Isbn: 9781884692086 - richard phillips, adolf dietrich: painting and misappropriation (11 risultati)

Condizione: Very Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardback. Condizione: Very Good. Since 2003, American artist Richard Phillips (born 1964) has made numerous appropriations of paintings by the Swiss artist Adolf Dietrich (1877-1957). Phillips shares with Dietrich a fondness for such subjects as animals, people and landscapes, stylized into an extreme degree of artifice. Phillips' appropriations and quotations of Dietrich's motifs orient his own aims firmly within the logic of art history (specifically the modernist canon), and Dietrich, known in his day as the German Rousseau, and winning acclaim under the constrained terms of naive, also proves to be a sophisticated modernist artist. In this volume, published to accompany an exhibition at the Swiss Institute in New York, Phillips' works are presented alongside Dietrich's, accompanied by an essay on Dietrich by Phillips, a conversation between Beatrix Ruf and Phillips, a text by Dietrich scholar Dorothee Mesmer and an introduction by Gianni Jetzer and Markus Landert.…

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New. 2011. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New. 2011. hardcover. . . . . .

Condizione: New. 1st edition. Cloth, F. 87pp, colour & b/w illustrations throughout, a fine copy. Published to coincide with an exhibition of paintings by the Swiss artist Adolf Dietrich [ 1877 - 1957 ] & the American artist Richard Phillips. Phillips has repeatedly painted after Dietrich, pushing the boundaries of appropriation to the extreme. 600 grams.…

hardcover. Condizione: Collectible; Like New. First Edition; First Printing. SIGNED and inscribed by Richard Phillips. ; Tight, clean and crisp. In excellent condition. As New. ; Numerous color plates. With contributions by Beatrix Ruf and Dorothee Messmer. Published on the occasion of the exhibition at the Swiss Institute Contemporary Art, New York, May 6 - June 26, 2010 and at Kunstmuseum Thurgau, Kartause Ittingen, June - August 2011. Signed.…

Hardcover. Condizione: New. Since 2003, American artist Richard Phillips (born 1964) has made numerous appropriations of paintings by the Swiss artist Adolf Dietrich (1877-1957). Phillips shares with Dietrich a fondness for such subjects as animals, people and landscapes, stylized into an extreme degree of artifice. Phillips' appropriations and quotations of Dietrich's motifs orient his own aims firmly within the logic of art history (specifically the modernist canon), and Dietrich, known in his day as 'the German Rousseau,' and winning acclaim under the constrained terms of 'naive,' also proves to be a sophisticated modernist artist. In this volume, published to accompany an exhibition at the Swiss Institute in New York, Phillips' works are presented alongside Dietrich's, accompanied by an essay on Dietrich by Phillips, a conversation between Beatrix Ruf and Phillips, a text by Dietrich scholar Dorothee Mesmer and an introduction by Gianni Jetzer and Markus Landert.…

Hardcover. Condizione: New. Since 2003, American artist Richard Phillips (born 1964) has made numerous appropriations of paintings by the Swiss artist Adolf Dietrich (1877-1957). Phillips shares with Dietrich a fondness for such subjects as animals, people and landscapes, stylized into an extreme degree of artifice. Phillips' appropriations and quotations of Dietrich's motifs orient his own aims firmly within the logic of art history (specifically the modernist canon), and Dietrich, known in his day as "the German Rousseau," and winning acclaim under the constrained terms of "naive," also proves to be a sophisticated modernist artist. In this volume, published to accompany an exhibition at the Swiss Institute in New York, Phillips' works are presented alongside Dietrich's, accompanied by an essay on Dietrich by Phillips, a conversation between Beatrix Ruf and Phillips, a text by Dietrich scholar Dorothee Mesmer and an introduction by Gianni Jetzer and Markus Landert.…