9781848225565 - Architecture in Conversion and the Work of Carlo Scarpa di Goffi, Federica (22 risultati)

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New. In.

Hardback. Condizione: New. The work of Modernist architect Carlo Scarpa (1906-1978) is exemplary of an in-between practice, which is neither architecture nor conservation, but rather, architecture in conversion, dependent upon time, weather, and tempo. This book discusses the notion of architecture in conversion, revealing it to be radically different from current conservation practices, and to entail more than a change of use. Scarpa's work represents 'a radical turn in how we see or understand something'.The significance of time, weather and tempo within Scarpa's work, as well as the influences of artists such as Man Ray and Emilio Vedova and composer Luigi Nono, are revealed through a close analysis of Scarpa's drawings and details from key buildings and their histories of multiple authorship. The book examines drawing as central to Scarpa's practice: in lieu of creating physical models, his muti-directional drawings foreshadow the orbital movements of digital modeling techniques.Based on discussions with many of his collaborators, the book highlights Scarpa's collaborative approach, as well as the importance of all senses in his architecture. The book concludes by introducing the notion of 'unfinished architecture', and by discussing various contemporary architects' projects which follow Scarpa's approach to conversion of buildings.

hardcover. Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 224 pages. 12.00x9.87x0.75 inches. In Stock.

Hardcover. Condizione: new. Hardcover. The work of Modernist architect Carlo Scarpa (1906-1978) is exemplary of an in-between practice, which is neither architecture nor conservation, but rather, architecture in conversion, dependent upon time, weather, and tempo. This book discusses the notion of architecture in conversion, revealing it to be radically different from current conservation practices, and to entail more than a change of use. Scarpas work represents a radical turn in how we see or understand something.The significance of time, weather and tempo within Scarpas work, as well as the influences of artists such as Man Ray and Emilio Vedova and composer Luigi Nono, are revealed through a close analysis of Scarpas drawings and details from key buildings and their histories of multiple authorship. The book examines drawing as central to Scarpas practice: in lieu of creating physical models, his muti-directional drawings foreshadow the orbital movements of digital modeling techniques.Based on discussions with many of his collaborators, the book highlights Scarpas collaborative approach, as well as the importance of all senses in his architecture. The book concludes by introducing the notion of unfinished architecture, and by discussing various contemporary architects projects which follow Scarpas approach to conversion of buildings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. The work of Modernist architect Carlo Scarpa (1906-1978) is exemplary of an in-between practice, which is neither architecture nor conservation, but rather, architecture in conversion, dependent upon time, weather, and tempo. This book discusses the notion of architecture in conversion, revealing it to be radically different from current conservation practices, and to entail more than a change of use. Scarpa's work represents 'a radical turn in how we see or understand something'.The significance of time, weather and tempo within Scarpa's work, as well as the influences of artists such as Man Ray and Emilio Vedova and composer Luigi Nono, are revealed through a close analysis of Scarpa's drawings and details from key buildings and their histories of multiple authorship. The book examines drawing as central to Scarpa's practice: in lieu of creating physical models, his muti-directional drawings foreshadow the orbital movements of digital modeling techniques.Based on discussions with many of his collaborators, the book highlights Scarpa's collaborative approach, as well as the importance of all senses in his architecture. The book concludes by introducing the notion of 'unfinished architecture', and by discussing various contemporary architects' projects which follow Scarpa's approach to conversion of buildings.

Condizione: New. 2025. hardcover. . . . . .

Condizione: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: NEW.

Hardback. Condizione: New. The work of Modernist architect Carlo Scarpa (1906-1978) is exemplary of an in-between practice, which is neither architecture nor conservation, but rather, architecture in conversion, dependent upon time, weather, and tempo. This book discusses the notion of architecture in conversion, revealing it to be radically different from current conservation practices, and to entail more than a change of use. Scarpa's work represents 'a radical turn in how we see or understand something'.The significance of time, weather and tempo within Scarpa's work, as well as the influences of artists such as Man Ray and Emilio Vedova and composer Luigi Nono, are revealed through a close analysis of Scarpa's drawings and details from key buildings and their histories of multiple authorship. The book examines drawing as central to Scarpa's practice: in lieu of creating physical models, his muti-directional drawings foreshadow the orbital movements of digital modeling techniques.Based on discussions with many of his collaborators, the book highlights Scarpa's collaborative approach, as well as the importance of all senses in his architecture. The book concludes by introducing the notion of 'unfinished architecture', and by discussing various contemporary architects' projects which follow Scarpa's approach to conversion of buildings.

