9781881616054 - Letters from the People di Friedlander, Lee (46 risultati)

Oversize hardcover with dustjacket, unpaginated; dj only good with rubbing and scattered scratches; internally as new; no internal marks. Priority and foreign shipping may be extra.

First edition and first printing. Hardcover. Large folio with 213 black and white photographs. A clean and tight near fine copy in black cloth boards with some very minute wear in a very near fine dust jacket. A much nicer than usual copy of a book that is prone to wear.

hardcover. Condizione: Used-Very Good. First Edition. Cloth, dj., folio. 213 illus. Minor wear to dj.; a nice copy. First edition.

Cloth. Condizione: New. Condizione sovraccoperta: Fine Condition. 86 pages. Hardcover. Text in English. Still in the publisher's original shrinkwrap, so the binding is tight, the edges and corners of the boards and jacket are sharp, the jacket is bright, and interior is presumably clean and free of markings. Book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Signed by Friedlander on the title page. Oversized.

Condizione: Very good.

Hardcover. Condizione: Good.

Hardcover. SIGNED. First edition, first printing. The letters of the alphabet, sayings, phrases, graffiti as found on the street. Photographs by Lee Friedlander. SIGNED BY FRIEDLANDER on the half-title; no inscription. From an unnumbered edition limited to 2750 copies. 88 pages; 213 tritone photographs; 13.75 x 15 inches. Condition: Fine hardcover in a Fine dust jacket; the back cover has a little wrinkling but the book is basically As New. All dust jackets are protected by a clear mylar cover. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted.

Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Très bon. Edition originale. Un grand volume de format 34 x 37 cm environ 84 pages et 213 photographies de Lee Friedlander. Le sujet des photo concerne des écrits dans la rue. Sur des murs, des rues, des panneaux de signalisation. Un ensemble de belles photographies en grand format. Très beau livre d'art photographique. Numéroté 9/250 et signé par l'artiste. Très bon état. Jaquette noire, titre en lettres couleur CYAN sur le premier plat et au dos. Jaquette très bien conservée. Intérieur sans défaut. Bel exemplaire. Signé par l'auteur.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Association copy, signed and inscribed in the year of publication to Robert Sobieszek in red ink on the half-title page by Friedlander ("Aug. 1993/For Robert Sobieszek/with pleasure/Lee Friedlander"). Hardcover. Fine cloth, with dust jacket. Photographs by Lee Friedlander. Includes a list of plates. 212 pp., with 213 tritone reproductions from separations by Thomas Palmer. 14-7/8 x 13-3/4 inches. This first trade edition was limited to 2750 hardbound copies. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine in Fine dust jacket. From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "A"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.]. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "Z"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 8-1/2 x 11 inches; image size approximately 6-1/4 x 9-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "E"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "N"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "7"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "6"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "8"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 8-1/2 x 11 inches; image size approximately 6-1/4 x 9-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-3/4 x 13-5/8 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "H"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "M"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 8-1/2 x 11 inches; image size approximately 6-1/4 x 9-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "W"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "P"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "B"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "Q"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "R"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 8-1/2 x 11 inches; image size approximately 6-1/4 x 9-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "X"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "L"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 8-1/2 x 11 inches; image size approximately 6-1/4 x 9-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "G"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 8-1/2 x 11 inches; image size approximately 6-1/4 x 9-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "I"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "1"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.

Hardcover. Condizione: As New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Special Limited Edition of 180 total copies, with one loose vintage gelatin silver print. For the edition, Friedlander made five prints each of thirty-six different images (one for each letter of the alphabet and one for each number from 1 through 10). This copy is one from the [unnumbered] edition of 5 (for a print of the number "5"; other letter and number print variants available). Signed in pencil on verso (not numbered), with copyright stamp in black ink on verso. Print dimensions: paper size 11 x 8-1/2 inches; image size approximately 9-1/4 x 6-1/4 inches. Print is enclosed in a heavy blue paper stock, four-flap enclosure attached to the back cover. Book with enclosed print housed in a black cloth-covered slipcase (15-1/8 x 13-3/4 inches). ABOUT THE BOOK: First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards; no dust jacket as issued (for the Special Edition). Photographs by Friedlander. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #32.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Booklist, by Gretchen Garner: "Like Friedlander's Nudes, Letters is about seeing photographically and is full of the strange, surreal found imagery, the jarring montages (really superimpositions in space), and the surgical framing that are Friedlander trademarks. The immediate subject is writing in public places--printed, painted, or hand-scrawled--that appears here first as single letters in alphabetical order, then, successively, numerals, combinations of numerals, and combinations of letters in signs and graffiti that contain messages of anger, violence, religion, sex, and love. There is no overall narrative, but the progression from elements to messages builds into a complexity of significance, ending with a graffito full of the lonely longing most graffiti betray: 'Everyday I calls a phone to her. Every night I dreams for her.' Thus a universal story is reflected, one that may be something of a projection of Friedlander's own mind, as, of course, are all these 'letters from the people.' Friedlander's work has always been best in books. Unsurprisingly, this one is superb--lavishly oversize, featuring page layouts of greater variety, and more complexly paced, as it were, than his other books." Signed by Author.