Isbn: 9781851830084 - the wood engravings of gwen raverat (8 risultati)

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. hb, d/w, 160pp, illus.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Very good book.160pp with b/w illustrations.

Hardback. Condizione: Near Fine. Black and White illustrations. Near Fine, in Near Fine Dust Jacket. DJ protected by high-grade removable clear cover.

hardcover. Condizione: Very Good. First THUS. Silent Books; Cambridge, 1989. Hardcover. First Thus Edition. A Very Good, black cloth binding with gilt lettering on spine, binding sturdy and intact, trace handling/scuffing to boards, small book seller sticker bottom front pastedown, some age toning to pages, couple of small dents top text block edge, soiled stain bottom fore-edge, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, very mild scattered foxing to verso panels/flaps, mild spine fade, Dust wrapper. A nice and overall clean copy. 4to[quarto or approx. 11.5 x 13.5 inches], 160pp., list of titles and bibliography, b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 2nd Edition. First printing of this expanded edition incorporating the original 1959 introduction by Reynolds Stone with additional notes and bibliography by Simon Brett. Virtually as new.

Hardcover. Condizione: As New. Condizione sovraccoperta: Fine. Book appears unread, in black boards with gilt lettering on spine. Dust jacket has slight fading to spine, and some light dents and scorings. 125 pages of black and white photographic reproductions of the wood engravings of Gwen Raverat - the book itself is a photographic reproduction of the first edition, published in 1959. The light cream paper was chosen to reflect Raverat's own preference for softer tones to offset her images. Reynold Stone's introduction is carried over from the first edition, 19 further pages of prints have been added, plus Simon Brett's Postscript and an up-dated catalogue. A beautiful tribute to this wonderful artist.…

Oversize Hardback. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. A clean, unmarked copy with a tight binding. 160 pages. Small chip on top edge of black cloth boards; barely noticeable. Clean and tight with sharp corners. Slight edge wear and fading to dust jacket. A photographic reproduction of the first edition, printed by offset lithography. Selected with an introduction by Reynolds Stone; postscript and additional selection by Simon Brett. . "Gwen Raverat (1855-1957) was one of the most distinguished printmakers of the century, an artist in whose hands the medium of wood engraving became uniquely transparent to personal vision. Her world, richly populated with the symbols of her own experience set in one of the most classic traditions of Western art, is universally accessible and capable of inspiring passionate affection in those who are drawn to it, responding to her own intense reaction to the subjects she chose." [Publisher's blurb] Keywords: English, Wood Engraver, Period Piece, Cambrdige, Darwin, Bloomsbury Group, Modern, Spring Morning, Thirties, Illustrator, Prints, Printmaking, Daphnis and Chloe 2.…