9781859469729 - design studio vol. 3: designs on history: the architect as physical historian (17 risultati)
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Paperback. Condizione: new. Paperback. Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future.We expect historical narratives to be written in words, but they can also be delineated in drawing,cast in concrete or seeded in soil.The aim of this volume…is to understand each design as a visible and physical history. Historicalunderstanding is investigated as a stimulus to the creative process, highlighting how architects learn from each other and other disciplines. This encourages us to consider the stories about history that architects fabricate. An eminent set of international contributors reflect on the relevance of historical insight forcontemporary design, drawing on the rich visual output of innovative studios worldwide in practice and education.Wide ranging and thought-provoking articles encompass fact, fiction, memory, time, etymology,civilisation, racial segregation and more.Features: Elizabeth Dow, Pezo von Ellrichshausen, Terunobu Fujimori, PerryKulper, Lesley Lokko, Yeoryia Manolopoulou, Niall McLaughlin, Aisling OCarroll,Arinjoy Sen, Amin Taha and Sumayya Vally. Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future. We expect historical narratives to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: New. Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future.We expect historical narratives to be written in words, but they can also be delineated in drawing,cast in concrete or seeded in soil.The aim of this volume is to under…stand each design as a visible and physical history. Historicalunderstanding is investigated as a stimulus to the creative process, highlighting how architects learn from each other and other disciplines. This encourages us to consider the stories about history that architects fabricate. An eminent set of international contributors reflect on the relevance of historical insight forcontemporary design, drawing on the rich visual output of innovative studios worldwide in practice and education.Wide ranging and thought-provoking articles encompass fact, fiction, memory, time, etymology,civilisation, racial segregation and more.Features: Elizabeth Dow, Pezo von Ellrichshausen, Terunobu Fujimori, PerryKulper, Lesley Lokko, Yeoryia Manolopoulou, Niall McLaughlin, Aisling O'Carroll,Arinjoy Sen, Amin Taha and Sumayya Vally.
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Condizione: New. pp. 144.
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Condizione: New. pp. 144.
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Paperback. Condizione: Brand New. 144 pages. 9.75x8.00x0.75 inches. In Stock.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. pp. 144.
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Condizione: New. Jonathan Hill is Professor of Architecture and Visual Theory at The Bartlett School of Architecture, UCL, where he directs the MPhil/PhD Architectural Design programme and tutors MArch Unit 12. Jonathan is the author of The Illegal Ar.
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Paperback. Condizione: new. Paperback. Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future.We expect historical narratives to be written in words, but they can also be delineated in drawing,cast in concrete or seeded in soil.The aim of this volume…is to understand each design as a visible and physical history. Historicalunderstanding is investigated as a stimulus to the creative process, highlighting how architects learn from each other and other disciplines. This encourages us to consider the stories about history that architects fabricate. An eminent set of international contributors reflect on the relevance of historical insight forcontemporary design, drawing on the rich visual output of innovative studios worldwide in practice and education.Wide ranging and thought-provoking articles encompass fact, fiction, memory, time, etymology,civilisation, racial segregation and more.Features: Elizabeth Dow, Pezo von Ellrichshausen, Terunobu Fujimori, PerryKulper, Lesley Lokko, Yeoryia Manolopoulou, Niall McLaughlin, Aisling OCarroll,Arinjoy Sen, Amin Taha and Sumayya Vally. Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future. We expect historical narratives to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Condizione: New. Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future.We expect historical narratives to be written in words, but they can also be delineated in drawing,cast in concrete or seeded in soil.The aim of this volume is to under…stand each design as a visible and physical history. Historicalunderstanding is investigated as a stimulus to the creative process, highlighting how architects learn from each other and other disciplines. This encourages us to consider the stories about history that architects fabricate. An eminent set of international contributors reflect on the relevance of historical insight forcontemporary design, drawing on the rich visual output of innovative studios worldwide in practice and education.Wide ranging and thought-provoking articles encompass fact, fiction, memory, time, etymology,civilisation, racial segregation and more.Features: Elizabeth Dow, Pezo von Ellrichshausen, Terunobu Fujimori, PerryKulper, Lesley Lokko, Yeoryia Manolopoulou, Niall McLaughlin, Aisling O'Carroll,Arinjoy Sen, Amin Taha and Sumayya Vally.
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Taschenbuch. Condizione: Neu. Neuware - Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future. We expect historical narratives to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil.