Hardcover. Condizione: new. Hardcover. The work of Modernist architect Carlo Scarpa (1906-1978) is exemplary of an in-between practice, which is neither architecture nor conservation, but rather, architecture in conversion, dependent upon time, weather, and tempo. This book discusses the notion of architecture in conversion, revealing it to be radically different from current conservation practices, and to entail more than a change of use. Scarpas work represents a radical turn in how we see or understand something.The significance of time, weather and tempo within Scarpas work, as well as the influences of artists such as Man Ray and Emilio Vedova and composer Luigi Nono, are revealed through a close analysis of Scarpas drawings and details from key buildings and their histories of multiple authorship. The book examines drawing as central to Scarpas practice: in lieu of creating physical models, his muti-directional drawings foreshadow the orbital movements of digital modeling techniques.Based on discussions with many of his collaborators, the book highlights Scarpas collaborative approach, as well as the importance of all senses in his architecture. The book concludes by introducing the notion of unfinished architecture, and by discussing various contemporary architects projects which follow Scarpas approach to conversion of buildings. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condizione: Neu. Neuware - The work of Modernist architect Carlo Scarpa (1906-1978) is exemplary of an in-between practice, which is neither architecture nor conservation, but rather, architecture in conversion, dependent upon time, weather, and tempo. This book discusses the notion of architecture in conversion, revealing it to be radically different from current conservation practices, and to entail more than a change of use. Scarpa's work represents 'a radical turn in how we see or understand something'.

Hardback. Condizione: New. The work of Modernist architect Carlo Scarpa (1906-1978) is exemplary of an in-between practice, which is neither architecture nor conservation, but rather, architecture in conversion, dependent upon time, weather, and tempo. This book discusses the notion of architecture in conversion, revealing it to be radically different from current conservation practices, and to entail more than a change of use. Scarpa's work represents 'a radical turn in how we see or understand something'.The significance of time, weather and tempo within Scarpa's work, as well as the influences of artists such as Man Ray and Emilio Vedova and composer Luigi Nono, are revealed through a close analysis of Scarpa's drawings and details from key buildings and their histories of multiple authorship. The book examines drawing as central to Scarpa's practice: in lieu of creating physical models, his muti-directional drawings foreshadow the orbital movements of digital modeling techniques.Based on discussions with many of his collaborators, the book highlights Scarpa's collaborative approach, as well as the importance of all senses in his architecture. The book concludes by introducing the notion of 'unfinished architecture', and by discussing various contemporary architects' projects which follow Scarpa's approach to conversion of buildings.

Hardcover. Condizione: new. Hardcover. The work of Modernist architect Carlo Scarpa (1906-1978) is exemplary of an in-between practice, which is neither architecture nor conservation, but rather, architecture in conversion, dependent upon time, weather, and tempo. This book discusses the notion of architecture in conversion, revealing it to be radically different from current conservation practices, and to entail more than a change of use. Scarpas work represents a radical turn in how we see or understand something.The significance of time, weather and tempo within Scarpas work, as well as the influences of artists such as Man Ray and Emilio Vedova and composer Luigi Nono, are revealed through a close analysis of Scarpas drawings and details from key buildings and their histories of multiple authorship. The book examines drawing as central to Scarpas practice: in lieu of creating physical models, his muti-directional drawings foreshadow the orbital movements of digital modeling techniques.Based on discussions with many of his collaborators, the book highlights Scarpas collaborative approach, as well as the importance of all senses in his architecture. The book concludes by introducing the notion of unfinished architecture, and by discussing various contemporary architects projects which follow Scarpas approach to conversion of buildings. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.