EUR 102,13
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Aggiungi al carrelloCondizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Condizione: As New. Unread book in perfect condition.
EUR 188,84
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Condizione: New.
Lingua: Inglese
Editore: Acumen Publishing, Limited, 2004
ISBN 10: 1844650006 ISBN 13: 9781844650002
Da: Majestic Books, Hounslow, Regno Unito
EUR 200,87
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 256.
Lingua: Inglese
Editore: Acumen Publishing, Limited, 2004
ISBN 10: 1844650006 ISBN 13: 9781844650002
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 256.
EUR 211,24
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Acumen Publishing, Limited, 2004
ISBN 10: 1844650006 ISBN 13: 9781844650002
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 224,66
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 256.
EUR 187,38
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Aggiungi al carrelloCondizione: New. Sharpe, R.A.This lively and lucid introduction to the philosophy of music concentrates on the issues that illuminate musical listening and practice. It examines the conceptual debates relevant to the understanding and performing of music and grounds the.
EUR 228,11
Quantità: 1 disponibili
Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: Acumen Publishing Ltd Nov 2004, 2004
ISBN 10: 1844650006 ISBN 13: 9781844650002
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 224,77
Quantità: 2 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. Neuware - This lively and lucid introduction to the philosophy of music concentrates on the issues that illuminate musical listening and practice. It examines the conceptual debates relevant to the understanding and performing of music and grounds the philosophy to practical matters throughout. Ideal for a beginning readership with little philosophical background, the author provides an overview of the central debates enlivened by a real sense of enthusiasm for the subject and why it matters. The book begins by filling in the historical background and offers readers a succinct summary of philosophical thinking on music from the Ancient Greeks to Eduard Hanslick and Edmund Gurney. Chapter 2 explores two central questions: what is it that makes music, or, to be precise, some pieces of music, works of art And, what is the work of music per se Is it just what we hear, the performance, or is it something over and above that, something we invent or discover Chapter 3 discusses a problem pecullar to music and one at the heart of philosophical discussion of it, can music have a meaning And if so, what can it be Chapter 4 considers whether music can have value.Are there features about music that make it good, features which can be specified in criteria Is a work good if and only if it meets with the approval of an ideally qualified listener How do we explain differences of opinion Indeed, why do we need to make judgements of the relative value of pieces of music at all This engaging and stimulating book will be of interest to students of aesthetics, musical practitioners and the general reader looking for a non-technical treatment of the subject.