Isbn: 9781852249090 - music lessons: poetry and musical form: newcastle / bloodaxe poetry lectures (24 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: New. In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It's almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it's useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson's Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA", abstract forms can be created in time in the same way that they are created in space. Finally, How strange the change looks at sensuous apprehension and the pleasure principle.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It's almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it's useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson's Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA", abstract forms can be created in time in the same way that they are created in space. Finally, How strange the change looks at sensuous apprehension and the pleasure principle. Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Used-Very Good. Pap. Slight shelf wear.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:9781852249090.

Paperback. Condizione: Brand New. 64 pages. 8.46x5.47x0.28 inches. In Stock.

Condizione: New. pp. 72.

Condizione: New. 2011. Paperback. Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson, editor of Poetry Review. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers. Num Pages: 64 pages, music. BIC Classification: DSC. Category: (G) General (US: Trade). Dimension: 216 x 137 x 6. Weight in Grams: 122. Newcastle / Bloodaxe Poetry Lectures. 64 pages, music. Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson, editor of Poetry Review. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers. Cateogry: (G) General (US: Trade). BIC Classification: DSC. Dimension: 216 x 137 x 6. Weight: 122. . . . . .…

Condizione: New. In English.

Condizione: New. pp. 72.

Condizione: new.

Condizione: New. 2011. Paperback. Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson, editor of Poetry Review. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers. Num Pages: 64 pages, music. BIC Classification: DSC. Category: (G) General (US: Trade). Dimension: 216 x 137 x 6. Weight in Grams: 122. Newcastle / Bloodaxe Poetry Lectures. 64 pages, music. Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson, editor of Poetry Review. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers. Cateogry: (G) General (US: Trade). BIC Classification: DSC. Dimension: 216 x 137 x 6. Weight: 122. . . . . . Books ship from the US and Ireland.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:9781852249090.

Paperback. Condizione: New.

Condizione: New. pp. 72.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It's almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it's useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson's Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA", abstract forms can be created in time in the same way that they are created in space. Finally, How strange the change looks at sensuous apprehension and the pleasure principle. Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condizione: New. In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It's almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it's useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson's Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA", abstract forms can be created in time in the same way that they are created in space. Finally, How strange the change looks at sensuous apprehension and the pleasure principle.…