 2nd edition. BFI Film Classics. A tidy copy.

Paperback. Condizione: Brand New. 2nd new edition. 96 pages. 7.25x5.25x0.50 inches. In Stock.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condizione: New. Vampyr is a problematic film, partly because some of it is lost. But in what remains, there are problems too. In a reading as passionate as it is analytic, a veteran dramatist and film-author reveals how, image by image, this difficult film systematically binds the spectator - spatially, and morally - into its unique world of the Undead. Series: BFI Film Classics. Num Pages: 96 pages, biography. BIC Classification: APFA. Category: (U) Tertiary Education (US: College). Dimension: 185 x 137 x 7. Weight in Grams: 170. . 2013. Second Edition, New edition. Paperback. . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New.

Condizione: New. pp. 96.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Paperback. Condizione: New. Described by its maker as a 'poem of horror', Vampyr (1932) is one of the founding works of psychological horror cinema, adapted from a collection of gothic stories by Sheridan Le Fanu and directed by the revered Danish director Carl Theodor Dreyer. Despite the fact that there is no definitive print and many English versions are marred by poor quality subtitles, the film remains a vivid, extraordinary artwork in which the inner human state is made hauntingly visible.In a reading as passionate as it is analytic, David Rudkin reveals how this film systematically binds the spectator - spatially and morally - into its mysterious world of the undead.This second edition features a new foreword, discussion of the Martin Koerber and Cineteca di Bologna restoration of the film in 2008, and original cover artwork by Midge Naylor.

Paperback. Condizione: new. Paperback. Described by its maker as a 'poem of horror', Vampyr (1932) is one of the founding works of psychological horror cinema, adapted from a collection of gothic stories by Sheridan Le Fanu and directed by the revered Danish director Carl Theodor Dreyer. Despite the fact that there is no definitive print and many English versions are marred by poor quality subtitles, the film remains a vivid, extraordinary artwork in which the inner human state is made hauntingly visible.In a reading as passionate as it is analytic, David Rudkin reveals how this film systematically binds the spectator spatially and morally into its mysterious world of the undead.This second edition features a new foreword, discussion of the Martin Koerber and Cineteca di Bologna restoration of the film in 2008, and original cover artwork by Midge Naylor. Vampyr is a problematic film, partly because some of it is lost. But in what remains, there are problems too. In a reading as passionate as it is analytic, a veteran dramatist and film-author reveals how, image by image, this difficult film systematically binds the spectator - spatially, and morally - into its unique world of the Undead. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Vampyr is a problematic film, partly because some of it is lost. But in what remains, there are problems too. In a reading as passionate as it is analytic, a veteran dramatist and film-author reveals how, image by image, this difficult film systematically binds the spectator - spatially, and morally - into its unique world of the Undead. Vampyr is a problematic film, partly because some of it is lost. But in what remains, there are problems too. In a reading as passionate as it is analytic, a veteran dramatist and film-author reveals how, image by image, this difficult film systematically binds the spectator - spatially, and morally - into its unique world of the Undead. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Vampyr is a problematic film, partly because some of it is lost. But in what remains, there are problems too. In a reading as passionate as it is analytic, a veteran dramatist and film-author reveals how, image by image, this difficult film systematically b.

Taschenbuch. Condizione: Neu. Neuware - Described by its maker as a 'poem of horror', Vampyr (1932) is one of the founding works of psychological horror cinema, adapted from a collection of gothic stories by Sheridan Le Fanu and directed by the revered Danish director Carl Theodor Dreyer. Despite the fact that there is no definitive print and many English versions are marred by poor quality subtitles, the film remains a vivid, extraordinary artwork in which the inner human state is made hauntingly visible.In a reading as passionate as it is analytic, David Rudkin reveals how this film systematically binds the spectator - spatially and morally - into its mysterious world of the undead.This second edition features a new foreword, discussion of the Martin Koerber and Cineteca di Bologna restoration of the film in 2008, and original cover artwork by Midge Naylor.

Paperback. Condizione: New. Described by its maker as a 'poem of horror', Vampyr (1932) is one of the founding works of psychological horror cinema, adapted from a collection of gothic stories by Sheridan Le Fanu and directed by the revered Danish director Carl Theodor Dreyer. Despite the fact that there is no definitive print and many English versions are marred by poor quality subtitles, the film remains a vivid, extraordinary artwork in which the inner human state is made hauntingly visible.In a reading as passionate as it is analytic, David Rudkin reveals how this film systematically binds the spectator - spatially and morally - into its mysterious world of the undead.This second edition features a new foreword, discussion of the Martin Koerber and Cineteca di Bologna restoration of the film in 2008, and original cover artwork by Midge Naylor.